{
[some more music]
}
How can I increase the distance between the staves of the different
scores?
Greatings!
A very simple way would be just to put some blank markup between the scores:
\markup { }
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, or
with the tie - possibly dashed.
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your midi. Works for me.
FWIW I've been exploring layout like this in the last 2 days, so if you want to
do it as a proper Ossia with a new \staff I can probalby give some pointers.
.ly file attached that works for me.
--
Phil Holmes
- Original Message -
From: Ralph Palmer
it to be.
Is it a normal behaviour?
I'm doing something wrong?
Thanks for help!
Federico
I think it's what I would expect, given the order of the voices. If you
want, you can easily over-ride it using an explicitly placed rest - your
piano part would then be:
g4\rest a c q
--
Phil Holmes
and get the beamExceptions value for the
current time signature, which is why \unset beamExceptions works.
Thanks,
Carl
I think that \revertTimeSignatureSettings #'Score #'(4 . 4) should also
work? See
http://code.google.com/p/lilypond/issues/detail?id=1284
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Phil Holmes
Andrew,
What is it about a glissando that doesn't give you what you want?
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Phil Holmes
- Original Message -
From: Andrew C. Smith andrewchristophersm...@gmail.com
To: lilypond-user@gnu.org
Sent: Monday, November 15, 2010 2:08 PM
Subject: Creating arbitrary lines (or other
Original Message -
From: Andrew C. Smith andrewchristophersm...@gmail.com
To: Phil Holmes m...@philholmes.net
Sent: Monday, November 15, 2010 4:22 PM
Subject: Re: Creating arbitrary lines (or other postscript things)
What is it about a glissando that doesn't give you what you want
- Original Message -
From: Andrew C. Smith andrewchristophersm...@gmail.com
To: Phil Holmes m...@philholmes.net
Cc: LilyPond User Group lilypond-user@gnu.org
Sent: Monday, November 15, 2010 5:45 PM
Subject: Re: Creating arbitrary lines (or other postscript things)
Have you seen
2.13.39 isn't too bleeding now. It's regarded as the beta version for 2.14
so you shouldn't have any problems. If you use 2.12 methods to adjust the
spacing, you will need to change this to upgrade to 2.14 and use the new
features there, so I'd be bold and use 2.13.39.
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Phil Holmes
As Carl said. Or using this in the staff for the upper voices:
\tempo 4 = 94
\transpose f bflat
\TimeKey
which, as it happens, is what you've actually done with the male voices
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Phil Holmes
- Original Message -
From: MING TSANG
To: lilypond-user
to step forward.
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Phil Holmes
- Original Message -
From: Ralph Palmer
To: Arno Rog
Cc: lilypond-user Mailinglist
Sent: Friday, November 19, 2010 12:25 PM
Subject: Re: can't understand beaming
On Fri, Nov 19, 2010 at 7:15 AM, Arno Rog arno@gmail.com wrote:
L.S
Further follow up - this is different from 2.12.3. That version beams all six
notes in the bar together, for both bars. 2.12.36 beams the first bar as 3
groups and the second bar as a single group of six notes.
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- Original Message -
From: Phil Holmes
To: Ralph
of six notes for the whole bar.
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I can't find this on the tracker - is it a known bug? Using parenthesised
arpeggios with 2 (or more) staves, the arpeggio gets too close to the bar
line when the note values in the other stave are less than full bar.
Doesn't happen with standard arpeggios.
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Phil Holmes
attachment
Looking at this prior to raising a bug report. I'd be interested in finding
out the actual widths of the arpeggio grobs. Is there a way of printing
these out somehow?
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Phil Holmes
- Original Message -
From: Valentin Villenave valen...@villenave.net
To: Phil Holmes em
- Original Message -
From: Neil Puttock n.putt...@gmail.com
To: Phil Holmes m...@philholmes.net
Cc: Valentin Villenave valen...@villenave.net; LilyPond User Group
lilypond-user@gnu.org
Sent: Saturday, November 20, 2010 9:19 PM
Subject: Re: Parenthesised arpeggio collision
On 20
Do you have multiple \layout blocks?
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Phil Holmes
- Original Message -
From: Stephan Elliot Perez
To: lilypond-user@gnu.org
Sent: Sunday, November 21, 2010 3:03 PM
Subject: \book output
Greetings,
When I have multiple \score in a \book , I receive multiple
and mentoring will be
available.
