On 13/03/12 10:21, Thomas Morley wrote:
2012/3/11 David Kastrupd...@gnu.org:
Thomas Morleythomasmorle...@googlemail.com writes:
Hi Nick,
2012/3/9 Nick Paynenick.pa...@internode.on.net:
Thanks. I gave it a try. The one shortcoming I've found is that the ends of
LV ties on a chord
On Mar 13, 2012, at 4:25 AM, David Nalesnik wrote:
I've defined a grob, Frame, and given it several properties. One of these,
'padding, adds space between the frame and its contents, as you would expect.
The length of the continuation line is controlled by the property
'extender-length.
- Original Message -
From: Kieren MacMillan kieren_macmil...@sympatico.ca
To: Vaughan McAlley vaug...@mcalley.net.au
Cc: lilypond-user lilypond-user@gnu.org
Sent: Tuesday, March 13, 2012 4:09 AM
Subject: Re: Sibelius user looking for the easiest way to learn LilyPond
Hi Vaughan,
Did you try to press number 3 in sibelius..i think it would create a
third interval..and so on..i'm not sure..
On Tue, Mar 13, 2012 at 8:57 AM, Phil Holmes m...@philholmes.net wrote:
- Original Message - From: Kieren MacMillan
kieren_macmil...@sympatico.ca
To: Vaughan McAlley
Hi Mike,
Excellent work!
I'm glad you think so!
I've attached a new file that addresses some of the issues you identify
above:
--) It uses axis-group::width to box accidentals
Beautiful! Now there's really no need for the extra padding properties.
(I've kept them in the attached
Thanks for saving me.
I knew it would be possible :-)
Uwe
--
Quoting Trevor Daniels t.dani...@treda.co.uk:
Uwe, you wrote Monday, March 12, 2012 2:32 AM
I have just started to use lilypond to set some drum scores. As I
need to add a
few patches of backing vocals, I'd attempted to add
Ah, Trevor, the simple example worked well with your advice (thanks again),
but I am lost in real life ...:
\score {
\new DrumStaff
%% done some redefinitions, hope that doesn't affect anything, omitted
here ...
% \set DrumStaff.drumStyleTable = #(alist-hash-table mydrums)
\new DrumVoice =
Thomas == Thomas Morley thomasmorle...@googlemail.com writes:
Thomas \version 2.14.2 \include articulate.ly
Thomas \score { \unfoldRepeats \articulate \relative c' { c8-. d-.
Thomas e-. f-. g-.-rall f-. e-. d-. c-. d-. e-. f-. g-.
Thomas f-. e-. d-. c1-. }
Thomas \midi { } }
Dear all, I had not subscribed to the lsit until just a few minutes
ago, hence my reply below was received by trevor but not by the list.
Should work now ..
Uwe
- Forwarded message from fa...@horst.in-chemnitz.de -
Date: Mon, 12 Mar 2012 18:05:11 +0100
From: Uwe Falke
Is there a way to expand and contract the horizontal spacing on a
measure-to-measure basis? For a simple example, three measures of quarter
notes:
a4 a4 a4 a4
a4 a4 a4 a4
a4 a4 a4 a4
Can I get the second measure to be widely spaced and then the third measure
back to more closely spaced?
Many
Stjepan Horvat zvanste...@gmail.com writes:
Did you try to press number 3 in sibelius..i think it would create a
third interval..and so on..i'm not sure..
Now this is actually a great example about what makes LilyPond so much
better to work in the long run with than Sibelius or other
Hm, this works in my simple example. Thank you. However, it does not
so for what I really want to do - sorry for having oversimplified.
I just sent another example which is a snippet of the real score,
employing two \DrumVoice contexts, and that might be the turning
point: I read :
This
Hello,
I'd like to write this song with Lilypond:
http://www.taize.fr/spip.php?page=chantsong=203lang=en
(in fact I'm writing with portuguese lyrics)
Just so you don't need to click the site, here's the problem. Many of these
songs have identical rhythm, except for some parts. When the rhythm is
Quoting Trevor Daniels t.dani...@treda.co.uk:
Uwe Falke wrote Monday, March 12, 2012 5:05 PM
Ah, Trevor, the simple example worked well with your advice (thanks again),
but I am lost in real life ...:
[snip]
You had
\notemode { \new staff { r4 a4 fis2 } }
Staff needs a
2012/3/13 David Kastrup d...@gnu.org:
Stjepan Horvat zvanste...@gmail.com writes:
Did you try to press number 3 in sibelius..i think it would create a
third interval..and so on..i'm not sure..
