Re: Sub-music

2011-06-20 Thread Johan Vromans
Reinhold Kainhofer reinh...@kainhofer.com writes: Ah, okay. The main problem here is lilypond does not have any native support for D.C./D.S./Fine structures... That's the origin of the problem, although being able to extract pieces of music provides more functionality. Fold out, the piece

Re: Dilemma with spacer rest and cross-staff polyphony.

2011-06-20 Thread Xavier Scheuer
On 20 June 2011 01:20, Hwaen Ch'uqi hwaench...@gmail.com wrote: Dear Xavier, Greetings, and many thanks for your solution of code -- and especially for your explanation. It works beautifully now, and I fully comprehend! Great, glad I could help! Cheers, Xavier -- Xavier Scheuer

Editors? Emacs bindings for Frescobaldi?

2011-06-20 Thread James Harkins
I'm in search of the best of both worlds ly editor. I've gotten started with Frescobaldi. Autocompletion is invaluable, and the integrated PDF view and help browser is a real lifesaver. But, I use Emacs for just about everything else. So I had a look at LilyPond mode. + Documentation is

Re: Editors? Emacs bindings for Frescobaldi?

2011-06-20 Thread Christopher R. Maden
On 06/20/2011 05:28 AM, James Harkins wrote: - PDF display is treated as a compilation process. To view a new rendering, I'm forced to close the old viewer window first (!). (Also a bit of sloppiness in the Emacs variable handling -- since I don't have xpdf on my system, I changed the

Re: chord name spacing bug?

2011-06-20 Thread Jean-Alexis Montignies
On 15 juin 2011, at 08:08, Keith OHara wrote: Jean-Alexis Montignies ja at montignies.info writes: I have a small example, I have hard time finding a shorter one. Should I fill this as a bug? I think so. Do you think this shorter example demonstrates the same bug as what caused you

Re: Editors? Emacs bindings for Frescobaldi?

2011-06-20 Thread Brett McCoy
On Mon, Jun 20, 2011 at 5:28 AM, James Harkins jamshar...@gmail.com wrote: I'm in search of the best of both worlds ly editor. I've gotten started with Frescobaldi. Autocompletion is invaluable, and the integrated PDF view and help browser is a real lifesaver. But, I use Emacs for just

Re: Editors? Emacs bindings for Frescobaldi?

2011-06-20 Thread James Harkins
At Mon, 20 Jun 2011 07:51:54 -0400, Christopher R. Maden wrote: What OS are you using? I use Evince under Ubuntu/GNOME to view PDF files, and it automatically notes when the file has changed. When I recompile in Emacs, Evince refreshes the view momentarily afterward. Evince or one of the

Re: Sub-music

2011-06-20 Thread Phil Holmes
- Original Message - From: Gilles gilles.thiba...@free.fr To: lilypond-user@gnu.org; Phil Holmes m...@philholmes.net Sent: Sunday, June 19, 2011 11:22 PM Subject: Re: Sub-music To get the last version and get documentations about the function extractMusic, please follow this link :

Re: Editors? Emacs bindings for Frescobaldi?

2011-06-20 Thread James Harkins
At Mon, 20 Jun 2011 09:20:43 -0400, Brett McCoy wrote: I've used both the emacs lilypond mode and Frescobaldi. I like the emacs mode because, well, it's emacs, but in the end, though, I think I prefer using Frescobaldi just because it has more music-related features than emacs... Oh, right...

Re: Sub-music

2011-06-20 Thread Phil Holmes
-- Phil Holmes - Original Message - From: Gilles gilles.thiba...@free.fr To: lilypond-user@gnu.org; Phil Holmes m...@philholmes.net Sent: Sunday, June 19, 2011 11:22 PM Subject: Re: Sub-music To get the last version and get documentations about the function extractMusic,

Re: Editors? Emacs bindings for Frescobaldi?

2011-06-20 Thread Brett McCoy
On Mon, Jun 20, 2011 at 9:28 AM, James Harkins jamshar...@gmail.com wrote: At Mon, 20 Jun 2011 09:20:43 -0400, Brett McCoy wrote: I've used both the emacs lilypond mode and Frescobaldi. I like the emacs mode because, well, it's emacs, but in the end, though, I think I prefer using Frescobaldi

RE: Pitch-bent note's release-phase

2011-06-20 Thread Richard Sabey
Hello, Graham, and thank you for responding. Since sending my initial enquiry to this list I have indeed written an app which confirmed to me what you say. Thanks also for that Python app. I plumped for your Python v.3.2 version and installed Python v.3.2 accordingly. There is a problem, in

Reverting to the 2.13.46 font

2011-06-20 Thread Jon Toohill
Hi all, I noticed that since upgrading to 2.14, the default font for lyrics has changed. I built both versions on Mac OSX 10.6.7, and compiled the same input file for both. I tried editing font.scm to use Century Schoolbook L,serif and rebuilding from source, to no avail. The typeface is still

