- Original Message -
From: Andrea La Rose andrea.lar...@gmail.com
To: lilypond-user@gnu.org
Sent: Monday, May 30, 2011 6:08 AM
Subject: Polymetric music and page breaks
Dear Collective Wisdom,
I posted here about a year ago about my piece. You were all very helpful
and
I hope you
- Original Message -
From: Phil Holmes m...@philholmes.net
To: Andrea La Rose andrea.lar...@gmail.com; lilypond-user@gnu.org
Sent: Monday, May 30, 2011 9:11 AM
Subject: Re: Polymetric music and page breaks
- Original Message -
From: Andrea La Rose andrea.lar...@gmail.com
To:
Hi to all!
In this code \repeat tremolo and \change staff
don't work fine: why?
Thanks
\version 2.13.62
csr = \change Staff = right
csl = \change Staff = left
\paper {
#(set-paper-size a4)
}
global = {
\key c \major
\time 4/4
}
right = \relative c'' {
\global
% Qui segue la musica.
I get the music as attached, with tremolo and change staff. Could you say what
you expect?
Phil Holmes
- Original Message -
From: Mario Moles
To: lilypond-user@gnu.org
Sent: Monday, May 30, 2011 9:56 AM
Subject: Strange \repeat tremolo
Hi to all!
In this code
I also get it this way.
I think he is talking about the dots in the first bar.
Best
Urs
Am 30.05.2011 11:03, schrieb Phil Holmes:
I get the music as attached, with tremolo and change staff. Could you
say what you expect?
Phil Holmes
- Original Message -
*From:* Mario Moles
Well, I'm sorry I don't understand what you're seeking for...
Actually, change Staff does work in the first bar, and there's no change
Staff inthe second, as you mention it in the code... Could you explain
what you want, svp ?
JMarc
Mario Moles a écrit :
Hi to all!
In this code \repeat
that's what I ment...
JMarc
Phil Holmes a écrit :
I get the music as attached, with tremolo and change staff. Could you
say what you expect?
Phil Holmes
- Original Message -
*From:* Mario Moles mailto:mario-mo...@libero.it
*To:* lilypond-user@gnu.org
Hi,
I am using lilypond 2.13.62 now.
The following example seems to show that \articulate has a problem with
tied chords, Or am I doing something wrong ?
---8--
\version 2.13.62
music = \relative c' {
c2~ c |
c~ e~ g~2 c e g |
}
\score {
\new Staff {
I'm sorry!
What I don't understand it is this: why in the first bar lilypond creates
dotnotes but in the second it creates correct notes?
--
oiram/bin/selom
___
lilypond-user mailing list
lilypond-user@gnu.org
Phil,
Thanks for responding. Do keep in mind that this is only an excerpt of a 40
minute piece. I excerpted enough so that the problem would be apparent. So I
realize that everything in the excerpt is unequal and therefore confusing.
There is about 10-minutes-worth of this kind of polymetry, so
Hi,
Is it only possible to use the quarter tone suffixes (ih and eh) with
the Dutch version of note names, i.e. deseh? dflateh or dfeh would be
nice too.
Thanks,
Peter
--
//=
- Peter O'Doherty
- http://www.peterodoherty.net
- m...@peterodoherty.net
- Original Message -
From: Andrea La Rose andrea.lar...@gmail.com
To: lilypond-user@gnu.org
Sent: Monday, May 30, 2011 10:20 AM
Subject: Re: Polymetric music and page breaks
Phil,
Thanks for responding. Do keep in mind that this is only an excerpt of a
40
minute piece. I excerpted
I'm absolutely no expert here, but did you try to use hidden barlines (
\bar )
If I understand the documentation correctly this allows lilypond to
break lines or pages within bars.
Of course this would really be a workaround as you'd have to do this
manually.
But if it works at all you might
Sorry, just read this in the docs:
In scores with many staves, a |\bar| command in one staff is
automatically applied to all staves. The resulting bar lines are
connected between different staves of a |StaffGroup|, |PianoStaff|,
or |GrandStaff|.
Doesn't this solve your problem
Sorry for the noise.
Just found this:
http://lists.gnu.org/archive/html/lilypond-devel/2006-08/msg00088.html
Regards,
Peter
--
//=
- Peter O'Doherty
- http://www.peterodoherty.net
- m...@peterodoherty.net
//=
I don't know - it looks like it's a bug in the way LilyPond parses tremolos.