Now this is actually a great example about what makes LilyPond so much
better to work in the long
Hi Nick,
I also played around with trying to make a callback function for \override
LaissezVibrerTie #'control-points, but although Lilypond gives no error on
the console, the LV tie doesn't appear at all when I try to use the
callback.
The following should work. (I've also substituted in a
On 3/13/2012 10:01 AM, David Kastrup wrote:
Stjepan Horvatzvanste...@gmail.com writes:
Did you try to press number 3 in sibelius..i think it would create a
third interval..and so on..i'm not sure..
Now this is actually a great example about what makes LilyPond so much
better to work in the
I tried sending this earlier, but didn't receive it myself, so I am
trying again.
I am trying to figure out how I can get Old Style numerals to be used
for the page numbers. I found some lilypond scheme code here
(http://www.mrlauer.org/music/) that defines a markup command
oldStyleNum that will
2012/3/13 eriksbike eriksb...@yahoo.com:
Is there a way to expand and contract the horizontal spacing on a
measure-to-measure basis? For a simple example, three measures of quarter
notes:
a4 a4 a4 a4
a4 a4 a4 a4
a4 a4 a4 a4
Can I get the second measure to be widely spaced and then the
On Mon, Mar 12, 2012 at 2:52 PM, John Link johnl...@nyc.rr.com wrote:
On Mar 12, 2012, at 9:42 AM, David Bobroff wrote:
On 3/11/2012 6:39 PM, John Link wrote:
A few years ago I was encouraged to try LilyPond as an alternative to
Sibelius because LilyPond produced more beautiful scores. I
I am trying to figure out how I can get Old Style numerals to be used for the
page numbers. I found some scheme code here (http://www.mrlauer.org/music/)
that defines a markup command oldStyleNum that will replace any digit with the
unicode string for the appropriate old style numeral.
eriksbike wrote:
Is there a way to expand and contract the horizontal spacing on a
measure-to-measure basis? For a simple example, three measures of quarter
notes:
a4 a4 a4 a4
a4 a4 a4 a4
a4 a4 a4 a4
Can I get the second measure to be widely spaced and then the third
measure back to
2012/3/13 Francisco Vila paconet@gmail.com:
{
\override Score.SpacingSpanner
#'base-shortest-duration = #(ly:make-moment 1 2)
b4 b b b
\newSpacingSection
\override Score.SpacingSpanner
#'base-shortest-duration = #(ly:make-moment 1 16)
b4 b b b
\newSpacingSection
\override
Hello,
On 13 March 2012 12:02, Rodolfo Zitellini xhero...@gmail.com wrote:
...
If you are used to
finale/sibelius, this is indeed shocking as the first times you use
lilypond it is very difficult to correlate your textual input to what
will end up in the pdf. It took me some deal of time
Hello,
On 13 March 2012 17:15, Francisco Vila paconet@gmail.com wrote:
2012/3/13 Francisco Vila paconet@gmail.com:
{
\override Score.SpacingSpanner
#'base-shortest-duration = #(ly:make-moment 1 2)
b4 b b b
\newSpacingSection
\override Score.SpacingSpanner
For me..After moving to Lilypond 3, 4 years ago..When i changed to NO
MOUSE interface..i stoped having headaches couse i didnt have to look
in the music sheet for the wrong notes..and didnt have to think of
kombinations of keys and clicking with mouse..Now when i typeset music
and if i'm not lazy
2012/3/13 James pkx1...@gmail.com:
Hello,
On 13 March 2012 17:15, Francisco Vila paconet@gmail.com wrote:
2012/3/13 Francisco Vila paconet@gmail.com:
{
\override Score.SpacingSpanner
#'base-shortest-duration = #(ly:make-moment 1 2)
b4 b b b
\newSpacingSection
\override
2012/3/13 Felipe Pereira felmas...@gmail.com:
Hello,
I'd like to write this song with Lilypond:
http://www.taize.fr/spip.php?page=chantsong=203lang=en
(in fact I'm writing with portuguese lyrics)
Just so you don't need to click the site, here's the problem. Many of these
songs have
Hello,
On 13 March 2012 17:39, Francisco Vila paconet@gmail.com wrote:
2012/3/13 James pkx1...@gmail.com:
Hello,
What would one use if (for instance) one wanted all notes to touch or
rather be exactly touching the edge of the 'note column' of the
previous note so if I were to write
Hello
On 13 March 2012 15:40, Benjamin Bloomfield bhb...@gmail.com wrote:
I tried sending this earlier, but didn't receive it myself, so I am
trying again.
