- Original Message -
From: Brian Barker b.m.bar...@btinternet.com
To: lilypond-user@gnu.org
Sent: Thursday, June 05, 2014 7:04 PM
Subject: Re: Mensural sign
At 12:45 04/06/2014 +0100, Phil Holmes wrote:
Attached is an image of a sign that appears in the lyric line of the music
I don't understand what you're doing here. c'^\f is markup, not dynamics.
--
Phil Holmes
- Original Message -
From: Simon Albrecht
To: lilypond user list
Sent: Thursday, June 05, 2014 8:57 PM
Subject: Dynamic text/staff symbol overlap
Hello,
in places with tight
- Original Message -
From: David Kastrup d...@gnu.org
To: Phil Holmes m...@philholmes.net
Cc: Simon Albrecht simon.albre...@mail.de; lilypond user list
lilypond-user@gnu.org
Sent: Friday, June 06, 2014 5:47 AM
Subject: Re: Dynamic text/staff symbol overlap
Phil Holmes m
it) so much farther away from its parent NoteHead than the others? Is this
a known issue?
DR
Well, the obvious and simple answer is that it's to allow space for the
natural sign. None of the other accidentals have strokes on the left of the
glyph.
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Phil Holmes
- Original Message -
From: Phil Holmes m...@philholmes.net
To: Daniel Rosen drose...@gmail.com; lilypond-user@gnu.org
Sent: Tuesday, June 10, 2014 8:25 AM
Subject: Re: One of these things just isn't the same
- Original Message -
From: Daniel Rosen drose...@gmail.com
Known issues and warnings in
http://lilypond.org/doc/v2.19/Documentation/notation/special-rhythmic-concerns
The use of grace notes within voice contexts confuses the way the voice is
typeset
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Known issues and warnings in
http://lilypond.org/doc/v2.19/Documentation/notation/special-rhythmic-concerns
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I'm not top posting.
I've tried sending this from 2 different email addresses without success,
so now trying Gmane.
Does anyone know how to get notenames under the relevant stave (in fact, I
want them stacked vertically above each other, but under a stave would do)
rather than in a
- Original Message -
From: Phil Holmes m...@philholmes.net
To: lilypond-user@gnu.org
Sent: Thursday, June 12, 2014 12:25 PM
Subject: Notenames
I'm not top posting.
I've tried sending this from 2 different email addresses without success,
so now trying Gmane.
Does anyone know how
- Original Message -
From: David Kastrup d...@gnu.org
To: Phil Holmes m...@philholmes.net
Cc: lilypond-user@gnu.org
Sent: Thursday, June 12, 2014 12:41 PM
Subject: Re: Notenames
Phil Holmes m...@philholmes.net writes:
I'm not top posting.
I've tried sending this from 2 different
' { a'^
\sMarkup Test }
/tmp/markup-def.ly:11:20: error: post-event expected
\relative c' { a'^
\sMarkup Test }
Had you considered using tags instead?
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Works fine for me, Windows Vista, 2.18.2.
I'd suggest you experiment with fonts that are definitely on your system: Arial
if it's a Windows machine, for example. If they work, then it's not the syntax
that's the problem.
--
Phil Holmes
- Original Message -
From: Fr. Michael
I'm not top posting
I'm typesetting quite a bit of mensural music, and using the same music
source for both mensural and modern. The mensural rests tend to be
pitched and the modern ones aren't. So I often have to use the following
as input:
\tag #'mens { f2 \rest } \tag #'mod { r2 }
and
- Original Message -
From: David Kastrup d...@gnu.org
To: Phil Holmes m...@philholmes.net
Cc: lilypond-user@gnu.org
Sent: Sunday, June 15, 2014 4:34 PM
Subject: Re: Scheme function help
Phil Holmes m...@philholmes.net writes:
I'm not top posting
I'm typesetting quite a bit
I'm not top posting.
Using the gmane interface again, to ensure this gets through.
I'm currently typesetting quite a lot of music from the late 1500's, using
mensural notation. With this, it's normal to use
\remove Default_bar_line_engraver
to get the closest spacing possible. However, the
score.
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The key thing to note is that 'make doc' is not designed to produce PNG output:
these are at best intermediate files and at worst built as a by-product. The
only thing it is designed to create is PDF and HTML output: so the question is,
as before: what does that look like?
--
Phil Holmes
To do this would be poor notation. Elaine Gould says that the line should be
terminated after the notehead.