In 2.12 it throws an error message as follow:
warning: expect 2 elements for chord tremolo, found 3
\csl
\repeat tremolo 4 { f,,16 \csr f'}\csl \repeat tremolo 4 { f,16 \csr f'}|
--
Phil Holmes
-
Andrea == Andrea La Rose andrea.lar...@gmail.com writes:
Andrea Thanks for responding. Do keep in mind that this is only an
Andrea excerpt of a 40 minute piece. I excerpted enough so that the
Andrea problem would be apparent. So I realize that everything in
Andrea the excerpt is
Laura,
Yes, I've got that in there. Still no page/line breaks, however. Thanks for
trying!
cheers,
Andrea
Laura Conrad wrote:
I haven't looked at your piece, but what I do with the Renaissance music
where there's no good place for Lily to break the score is:
\context{
Urs,
I read about hidden barlines and the \break command in the documentation,
too; and tried using them strategically across all eight parts, but that
hasn't worked. It simply un-beamed anything that is beamed.
cheers,
Andrea
Urs Liska-4 wrote:
I'm absolutely no expert here, but did you
Urs,
The staves aren't grouped because they all have independent time signatures.
None of the bars line up until after 10 minutes of music has gone by. I
tried manually entering invisible bar lines, but that had no effect.
I attached the .ly file to my original post, but here's a screen shot:
On 30 May 2011 14:42, Andrea La Rose andrea.lar...@gmail.com wrote:
Urs, The staves aren't grouped because they all have independent time
signatures. None of the bars line up until after 10 minutes of music
has gone by. I tried manually entering invisible bar lines, but that
had no effect. I
Greetings, LilyPonders -
I'm working on a transcription, and I'm running into a text problem. I need
to include a couple of paragraphs, including a quotation, and the name
Bartok is included. I cannot figure out how to include the accent on the
o. Here's what I've tried (I'm attaching a PDF of
Am Montag, 30. Mai 2011, 10:56:16 schrieb Mario Moles:
Hi to all!
In this code \repeat tremolo and \change staff
don't work fine: why?
That's simply a bug in the tremolo code: It counts all elements of the tremolo
and assumes all of them are notes. So in the first case, LilyPond sees three
Xavier,
Sweetie, it's been a headache already! I'll give the \scaleDurations a go
and report back... Thanks!
cheers,
Andrea
Xavier Scheuer wrote:
Maybe you should play with \scaleDurations in order to have a bar
that happen effectively _at the same moment_ in every staff and \break
Greetings, again -
I have a second problem with my long-text-in-a-transcription. I need to
include a small piece of music, preferably in line with the text. The
original has no clef or lines -- just notes with a slur and articulations.
I'm pretty sure I've seen a discussion about this, but I
On 30 May 2011 14:55, Ralph Palmer palmer.r.vio...@gmail.com wrote:
Greetings, LilyPonders -
I'm working on a transcription, and I'm running into a text problem. I need
to include a couple of paragraphs, including a quotation, and the name
Bartok is included. I cannot figure out how to
I looked at the manual for \scaleDurations:
http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets/Rhythms#Changing-time-signatures-inside-a-polymetric-section-using-_005cscaleDurations
But the image example that's there is not what I want the music to look
like. The image I posted is what I
On 11-05-30 03:12 AM, Martin Tarenskeen wrote:
Hi,
I am using lilypond 2.13.62 now.
The following example seems to show that \articulate has a problem
with tied chords, Or am I doing something wrong ?
---8--
\version 2.13.62
music = \relative c' {
c2~ c |
c~ e~
Is
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Formatting-text#Music-notation-inside-markup
any use?
Phil Holmes
- Original Message -
From: Ralph Palmer
To: lilypond-user Mailinglist
Sent: Monday, May 30, 2011 1:59 PM
Subject: Music in text
Greetings,
Hello,
is it possible to put chords into the bars, not above them?
When we buying some sheet paper out of any shop, first thing I do when playing
some jazz piece, is
writing down chords only, I don't need melody, I'm a guitar player, I'm just a
guy who keeps the rhythm...
So I ended up using
- Original Message -
From: Reinhold Kainhofer reinh...@kainhofer.com
To: lilypond-user@gnu.org
Cc: Lilypond Bugreports bug-lilyp...@gnu.org
Sent: Monday, May 30, 2011 1:56 PM
Subject: Re: Strange \repeat tremolo
Am Montag, 30. Mai 2011, 10:56:16 schrieb Mario Moles:
Hi to all!
In
On 29 May 2011 04:19, Roman Gorodeckij ho...@holms.lt wrote:
Hello,
is it possible to put chords into the bars, not above them?
When we buying some sheet paper out of any shop, first thing I do when
playing some jazz piece, is
writing down chords only, I don't need melody, I'm a guitar
2011/5/30 Ralph Palmer palmer.r.vio...@gmail.com
Greetings, again -
I have a second problem with my long-text-in-a-transcription. I need to
include a small piece of music, preferably in line with the text. The
original has no clef or lines -- just notes with a slur and articulations.
I'm
On Mon, 30 May 2011, Colin Campbell wrote:
On 11-05-30 03:12 AM, Martin Tarenskeen wrote:
Hi,
I am using lilypond 2.13.62 now.