For some reason this email ended up marked as 'spam' for me. So maybe
that was the reason?
--
--
James
James wrote:
Oh if you've ever had to transcribe a piece of 'real' music (by real I
mean an old dog-eared printed complete score that's in the 'wrong'
pitch for your instrument) I cannot believe that typing letters on a
keyboard is anything but *significantly* faster than dragging and
On Mon, Mar 12, 2012 at 9:50 AM, Wilbert Berendsen wbs...@xs4all.nl wrote:
Please let me know the things you miss most! Note that F2 is only
(roughly) one year old and really written from scratch, the first commit
is of Nov 11, 2012. I intend to keep developing and adding new
features. I think
I was trying to make a callback function to lengthen LV ties (thanks to
David Nalesnik for his help). It works fine when applied to single
notes, but on a chord, only one of the two ties is lengthened. Is this
due to an error in the code below or some more deep-rooted problem. If I
reverse the
Hi Nick,
I was trying to make a callback function to lengthen LV ties (thanks to
David Nalesnik for his help). It works fine when applied to single notes,
but on a chord, only one of the two ties is lengthened. Is this due to an
error in the code below or some more deep-rooted problem. If I
On 8 mars 2012, at 07:51, Janek Warchoł wrote:
On Wed, Mar 7, 2012 at 11:14 PM, Jean-Alexis Montignies
j...@montignies.info wrote:
On 7 mars 2012, at 22:14, Janek Warchoł wrote:
As for your question, any reason not to set page-count = #1 to force
Lily to fill one page only?
Yes: I
2012/3/13 Peter Chubb peter.ch...@nicta.com.au:
If I add a \displayLilyMusic before the \unfoldRepeats I see:
{
{ c'8*1/2 r } { d' r } { e' r } { f' r } { \set tempoWholesPerMinute =
#(ly:make-moment 9 1 0 1)
{ g'-rall r } } { f' r } { e' r } { d' r } { c' r } { d' r } { e' r
I did not use (or do not remember to) the KDE version and do not
'miss' all those things, but
2012/3/13 Valentin Villenave valen...@villenave.net:
- aesthetically speaking, the difference is huge and the interface
looks a lot less pretty (pinkish background in the PDF preview: wtf?).
I think
2012/3/13 Tim Roberts t...@probo.com:
Amen. There are people who tell me they can do data entry in Finale
quite efficiently using a MIDI keyboard, but for me, from a standard
computer keyboard, entering LilyPond data could not be more efficient.
I used to master Finale's Speedy Entry and
Looks like there's been a semantic change in Lilypond.
It used to be you could
\set tempoWholesPerMinute = 60
or similar anywhere in the Lilypond input and the result would be a
tempo change at that point. It looks as if now there's a different
event, TempoChangeEvent, that does the work.
Many thanks!
Francisco Vila wrote:
2012/3/13 eriksbike eriksb...@yahoo.com:
Is there a way to expand and contract the horizontal spacing on a
measure-to-measure basis? For a simple example, three measures of quarter
notes:
a4 a4 a4 a4
a4 a4 a4 a4
a4 a4 a4 a4
Can I get the second
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