Hello all,
In Learning Manual
3.3.4 Modifying context properties
http://lilypond.org/doc/v2.22/Documentation/learning/modifying-context-properties.html
"---
The clefGlyph property will take effect only if it is set in the Staff
context, but some properties can be set in more than one context.
Le 22/03/2022 à 00:28, Mark Stephen Mrotek a écrit :
Jean,
Thank you for your reply.
Here are three measures containing the command.
\version "2.22.1"
\relative c {
\key d \major
\time 3/4
\clef bass
\repeat volta 2 {
e2 4 |
r }
\once
\override
Jean,
Thank you for your reply.
Here are three measures containing the command.
\version "2.22.1"
\relative c {
\key d \major
\time 3/4
\clef bass
\repeat volta 2 {
e2 4 |
r }
\once
\override Score.BreakAlignment.break-align-orders =
#(make-vector 3 '(staff-bar clef))
[what is the difference between \set Timing.measureLength = ...
and \set Score.measureLength = ... ]
The Timing alias is given to contexts that manage the timing (measure
length, subdivision, etc.). Usually, this is the Score context. However,
if you move the Timing_translator to another
Le 21/03/2022 à 22:49, Michael Gerdau a écrit :
{
\time 4/4
\set Timing.measureLength = #(ly:make-moment 2)
1 1 1 1
\time 3/1
\set Timing.measureLength = #(ly:make-moment 6)
1 1 1 1 1 1
}
I use basically the same except instead of
\set Timing.measureLength = ...
I have
\set
{
\time 4/4
\set Timing.measureLength = #(ly:make-moment 2)
1 1 1 1
\time 3/1
\set Timing.measureLength = #(ly:make-moment 6)
1 1 1 1 1 1
}
I use basically the same except instead of
\set Timing.measureLength = ...
I have
\set Score.measureLength = ...
What is the difference
> May be you can use something like:
> \override Staff.TimeSignature #'stencil = #ly:text-interface::print
> \override Staff.TimeSignature #'text = \markup \musicglyph #"timesig.C44"
> \time 4/2
Yes, I thought of that, but...
> I'm pretty sure there is a simpler solution, but I don't remember
>> In modern transcriptions of baroque music it is custom to use time
>> signatures for half the length. For example, if you have 4/2 bar,
>> the time signature shows 'C'; if you have a 6/1 bar, the time
>> signature shows '3/1'.
>>
>> Is there a simple way to get the equivalent to the following
Le lundi 21 mars 2022 à 20:37 +, Werner LEMBERG a écrit :
> In modern transcriptions of baroque music it is custom to use time
> signatures for half the length. For example, if you have 4/2 bar,
> the
> time signature shows 'C'; if you have a 6/1 bar, the time signature
> shows '3/1'.
>
> Is
Le 21/03/2022 à 21:37, Werner LEMBERG a écrit :
In modern transcriptions of baroque music it is custom to use time
signatures for half the length. For example, if you have 4/2 bar, the
time signature shows 'C'; if you have a 6/1 bar, the time signature
shows '3/1'.
Is there a simple way to
Am Sonntag, dem 20.03.2022 um 21:33 +0100 schrieb Jean Abou Samra:
> Le 20/03/2022 à 20:34, Martín Rincón Botero a écrit :
> > Hi Jean,
> >
> > I'm on Ubuntu 20.04. It seems the printing code that we added to
> > book_latex.py is returning an empty string. Here's the new logging
> > output of
In modern transcriptions of baroque music it is custom to use time
signatures for half the length. For example, if you have 4/2 bar, the
time signature shows 'C'; if you have a 6/1 bar, the time signature
shows '3/1'.
Is there a simple way to get the equivalent to the following (invalid)
On Sun, Mar 20, 2022 at 7:21 PM Shane Brandes wrote:
>
> values greater than 1 also yield odd results.
...
>> I have run into another possible-bug-certainly-ugly issue that I found
>> trying to create an ossia bar.
...
>> Is it a bug that I should post on the bugs list? Is there a work-around?
On Sun, 2022-03-20 at 20:09 +0100, Jean Abou Samra wrote:
>
>
> Le 20/03/2022 à 19:09, Richard Shann a écrit :
> > On Sun, 2022-03-20 at 18:43 +0100, Jean Abou Samra wrote:
> > > \version "2.22.2"
> > >
> > > markWithPageInfo =
> > > %% Must not get called before line breaking
> > >
Le 21/03/2022 à 17:24, Richard Shann a écrit :
On Sun, 2022-03-20 at 20:09 +0100, Jean Abou Samra wrote:
Le 20/03/2022 à 19:09, Richard Shann a écrit :
On Sun, 2022-03-20 at 18:43 +0100, Jean Abou Samra wrote:
\version "2.22.2"
markWithPageInfo =
%% Must not get called before line
Tim's Bitstream writes:
>> On Mar 20, 2022, at 2:24 AM, Werner LEMBERG wrote:
>>
>> What about providing a new command `\upbeat` and moving `\partial`
>> into oblivion? Compare this to `\tuplet` vs. `\times`.
>
> Perhaps this is an American jazzism, but we would refer to those as
> \pickup
I’m not sure I understood your question right, but I think the usual way to do
it would be to write the ”global” variable as a sequence of tempos, time
signatures and other events separated by spacers or skips.
Something like:
%%
\version "2.23.6"
global = { \time 4/4 \tempo
- Original Message -
> From: "Rip _Mus"
> To: "Lillypond Users Mailing List"
> Sent: Monday, March 21, 2022 8:51:16 AM
> Subject: Time signature guide
> Good morning,
> I would need advice.
> In a score with many time signature changes (where I therefore cannot use a
> stable global
Good morning,
I would need advice.
In a score with many time signature changes (where I therefore cannot use a
stable global variable of tempo and time signature), there is a way to set
a "guide" in which to set the various time signature changes, without "
dirty "the instrumental variables?
I don't know what version of nwc2ly you're using, but I rewrote the
original one to use for converting nwc text files to liliypond. There
are instructions on how to use it here:
http://www.holmessoft.co.uk/homepage/software/NWC2LY/index.htm
This covers creating 4-part choral scores
Le 21/03/2022 à 04:31, Mark Stephen Mrotek a écrit :
Hello All,
While achieving the desired layout
\once
\override Score.BreakAlignment.break-align-orders =
#(make-vector 3 '(staff-bar clef))
produces a warning of unterminated slur event.
Please give an example. It is
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