The following example seems to show that \articulate has a problem with
tied chords, Or am I doing something wrong ?
c~ e~ g~2 c e g |
If you tie the chord
Phil Holmes-2 wrote:
- Original Message -
From: Reinhold Kainhofer reinh...@kainhofer.com
To: lilypond-user@gnu.org
Cc: Lilypond Bugreports bug-lilyp...@gnu.org
Sent: Monday, May 30, 2011 1:56 PM
Subject: Re: Strange \repeat tremolo
Am Montag, 30. Mai 2011, 10:56:16 schrieb
On 5/30/11 1:08 AM, Andrea La Rose wrote:
Dear Collective Wisdom,
I posted here about a year ago about my piece. You were all very helpful and
I hope you can help me once again. Yes, it's the same pesky piece.
I've entered all the parts and need to finish editing it.
Dear Andrea,
right now I have to develop heavliy on something else ... so this is just a
short intermission and might not be the help you are asking for ...
this is just, what I did, typesetting a polymetric song of my beloved uncle,
where I also got into trouble with page/line breaking:
Hello,
An exerpt of code that I would need compiles when isolated in a small file but
does not compile when inserted in the whole piece, giving the following
expecting Context error message:
%lilypond %args
/Users/karimbarkati/Projets/TEP/Partition/LaColereDuSoleil.ly
Traitement de «
That's it, Phil! Thanks,
Ralph
On Mon, May 30, 2011 at 9:28 AM, Phil Holmes m...@philholmes.net wrote:
Is
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Formatting-text#Music-notation-inside-markup
any
use?
Phil Holmes
- Original Message -
*From:* Ralph Palmer
Hello list,
When writing 4-voice chorals (2 voices each in 2 staffs) and hymns it is good
style to display the lyrics under the complete system, under the second staff,
but align them to the melody which is normaly the highest voice.
How can I do this? I want to write my lyrics for the melody,
Edward Neeman wrote:
Edward,
Copying and pasting your code did create page breaks, but then the rest of
the piece was out of synch; clearly, I'm missing some details. But it's a
start! Thanks!
cheers,
Andrea
On 5/30/11 1:08 AM, Andrea La Rose
Hello Nils,
since the corresponding melody is first in your staff order, you can have a
named voice in the highest staff and then create lyrics referring to it
elsewhere:
--snip--
\version 2.12.3
mylyrics = \lyricmode { a b c d }
\new Lyrics = upper { s4 }
\new Staff
\new Voice = mel {
Jan-Peter,
That is fantastic work! Thanks for sharing it. Unfortunately, neither my
math nor my coding skills are anywhere near yours.
Another issue is that I am creating a score where only parts exist at this
point. (There was a handwritten score that I made the parts from, but that's
on the
Hi,
is there a way to embed a rhythmic staff (only a single line, which only
displays rhythms, not pitches) into normal music (here: singing voice)?
So, I want to have some melody, then a single rhythmic bar with some rhythm
and then some melody again.
Le 30/05/2011 21:05, Andrea La Rose a écrit :
Jan-Peter,
That is fantastic work! Thanks for sharing it. Unfortunately, neither my
math nor my coding skills are anywhere near yours.
Another issue is that I am creating a score where only parts exist at this
point. (There was a
On May 27, 2011, at 10:48 PM, Xavier Scheuer wrote:
The LSR is undoubtedly a great source of tips for LilyPond Users.
I'd like to thank Sebastiano Vigna and the University of Milan for
developing such a good idea and hosting it.
Sometimes —unfortunately— the LSR come down (it happens
On 28/05/11 11:27, Carl Sorensen wrote:
On 5/27/11 3:39 PM, Nick Paynenick.pa...@internode.on.net wrote:
Should the order of appearance of scripts attached to different notes on
chords have an effect on their vertical ordering if different script
priorities have been set? If I set different
On Mon, May 30, 2011 at 9:04 AM, Xavier Scheuer x.sche...@gmail.com wrote:
On 30 May 2011 14:55, Ralph Palmer palmer.r.vio...@gmail.com wrote:
Greetings, LilyPonders -
I'm working on a transcription, and I'm running into a text problem. I
need
to include a couple of paragraphs,
Martin == Martin Tarenskeen m.tarensk...@zonnet.nl writes:
Martin I am using lilypond 2.13.62 now. The following example seems
Martin to show that \articulate has a problem with tied chords, Or am
Martin I doing something wrong ?
No, you're not doing anything wrong. You've just run into an
Thanks very much, Xavier.
After the passage how can I revert the stem length, flag, and direction
settings to their default values?
% extend the stems to reach the other staff
\override Stem #'length = #15
% do not print extra flags
\override Stem #'flag-style = #'no-flag
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