--
Phil Holmes
- Original Message -
From: MING TSANG
To: lilypond-user mailinglist
Sent: Saturday, June 28, 2014 5:37 PM
Subject: (8va) to extend to barline
Hi
- Original Message -
From: Keith OHara k-ohara5...@oco.net
To: lilypond-user@gnu.org
Sent: Sunday, June 29, 2014 4:32 AM
Subject: Re: Weird spacing related to barlines
Phil Holmes mail at philholmes.net writes:
Can anyone explain what's going on here?
\score {
\new MensuralStaff
notation.
However, you are obviously restricted to a single note per voice. I suggest
you try it out to be sure.
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very very long text} c c c
c
c |
\repeat unfold 24 {c}
}
Looks like a bug to me.
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\lyricsto mymelody { \mylyrics \mylyrics }
\layout {}
}
Because this is how singers expect melisma to be expressed: please see
melisma in the NR. The simplest option (if you really want to confuse your
singers) is to use a phrasing slur.
--
Phil Holmes
going out of my head ...
It's one note that lasts 4 + 2 beats, the word Mi is on its own place,
but
bien isn't on the 2 beats note
Thanks.
Well, that makes no sense at all. You can't sing two syllables to a single
note.
--
Phil Holmes
is appropriate to
indicate legato to a singer. Its almost universal meaning is to show
melisma, as I said. If it's not for this purpose, it's for
phrasing/breathing and a phrasing slur would be appropriate.
Singers sing legato when it is indicated with the word legato.
--
Phil Holmes
the input file. The
appropriate suffix will be added (e.g. .pdf for pdf) in both cases.
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- Original Message -
From: David Kastrup d...@gnu.org
To: Phil Holmes m...@philholmes.net
Cc: Son_V vincenzo.a...@gmail.com; lilypond-user@gnu.org
Sent: Sunday, July 06, 2014 1:55 PM
Subject: Re: Humble question, text at the second note in a ligature
Phil Holmes m...@philholmes.net
- Original Message -
From: David Kastrup d...@gnu.org
To: Phil Holmes m...@philholmes.net
Cc: Son_V vincenzo.a...@gmail.com; lilypond-user@gnu.org
Sent: Sunday, July 06, 2014 4:17 PM
Subject: Re: Humble question, text at the second note in a ligature
Phil Holmes m...@philholmes.net
- Original Message -
From: David Kastrup d...@gnu.org
To: Phil Holmes m...@philholmes.net
Cc: Son_V vincenzo.a...@gmail.com; lilypond-user@gnu.org
Sent: Sunday, July 06, 2014 4:42 PM
Subject: Re: Humble question, text at the second note in a ligature
Phil Holmes m...@philholmes.net
- Original Message -
From: David Kastrup d...@gnu.org
To: Phil Holmes m...@philholmes.net
Cc: lilypond-user@gnu.org
Sent: Sunday, July 06, 2014 5:32 PM
Subject: Re: Humble question, text at the second note in a ligature
Phil Holmes m...@philholmes.net writes:
- Original Message
this.
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in the
PartGroupInfo section.
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?
Either because Denemo is more tolerant of incorrect XML, or there's a bug in
the LilyPond MusicXML importer.
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the problem.
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to horizontally
align whole scores to the right edge rather than the left?
Many thanks,
Sam Toogood
Well, by default they're aligned to the right _and_ left edge. Are you
asking for something like ragged-left?
--
Phil Holmes
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, it's right-justified and too long.
The answer must be in the documentation, but I have not been able to
speak the magic Google incantation to make it appear.
Charlie
\break and ragged-last-line = ##t
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would also like
to format the tempo in the format that is used in \tempo.
How can this be achived?
Regards Helge
If you check circling text in the NR index, it shows a command that you
say doesn't exist. How about:
{ c''1 ^\markup { \circle { 16 } } }
--
Phil Holmes
Much better just to try out what you think won't work.
\score {
\repeat unfold 20 { c''1 }
}
\score {
\repeat unfold 20 { c''1 }
}
--
Phil Holmes
- Original Message -
From: Kale Good
To: lilypond-user@gnu.org
Sent: Monday, July 14, 2014 5:23 PM
Subject: Theme and Variations
Score.RehearsalMark.outside-staff-priority = #0
\global
\part
}
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- Original Message -
From: MarcM m...@mouries.net
To: lilypond-user@gnu.org
Sent: Friday, July 18, 2014 12:20 PM
Subject: LSR is down
anyone know who to contact to put it back online?