Please let me know if you'd like to help in this way.
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+1. I use a lot of choral scores, and I don't believe I've ever seen the
correct clef for tenors, which is a treble clef and octave down. I insist on
using it, because it's right. Reckon the old typesetters didn't have the
correct symbol and so simply didn't bother.
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Phil Holmes
.
it seems that ragged-last shoul be used in the \layout block!
According to
http://lilypond.org/doc/v2.13/Documentation/notation/page-formatting#flexible-vertical-dimensions
it should be in the \paper block.
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on is getting rid of them all.
Also - I'd suggest reading
http://lilypond.org/doc/v2.13/Documentation/usage/suggestions-for-writing-files
HTH
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- Original Message -
From: eluze elu...@gmail.com
To: lilypond-user@gnu.org; Phil Holmes m...@philholmes.net
Sent: Thursday, December 02, 2010 12:13 PM
Subject: Re: Problem with ragged-last and verse numbers
Am 02.12.2010, 12:38 Uhr, schrieb Phil Holmes m...@philholmes.net:
OK. I
- Original Message -
From: eluze elu...@gmail.com
To: lilypond-user@gnu.org; Phil Holmes m...@philholmes.net
Sent: Thursday, December 02, 2010 9:39 AM
Subject: Re: Problem with ragged-last and verse numbers
Am 02.12.2010, 09:40 Uhr, schrieb Phil Holmes m...@philholmes.net
Which version of LilyPond are you using?
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Phil Holmes
- Original Message -
From: Frank Steinmetzger war...@gmx.de
To: lilypond-user@gnu.org
Sent: Saturday, December 04, 2010 3:47 PM
Subject: Weirdness in distribution of systems across pages
Hello list,
I have written a document
I'm told that the tagline can be turned off using some scheme, and that this
can then be invoked from the command line. I want to be able to do this for
my regression comparison tool, but have been unable to work it out. Can
someone give me the recipe, please?
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Phil Holmes
Thanks. Now implemented in the regression checker, so no need to skip the
bottom of the page.
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Phil Holmes
- Original Message -
From: Reinhold Kainhofer
To: lilypond-user@gnu.org
Sent: Sunday, December 05, 2010 1:51 PM
Subject: Re: Removing the tagline from the command
- Original Message -
From: Federico Bruni fedel...@gmail.com
To: Phil Holmes em...@philholmes.net
Cc: LilyPond User Group lilypond-user@gnu.org
Sent: Sunday, December 05, 2010 3:20 PM
Subject: Re: Removing the tagline from the command-line
Il giorno dom, 05/12/2010 alle 13.38 +
- the ultimate non-open source operating system...
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gets confused as the breves get higher:
\version 2.13.41
\relative c' {
\repeat tremolo 4 { f16 a d a }
\repeat tremolo 4 { a16 b e b }
\repeat tremolo 4 { b d f d }
}
You want a bug report, Reinhold?
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Phil Holmes
attachment: MultiTrem.png___
issues I raised, in June this year. I think it
was my first bug report:
http://code.google.com/p/lilypond/issues/detail?id=1134
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- Original Message -
From: Reinhold Kainhofer reinh...@kainhofer.com
To: lilypond-user@gnu.org
Sent: Thursday, December 09, 2010 1:26 AM
Subject: Re: Tremolo beams between more than two notes
Am Mittwoch, 8. Dezember 2010, um 15:22:57 schrieb Phil Holmes:
Yes - the code gets confused
force-hshift and extra-offset and a few other
tweaks to make it work.
My example is pretty complicated, because I also autogenerate the code, but
you're welcome to a copy if you want.
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Phil Holmes
- Original Message -
From: Marco Correia marco.v.corr...@gmail.com
To: Phil Holmes
If you check, you'll see that there's an F# and an Fnat in different voices,
but they're not shown as separate notes. It's a bug I reported earlier this
year.
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Phil Holmes
- Original Message -
From: Marc Mouries m...@mouries.net
To: Marco Correia marco.v.corr...@gmail.com
Cc
part then I would hope it would work. You could but shouldn't
use a Gb not a F# as the first chordsis a G chord.
Note his final comment - could use a Gb but shouldn't.
