Chip wrote:
Robin Bannister wrote:
Chip wrote:
it just resulted in messed up measures
A judicious use of time distortion may help you here.
\transpose c c'{
\hideNotes g,32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
\hideNotes c''32\glissando \unHideNotes c'4*7/8 c'4 c'4 r4 |
Hi,
from the German LilyPond-Forum (at
http://www.lilypondforum.de/index.php?topic=234.0):
In Piano music it is some times important to indicat that a note written in one
staff should be played by the hand of the other staff. This is mostly done by a
l-shaped bracket pointing towards the staff
For the second example, you can get almost the same layout using an
arpeggio with
arpeggioBracket, see
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Lines#Arpeggio
Unfortunately, the current implementation of these brackets is hardcoded
to print them to the
left of the chord. It
Why not use an invisible grace note to start the glissando? Then,
there's no need to fiddle with the timing:
\transpose c c'{
\grace{ \hideNotes g,8\glissando \unHideNotes} c'4 c'4 c'4 r4 |
\grace{\hideNotes c''8\glissando \unHideNotes} c'4 c'4 c'4 r4 |
a1\fermata \grace{\hideNotes
Yes indeed, but it should be wrapped so you could write c2\leftHand and it
would automatically collect notes from polyphonic voices and put the bracked
around them and place it at proper distance to the note... Who takes the
challenge? :-)
Greetings
Till
Original-Nachricht
Bertalan Fodor (LilyPondTool) wrote:
First can be easily achieved with a postscript markup. (Two straight
lines)
Is Postscript easier than the built-in markup commands?
\markup{\concat{ \draw-line #'(0 . 3) \draw-line #'(1 . 0)}}
The tricky part is to automatically get correct the length and
Mats Bengtsson wrote Tuesday, March 10, 2009 10:10 AM
Why not use an invisible grace note to start the glissando? Then,
there's no need to fiddle with the timing:
\transpose c c'{
\grace{ \hideNotes g,8\glissando \unHideNotes} c'4 c'4 c'4 r4 |
\grace{\hideNotes c''8\glissando \unHideNotes}
You could use PostScript in a markup to get the sort of line or bracket you
want. See attached.
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
Behalf Of till Rettig
Sent:
Am 2009-03-10 um 00:17 schrieb -Eluze:
Valentin Villenave wrote:
Perhaps Eluze was mixing up ConTeXt and ConTEXT :-)
thanks - how could I ?! I had no idea the other one also exists!
I agree that context is a bad choice as a product name, as is
latex...
Greetlings from Lake Constance
On 03.03.2009, at 19:08, Wilbert Berendsen wrote:
[ reusing annouce thread:-) ]
Hi all,
Frescobaldi 0.7.7 has been released.
http://lilykde.googlecode.com/files/frescobaldi-0.7.7.tar.gz
I'm having some difficulty actually just installing this. There's no
makefile, and no configure
Thanks for the suggestions, I was sent the following code which does the
job beautifully -
r2*1/2 \hideNotes d8\glissando \unHideNotes a'8 fs d b
Seems a bit overly complicated for adding something so simple don't ya
think? I'll have to look for some info in the docs on the time
distortion, I
Hi Chip,
Thanks for the suggestions, I was sent the following code which
does the job beautifully
Glad to hear you found a relatively easy solution.
Seems a bit overly complicated for adding something so simple don't
ya think?
From that comment, I can see you don't actually appreciate
Dear all,
1) In the following snippet, I'd like the accents to be placed above the
staff :
{
d'1- d'2- a'- a'1-
}
2) Here I want all the accents be aligned (horizontally), outside (above)
the staff :
{d'1- d'2- a'- a'1-}
\\
{d'1 d'2 a' a'1}
I played with :
\override DynamicLineSpanner
1) In the following snippet, I'd like the accents to be placed above the
staff :
{
d'1- d'2- a'- a'1-
}
First off, articulations are Script objects, so only Script overrides
will have any effect. See if perusing this page lends any clues:
On 10.03.2009, at 20:05, Germain G. Ivanoff-Trinadtzaty wrote:
Dear all,
1) In the following snippet, I'd like the accents to be placed
above the staff :
{
d'1- d'2- a'- a'1-
}
have you tried
{
d'1^ d'2^ a'^ a'1^
}
?
___
lilypond-user mailing
Dear all,
1) In the following snippet, I'd like the accents to be placed
above the staff :
{
d'1- d'2- a'- a'1-
}
have you tried
{
d'1^ d'2^ a'^ a'1^
}
?
Not suitable for my general purpose.
G.
___
lilypond-user mailing list
Thanks to Neil Thornock, I've worked it out :
1) In the following snippet, I'd like the accents to be placed above the
staff :
{
d'1- d'2- a'- a'1-
}
{
\override Script #'direction = #UP
d'1- d'2- a'- a'1-
}
2) Here I want all the accents be aligned (horizontally), outside (above)
the
2009/3/6 Stefan Thomas kontrapunktste...@googlemail.com:
Dear all,
I forgot to switch on
\override Score.VerticalAlignment #'max-stretch =
#ly:align-interface::calc-max-stretch
If I do so, the distance between topmost-Staff and TimeSig is too
large, in my opinion.
I've already explained
Hi everyone!
I've got the following problem:
I write a String Quartet; Line Break and page fit etc. work without any
problems for the violin2, the viola and the cello (log reports to fit it on
10 to 11 pages); if I now add the violin1 it works, but only until a
particular measure; from there,
On Tue, Mar 10, 2009 at 02:39:11PM -0700, grisu_76 wrote:
Hi everyone!
I've got the following problem:
I write a String Quartet; Line Break and page fit etc. work without any
problems for the violin2, the viola and the cello (log reports to fit it on
10 to 11 pages); if I now add the
Cameron Horsburgh wrote:
On Tue, Mar 10, 2009 at 02:39:11PM -0700, grisu_76 wrote:
Hi everyone!
I've got the following problem:
I write a String Quartet; Line Break and page fit etc. work without any
problems for the violin2, the viola and the cello (log reports to fit it on
10 to 11
Germain G. Ivanoff-Trinadtzaty wrote:
Thanks to Neil Thornock, I've worked it out :
1) In the following snippet, I'd like the accents to be placed above
the staff :
{
d'1- d'2- a'- a'1-
}
{
\override Script #'direction = #UP
d'1- d'2- a'- a'1-
}
2) Here I want all the accents be aligned
I want Lilypond to put the next syllable under pause, but it places it under
the next real note. Under an invisible note it does not draw text either.
This is needed because of another voice (that has not pause at that place),
the common lyrics bounded to the first one.
Thanks in advance.
--
2009/3/10 Chip c...@wiegand.org:
r2*1/2 \hideNotes d8\glissando \unHideNotes a'8 fs d b
I don't understand how this works, can someone explain the
timing to me? It looks like you have a minim rest becoming
crotchet rest through the magic of time distortion. You then
add a quaver which by my
How can I correctly suppress printing dynamics marks (which I want for the
MIDI)?
(I have a score where dynamics is indicated with note size.)
I tried
\override Score.DynamicText #'stencil = ##f
which actually works fine except I get a string of scary error messages:
programming error: cannot
\override DynamicText #'transparent = ##t
Nick
-Original Message-
From: lilypond-user-bounces+nick.payne=internode.on@gnu.org
[mailto:lilypond-user-bounces+nick.payne=internode.on@gnu.org] On
Behalf Of Kees van den Doel
Sent: Wednesday, 11 March 2009 14:20
To:
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