-Marc
You may be using the old address. Try
http://lsr.di.unimi.it/LSR/
--
Phil Holmes
it can't find include.ly. The same
error occurs, if I write
\include inc/include.ly
What did I miss?
Letting us know your operating system?
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you've attached.
That said, I would never use stemDown and shift like this: have you
considered voicing this correctly with \voiceOne and \voiceTwo?
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I said it originally :-) and the image shows it.
No you didn't. (Please check what you said _exactly_). No it doesn't.
(There are loads of ways of creating that image).
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https
- Original Message -
From: Alberto Simões al...@alfarrabio.di.uminho.pt
To: Phil Holmes m...@philholmes.net; Kieren MacMillan
kieren_macmil...@sympatico.ca
Cc: Lilypond-User Mailing List lilypond-user@gnu.org
Sent: Saturday, July 19, 2014 7:08 PM
Subject: Re: shiftOn shifts to the left
the score of the part then
if
i need to print the set of parts i just want to open the
quartet_AllParts.ly, typeset and print without having to uncomment lines
of
code everytime.
Sorry, Marc, I don't follow you. Which template? Which commented lines?
--
Phil Holmes
image which scale the page down to
91%. Is that normal?
I would guess your printer has a top margin that is larger than LilyPond
sets by default, and larger than most printers. Have you tried setting a
larger top-margin?
--
Phil Holmes
on slurs? I remember that there
was automaticMelismata but no longer it seems to be working.
URL:http://www.lilypond.org/doc/v2.19/Documentation/notation/stanzas#stanzas-with-different-rhythms
--
David Kastrup
Or use phrasing slurs.
--
Phil Holmes
/Documentation/notation/common-notation-for-fretted-strings#fret-diagram-markups
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=4028
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I don't know. My guess: there is no reasonable slur that will miss the hairpin
if the hairpin is inside the slur, so Lily does the best compromise.
--
Phil Holmes
- Original Message -
From: pls
To: Abel Cheung
Cc: lilypond-user
Sent: Sunday, July 27, 2014 8:18 PM
this characteristic 3
shape. Can anyone suggest one, please?
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Please see http://lsr.di.unimi.it/LSR/Item?id=570
--
Phil Holmes
- Original Message -
From: Nick Alderweireldt
To: lilypond-user@gnu.org
Sent: Thursday, July 31, 2014 8:59 AM
Subject: compressFullBarRests question (see picture in annex)
This is my first day lilypond
Thanks, Mark. PostAntiqua does a pretty good job, IMHO.
--
Phil Holmes
- Original Message -
From: Mark Polesky
To: Phil Holmes
Cc: LilyPond User Group
Sent: Wednesday, July 30, 2014 8:31 PM
Subject: Re: Time signature fonts
On Wed, Jul 30, 2014 at 7:46 AM, Phil
from the LSR and will be updated considerably anyway in the
next build. You might like to check out
http://lsr.di.unimi.it/LSR/Item?id=650
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- Original Message -
From: Janek Warchoł janek.lilyp...@gmail.com
To: Phil Holmes m...@philholmes.net
Cc: Abraham Lee tisimst.lilyp...@gmail.com; MING TSANG
tsan...@rogers.com; lilypond-user mailinglist lilypond-user@gnu.org;
David Kastrup d...@gnu.org
Sent: Friday, August 01, 2014 1
, that bookpart ignores my font definitions
and uses the defaults instead.
Is it possible to change sizes etc for each bookpart while still
recognising the new fonts?
--
Hilary
Do you think this is related?
http://code.google.com/p/lilypond/issues/detail?id=1129
--
Phil Holmes
anyone explain the rules (I am trying to write a staff braces
checker ...)
Richard Shann
Does
http://lsr.di.unimi.it/LSR/Item?id=397
help at all? (It is quoted in the NR, too).
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to be bracket style. I previously used \set
Staff.pedalSustainStyle = #'bracket. Should this command used? If not,
which one and placed where?
Thank you for your kind attention.
Mark
David's code has
\set PianoStaff.pedalSustainStyle = #'bracket
which seems like it should do the job?
--
Phil
any tips and tricks for making things
come out nice?
--
✝
Br. Samuel, OSB
(R. Padraic Springuel)
What are you using to create the eBook?
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https
/Documentation/notation/paper-size-and-automatic-scaling
for how to adjust paper size and other line-related parameters.
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on
the notehead.