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Phil Holmes
- Original Message -
From: Michael Ellis
To: LilyPond User Group
Sent: Friday, December 10
the classification of all open issues. Not sure that
would happen short term :-(
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a few tries, but no success..
Thanks,
Federico
I discovered some similar oddities with where you put \partial earlier in
the year. Is there any reason why you can't simply only put it in the
second voice?
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- Original Message -
From: Phil Holmes m...@philholmes.net
To: Federico Bruni fedel...@gmail.com; lilypond-user@gnu.org
Sent: Sunday, December 12, 2010 11:20 AM
Subject: Re: partial measure in the middle of a polyphonic score
- Original Message -
From: Federico Bruni fedel
?
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that demonstrates the problem,
please?
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{
\context {
\Score
\remove Mark_engraver
\remove Staff_collecting_engraver
}
}
}
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- Original Message -
From: craigbakalian craigbakal...@verizon.net
To: Phil Holmes m...@philholmes.net
Cc: lilypond-user@gnu.org
Sent: Tuesday, December 14, 2010 5:36 PM
Subject: Re: More about min-systems-per-page
On Tue, 2010-12-14 at 09:47 +, Phil Holmes wrote:
Finding
- Original Message -
From: craigbakalian craigbakal...@verizon.net
To: Phil Holmes m...@philholmes.net
Cc: lilypond-user@gnu.org
Sent: Tuesday, December 14, 2010 6:54 PM
Subject: Re: More about min-systems-per-page
Are you asking me for the notes, rhythms, dynamics
Nick,
2 questions: 1. How would you like the tie to behave? 2. Can you make this
simpler, please? See http://lilypond.org/website/bug-reports.html and tiny
examples.
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Phil Holmes
- Original Message -
From: Nick Payne
To: lilypond-user@gnu.org
Sent: Wednesday, December
://code.google.com/p/lilypond/issues/list?can=2q=workaround
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- Original Message -
From: James james.l...@datacore.com
To: Phil Holmes m...@philholmes.net
Cc: Mats Bengtsson mats.bengts...@ee.kth.se; lilypond-user@gnu.org
Sent: Wednesday, December 15, 2010 2:54 PM
Subject: Re: How to print 2 rehearsal marks above and below same bar line
I have
- Original Message -
From: James james.l...@datacore.com
To: Phil Holmes m...@philholmes.net
Cc: Mats Bengtsson mats.bengts...@ee.kth.se; lilypond-user@gnu.org
Sent: Wednesday, December 15, 2010 3:38 PM
Subject: Re: How to print 2 rehearsal marks above and below same bar line
Hello
Frank,
The example you've posted seems to work as expected. Is there something you
feel is wrong with the approach you use here?
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Phil Holmes
- Original Message -
From: Frank Steinmetzger
To: lilypond-user@gnu.org
Sent: Thursday, December 16, 2010 12:00 AM
Subject
- Original Message -
From: Keith OHara k-ohara5...@oco.net
To: lilypond-user@gnu.org
Sent: Friday, December 17, 2010 9:33 AM
Subject: Re: Odd output
Phil Holmes mail at philholmes.net writes:
From: Marco Correia marco.v.correia at gmail.com
\include english.ly
{
\clef treble
for the latest version of LilyPond at:
http://lilypond.org/doc/v2.13/Documentation/notation/vertical-spacing
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- Original Message -
From: i.love.the.pika...@gmail.com
To: Phil Holmes m...@philholmes.net
Cc: lilypond-user@gnu.org
Sent: Friday, December 17, 2010 1:48 PM
Subject: Re: How to print less measures to each system
Is it that I can only do this manually?
It seemed that if you knew
/wiki/SCORE_%28software%29: it features
the very same music excerpt fibonacci by Patrick. Obviously, the
newest SCORE versions has a special compatibility setting to simulate
the LilyPond SVG backend, even faking its tagline... ;-)
Cheers,
Alexander
Now edited to remove that.
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http://lsr.dsi.unimi.it/LSR/Item?id=737
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- Original Message -
From: Stjepan Horvat
To: James
Cc: Valentin Villenave ; lilypond-user@gnu.org
Sent: Friday, December 17, 2010 8:57 PM
Subject: Re: Writhing an non vocal letter before the tone in Lyrics
Hello
- Original Message -
From: Keith OHara k-ohara5...@oco.net
To: lilypond-user@gnu.org; Phil Holmes m...@philholmes.net
Sent: Friday, December 17, 2010 9:43 PM
Subject: Re: Odd output
On Fri, 17 Dec 2010 04:09:10 -0800, Phil Holmes m...@philholmes.net
wrote:
The version that Chappell
this in the tracker, but for the record, here's the vocal and piano
parts.