Re: Reverting to the 2.13.46 font

2011-06-20 Thread Phil Holmes
- Original Message - From: Jon Toohill stoneth...@gmail.com To: lilypond-user@gnu.org Sent: Monday, June 20, 2011 3:11 PM Subject: Reverting to the 2.13.46 font Hi all, I noticed that since upgrading to 2.14, the default font for lyrics has changed. I built both versions on Mac OSX

Re: Reverting to the 2.13.46 font

2011-06-20 Thread Xavier Scheuer
On 20 June 2011 16:11, Jon Toohill stoneth...@gmail.com wrote: Hi all, I noticed that since upgrading to 2.14, the default font for lyrics has changed. I built both versions on Mac OSX 10.6.7, and compiled the same input file for both. I tried editing font.scm to use Century Schoolbook

Re: Reverting to the 2.13.46 font

2011-06-20 Thread Phil Holmes
- Original Message - From: Xavier Scheuer x.sche...@gmail.com To: Jon Toohill stoneth...@gmail.com Cc: lilypond-user@gnu.org Sent: Monday, June 20, 2011 4:28 PM Subject: Re: Reverting to the 2.13.46 font On 20 June 2011 16:11, Jon Toohill stoneth...@gmail.com wrote: Hi all, I

Re: Reverting to the 2.13.46 font

2011-06-20 Thread Bernardo Barros
I think it's a bug that happens only in latest MacOS/Darwin release. You could downgrade MacOS to fix the problem. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Pitch-bent note's release-phase

2011-06-20 Thread Graham Breed
Richard Sabey richardsa...@hotmail.co.uk wrote: Since sending my initial enquiry to this list I have indeed written an app which confirmed to me what you say. Right. I also have a file that shows Timidity will share the tuning of a note even between channels, so that F and F# come out the

Re: Polymetric music and page breaks

2011-06-20 Thread Andrea La Rose
Dear Collective Wisdom, I'm at it again and trying new things. It looks promising, but still not working right. I looked at this snippet again: http://lilypond.org/doc/v2.14/Documentation/snippets/rhythms#printing-music-with-different-time-signatures And realized I missed this little tidbit:

Re: Reverting to the 2.13.46 font

2011-06-20 Thread Xavier Scheuer
On 20 June 2011 17:47, Jon Toohill stoneth...@gmail.com wrote: Whoops, I wrote that backwards. The older font (the one I want) is on the right, whereas the newer font that I'm seeing in 2.14 is on the left. Sorry for the confusion. And, in retrospect, I'm not seeing the problem on Linux. In

Re: Polymetric music and page breaks

2011-06-20 Thread Phil Holmes
- Original Message - From: Andrea La Rose andrea.lar...@gmail.com To: lilypond-user@gnu.org Sent: Monday, June 20, 2011 5:09 PM Subject: Re: Polymetric music and page breaks Dear Collective Wisdom, I'm at it again and trying new things. It looks promising, but still not working

Re: Sub-music

2011-06-20 Thread Gilles
I've put those updates into the old snippet (http://lsr.dsi.unimi.it/LSR/Item?id=542). If you're happy with that, the new one can be deleted, I think. That's perfect, thank you. New snippet (764) deleted. Gilles ___ lilypond-user mailing list

Re: Semantics of Lilypond syntax highlighting

2011-06-20 Thread Hans Aberg
On 20 Jun 2011, at 19:00, Garrett Fitzgerald wrote: I usually use the emacs tool to write lilypond code, but I use Notepad++ for the rest of my editing. I'm trying to do a lilypond UDL for the Zenburn scheme I'm currently using (http://victorgavin.co.uk/zenburn/), but I'm having trouble

Re: Sub-music

2011-06-20 Thread Johan Vromans
Phil Holmes m...@philholmes.net writes: If you just click on the image of the old and new snippet, you'll see the same code, but in the LSR 764, there is a link to a directory where you can download the last version. ( http://gillesth.free.fr/Lilypond/extractMusic/ ) A lot of features have

Cued notes with partCombine

2011-06-20 Thread Garrett Fitzgerald
I was trying to re-set the first clarinet part for Fucik's Florentiner March from a copied, enlarged marching band part. Using partCombine, it went fairly well, except for the cued piccolo solo. Can anyone clue me in on what I did wrong here? It works fine as I have it below, but if I move the

Changing StaffSymbol's line-count

2011-06-20 Thread Fabian Binz
Hi, some time ago I asked how to embed a RhythmicStaff into a normal Staff. I was pointed to \improvisationOn/Off, which worked for the moment. Unfortunately, now I really want to have some kind of RhythmicStaff inside a normal Staff, so I again tried to find a way to do it and found the

Re: Changing StaffSymbol's line-count

2011-06-20 Thread -Eluze
Fabian Binz wrote: Hi, some time ago I asked how to embed a RhythmicStaff into a normal Staff. I was pointed to \improvisationOn/Off, which worked for the moment. Unfortunately, now I really want to have some kind of RhythmicStaff inside a normal Staff, so I again tried to find