\relative c''' {
a2^\markup { \sharp } ^\markup { | } \set suggestAccidentals = ##t ais
^\markup { | }
}
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\sopranoNotes \altoNotes }
}
/code
Is it even possible to do what I need?
Thanks so much for your help and suggestions:
Stephen
Does \set doubleSlurs = ##t help?
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A piece of music in the Musica Transalpina from 1597 in the F clef in the
key of F major has a key signature that has two B flats: one in the normal
position and one above the stave lines. I know how to do that, but it is
also offset to the right, and with a smaller flat sign. Does anyone
- Original Message -
From: Phil Holmes m...@philholmes.net
To: lilypond-user@gnu.org
Sent: Sunday, August 10, 2014 1:20 PM
Subject: Customised key signature for mensural music
A piece of music in the Musica Transalpina from 1597 in the F clef in the
key of F major has a key signature
- Original Message -
From: Brian Barker b.m.bar...@btinternet.com
To: lilypond-user@gnu.org
Sent: Sunday, August 10, 2014 4:46 PM
Subject: Re: Customised key signature for mensural music
At 12:20 10/08/2014 +, Phil Holmes wrote:
A piece of music in the Musica Transalpina from 1597
Pierre,
This is excellent, thanks, and would be just what I want except... it uses
the modern flat glyph, not the mensural version. How did you create the EPS
file with the 2 glyphs on the transparent background?
--
Phil Holmes
- Original Message -
From: Pierre Perol
.py, line 16, in decode
UnicodeDecodeError: 'utf8' codec can't decode bytes in position 45-47:
invalid data
Does any one have any suggestions?
Please tell us the operating system you're using.
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the problem.
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.
I use SharpEye (http://www.visiv.co.uk/) to generate XML. For historical
reasons I then import the MusicXML into Noteworthy composer, then export
from that as Lilypond. The amount of correction required depends on how
good the original music was.
--
Phil Holmes
Using markup is a strange way to add lyrics. Have you looked at
http://lilypond.org/doc/v2.18/Documentation/learning/setting-simple-songs
--
Phil Holmes
- Original Message -
From: Pierre Perol-Schneider
To: Do something Artistic
Cc: lilypond-user@gnu.org
Sent: Saturday
a dot after the note length??
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for?
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- Original Message -
From: Steven Harris
To: lilypond-user@gnu.org
Sent: Monday, August 18, 2014 6:45 PM
Subject: Note names inside dots
Hi all
I hope this is the right place to get some advice
Can you put note names inside the dots of chord diagrams
Please always reply all so that users on the mailing list can assist if
needed.
compressFullBarRests is simply an alias for set Score.skipBars = ##t -
presumably to make it easier to use/remember.
--
Phil Holmes
- Original Message -
From: Craig Dabelstein
To: Phil Holmes
to that
could be used to check the work?
--
Phil Holmes
- Original Message -
From: Urs Liska
To: lilypond-user
Sent: Thursday, August 21, 2014 11:31 PM
Subject: Crowd engraving project
Hi all,
this has been discussed before, but now's the time to repeat the call
correct: there is almost certainly
a cadence point where all the voices pause.
If you can't see a problem, feel free to mail your lilypond file and scan of
music direct to me and I'll take a look.
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It seems a common use of the breath mark to create other markup within the
stave: for example the finalis in Gregorian music. I have been using it
to place a 3 before rests in Mensural music, to signify triple time.
However, I now have a rest of this sort that comes at the start of a
piece,
-rhythms
not do what you want?
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--
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- Original Message -
From: Robin Bannister r...@dataway.ch
To: Phil Holmes m...@philholmes.net; lilypond-user@gnu.org
Sent: Saturday, August 23, 2014 3:55 PM
Subject: Re: Breathing marks
Phil Holmes wrote:
we only get two threes: the initial one is missing. Is there a better
way
as used
in French and Spanish.
Would anyone else like to see 'fn' as a second way to express F-natural in
English (in addition to the existing 'f') ?
My vote: no. I don't see the point of adding an alias.
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convert-ly on it and the result
compiles without error. It looks like David’s actual mods have gotten lost
somehow.
Could you let us have a copy of the working version, please?
--
Phil Holmes
that following the advice in
http://lilypond.org/website/tiny-examples.html might enable you to find your
own problem, and would certainly help someone else.
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Phil Holmes
- Original Message -
From: MING TSANG
To: lilypond-user mailinglist
Sent: Monday, September 01, 2014 2:58 PM
Is
http://lilypond.org/doc/v2.18/Documentation/notation/short-repeats#tremolo-repeats
of any use?