Re: Cued notes with partCombine

2011-06-20 Thread Keith OHara
Garrett Fitzgerald sarekofvulcan at gmail.com writes: Using partCombine, it went fairly well, except for the cued piccolo solo. partCombine cannot handle more than two Voices, so the cued notes in their separate CueVoice mess up the part combining. Usually, you put the cues in the parts,

Re: Cued notes with partCombine

2011-06-20 Thread Garrett Fitzgerald
On Mon, Jun 20, 2011 at 18:45, Keith OHara k-ohara5...@oco.net wrote: If you are printing two parts on one staff, then you probably don't want partCombine, but rather two voices \clarinetOne // \clarinetTwo but then you have to insert \voiceOne and \voiceTwo as apporpriate into the two

Re: Cued notes with partCombine

2011-06-20 Thread Keith OHara
On Mon, 20 Jun 2011 16:41:11 -0700, Garrett Fitzgerald sarekofvul...@gmail.com wrote: On Mon, Jun 20, 2011 at 18:45, Keith OHara k-ohara5...@oco.net wrote: \clarinetOne // \clarinetTwo Oops. \clarinetOne \\ \clarinetTwo That syntax didn't work for me for some reason, but I'm pretty

orchestra and individual parts

2011-06-20 Thread Marc Mouries
The common templates for orchestral music require to remove comments when using separate files. (ex: http://lsr.dsi.unimi.it/LSR/Item?id=359). I am using the following structure that does not require commenting and un-commenting the score parts but this requires to create one more file for each

Re: orchestra and individual parts

2011-06-20 Thread Keith OHara
Marc Mouries marc at mouries.net writes: The common templates for orchestral music require to remove comments when using separate files. (ex: http://lsr.dsi.unimi.it/LSR/Item?id=359). I am using the following structure that does not require commenting and un-commenting the score parts but

Snippet: Tie does not appear

2011-06-20 Thread Ivan Kuznetsov
Snippet: Tie does not appear Why does the tie between the two low E naturals that I have indicated in the snippet below not appear in the notation? Thanks. \version 2.12.3 \include english.ly \score { \new Staff = guitar { \clef treble_8 \time 4/4 % guitar m01

Re: Snippet: Tie does not appear

2011-06-20 Thread Keith OHara
Ivan Kuznetsov ivan.k.kuznetsov at gmail.com writes: Why does the tie between the two low E naturals that I have indicated in the snippet below not appear in the notation? The two low E naturals are in different voices. Lilypond only looks within the same voice to complete ties, because

Re: Snippet: Tie does not appear

2011-06-20 Thread James Harkins
At Mon, 20 Jun 2011 21:59:24 -0500, Ivan Kuznetsov wrote: Why does the tie between the two low E naturals that I have indicated in the snippet below not appear in the notation? The e's are in different voices. I'm fairly new to ly, but it didn't take me too long to find that ties are not

Re: Snippet: Tie does not appear

2011-06-20 Thread Colin Campbell
On 11-06-20 08:59 PM, Ivan Kuznetsov wrote: Snippet: Tie does not appear Why does the tie between the two low E naturals that I have indicated in the snippet below not appear in the notation? Thanks. \version 2.12.3 \include english.ly http://english.ly \score { \new Staff = guitar

Re: Editors? Emacs bindings for Frescobaldi?

2011-06-20 Thread Peter Chubb
James == James Harkins jamshar...@gmail.com writes: James At Mon, 20 Jun 2011 07:51:54 -0400, Christopher R. Maden wrote: What OS are you using? I use Evince under Ubuntu/GNOME to view PDF files, and it automatically notes when the file has changed. When I recompile in Emacs, Evince

Re: Snippet: Tie does not appear

2011-06-20 Thread Nick Payne
On 21/06/11 12:59, Ivan Kuznetsov wrote: \version 2.12.3 \include english.ly http://english.ly \score { \new Staff = guitar { \clef treble_8 \time 4/4 % guitar m01 { s2. g'8. [e,16~] } \\ { r2. f8 [b8] } % guitar m02 { fs f' a'4. g'

Re: Editors? Emacs bindings for Frescobaldi?

2011-06-20 Thread James Harkins
At Tue, 21 Jun 2011 13:33:48 +1000, Peter Chubb wrote: I just do C-c C-c and then View --- xpdf then runs in the background. C-c C-c again reruns lilypond, hit R in the Xpdf window and it refreshes. Done! Thanks for the tips, will play with it some more. I'm actually leaning back toward

Re: Editors? Emacs bindings for Frescobaldi?

2011-06-20 Thread Peter Chubb
James == James Harkins jamshar...@gmail.com writes: James At Tue, 21 Jun 2011 13:33:48 +1000, Peter Chubb wrote: I just do C-c C-c and then View --- xpdf then runs in the background. C-c C-c again reruns lilypond, hit R in the Xpdf window and it refreshes. Done! James Hm... no, that's not