--
Phil Holmes
- Original Message -
From: millar alistair
To: lilypond-user@gnu.org
Sent: Wednesday, September 03, 2014 5:26 PM
Subject: Slashes on note stems
I wish
} _\markup {
\italic \fontsize #-2 sino al Fine } \bar |
Is there and \override command to move this inside the bar?
Thanks in advantage!
Peter
It looks to me like it _is_ inside the empty bar. See the image. How do
you want it different from this?
--
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obvious.
http://lists.gnu.org/archive/html/lilypond-user/
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\fontsize #-2 sino al Fine }
}
}
s1
\bar |
}
Note that is an empty chord, providing the markup with something to
attach to.
--
Phil Holmes
- Original Message -
From: Peter Terpstra
To: Phil Holmes
Sent: Thursday, September 04, 2014 11:16 AM
Subject: Re: How to move text
\once \override Staff.TimeSignature.font-name = #FontName
--
Phil Holmes
- Original Message -
From: Jayaratna jayara...@gmail.com
To: lilypond-user@gnu.org
Sent: Friday, September 05, 2014 12:15 PM
Subject: Re: Use my roman font digits for time signature
Dear Simon,
thank you
They are effectively colliding, which you've avoided by moving them as pitched
rests. I suggest you get rid of the pitched rests and the stemXX commands, and
use voiceOne and voiceTwo for the upper and lower voices.
--
Phil Holmes
- Original Message -
From: bart deruyter
In English, these are referred to as slurs. You should be able to get what
you want with
\set doubleSlurs = ##t
--
Phil Holmes
- Original Message -
From: Mario Moles
To: lilypond-user@gnu.org
Sent: Friday, September 05, 2014 9:27 PM
Subject: Guitar-legature
Hi
eventually I make these signs appear?
Thanks.
You should generally add a lyric extender, like this:
\score {
\new Voice = one {
c''4 d'' c'' d'' e'' f'' e'' f''
}
\new Lyrics \lyricsto one {
Sanc -- _ _ _ tus __ _ _ _
}
}
--
Phil Holmes
- Original Message -
From: Phil Holmes m...@philholmes.net
To: Son_V vincenzo.a...@gmail.com; lilypond-user@gnu.org
Sent: Sunday, September 07, 2014 4:36 PM
Subject: Re: In wait for a subsequent word (sorry how can I put it)?
- Original Message -
From: Son_V vincenzo.a
of
a word that spans multiple notes. You can break the rule if you wish, but
that's the rule.
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Try a single space in quotes:
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- Original Message -
From: Colin Campbell
To: lilypond-user@gnu.org
Sent: Sunday, September 07, 2014 9:52 PM
Subject: Re: Add lyrics after n measures
On 14-08-29 02:21 PM, Simon Albrecht wrote:
Am 29.08.2014 um 16:58
-- but
with no quote marks). Use two underscores for extenders __ .
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Sublimely ugly, but this works:
{ c'8[ \hide Rest \repeat unfold 7 r8 c'8 \repeat unfold 7 r8 c'8] \repeat
unfold 7 r8 }
--
Phil Holmes
- Original Message -
From: Neil Thornock
To: Lilypond users
Sent: Friday, September 12, 2014 1:27 PM
Subject: Re: multimeasuerrest breve too wide
with that version.
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Phil Holmes
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Without seeing the music you're having trouble with, it's hard to give
definitive advice, but have you looked at the section describing voicing in the
Learning Manual? This automatically shifts rests so they avoid each.
--
Phil Holmes
- Original Message -
From: Charles Marshall
.
--
Phil Holmes
- Original Message -
From: Andrew Bernard
To: lilypond-user
Sent: Tuesday, September 23, 2014 2:13 PM
Subject: Re: Bracketed passages
Greetings Folks,
No hint of any replies to this query. Is it something very difficult perhaps?
The concept
projects they refuse to go left or right, only up or down.
What am doing wrong ?
Posting a huge amount of music to illustrate a small point?
Perhaps you could cut this down to a tiny example.
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Phil Holmes
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See Known issues and warnings in the grace notes section of the NR: The use
of grace notes within voice contexts confuses the way the voice is typeset
--
Phil Holmes
- Original Message -
From: Mark Stephen Mrotek
To: lilypond-user@gnu.org
Sent: Friday, September 26, 2014 9
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Phil Holmes
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