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attachment: MikadoVocalAndPiano.png___
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to track down the problem.
--
Orm
This normally occurs when it's not possible to delete the previous version
of the PDF - often because it's open in a PDF viewer. Try deleting the old
version and see if that fixes it.
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Phil Holmes
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. What am I doing wrong?
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Orm
The OttavaBracket is a part of the Staff context, and music is in the voice
context - so you need:
Staff.OttavaBracket
in your overrides.
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http
principals are all singing F# with the top sops, so the 2nd sops
will follow the crowd and sing the #. Bet all the pros do, too.
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- Original Message -
From: Michael Ellis
To: Phil Holmes
Cc: Neil Puttock ; James Lowe ; Keith OHara ; lilypond-user@gnu.org
Sent
on the same note within a single chord.
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There is a problem with systems-per-page at present: see
http://code.google.com/p/lilypond/issues/detail?id=1460
What version of LilyPond are you using?
--
Phil Holmes
- Original Message -
From: Stjepan Horvat
To: lilypond-user@gnu.org
Sent: Monday, December 20, 2010 3:35
There have been a lot of changes from that version to the current development
version. This is close to being a release candidate, so I'd suggest moving to
2.13.43 and checking the new vertical spacing methods in the manuals for that
version.
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Phil Holmes
- Original Message
/lilypond-user
I'd suggest you read the Notation Reference section on polyphony. Studying
this document will answer almost all of the questions you've asked here.
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http
and Hyphens. Follow the link and it gives you exactly the
information you need.
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- Original Message -
From: James Bailey
To: Michael Dykes
Cc: lilypond-user@gnu.org
Sent: Sunday, December 26, 2010 9:44 PM
Subject: Re: Not enough space between certain words
, except one that shows red!
Did you mean:
in the first measure, all note heads are
black, while in the _second_ measure (with identical notes, as I said), all
note heads are _red_, except one that shows _black_!
?
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. I'd welcome other thoughts as to whether this
is correct, though.
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VerticalAxisGroup #'remove-first = ##t
}
}
To get rid of empty staves on the first line.
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to use an email address that's
disposable, since you'll probably get more spam because of the email address
being more widely visible.
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/Documentation/notation/proportional-notation
Also you could consider using small normal notes rather than grace notes -
this way the time interval occupied by the note is maintained.
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- Original Message -
From: Sven Axelsson sven.axels...@gmail.com
To: Phil Holmes m...@philholmes.net
Sent: Wednesday, December 29, 2010 4:17 PM
Subject: Re: Grace notes with fixed spacing
On 29 December 2010 17:00, Phil Holmes m...@philholmes.net wrote:
You might also want to look
and it will now be set into the second voice.
You can also set \voiceOne for the tenor part. You may also want to do:
\override NoteColumn #'ignore-collision = ##f
at the same point.
Let us know how you get on.
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- Original Message -
From: Tobias Braun tob...@braun
in quotes after the \underline.
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adressed. Happy, happy, joy, joy!
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A snippet for the LSR demonstrating how to typeset perfect bagpipe music
would be most appreciated.
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.
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Thanks. Approved as http://lsr.dsi.unimi.it/LSR/Item?id=740
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- Original Message -
From: Sven Axelsson sven.axels...@gmail.com
To: Xavier Scheuer x.sche...@gmail.com
Cc: Phil Holmes m...@philholmes.net; James Lowe
james.l...@datacore.com; LilyPond User Group lilypond-user@gnu.org
Sent: Thursday, December 30, 2010 6:23 PM
Subject: Re: Grace notes
. Another
option would be to typeset the final alto note as voiceTwo, to make its stem
face downwards.
As Shane has said, I'm not sure there's a general solution, because what you
want isn't something that's generally done - effectively to make chords out
of different voices.
--
Phil Holmes
and searched, or used
online. I've not tried this, but
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Changing-horizontal-spacing
would seem to provide what you want?
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you'll find a
link in the section indented with Note:
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- Original Message -
From: Helge Kruse helge.kruse-nos...@gmx.net
To: lilypond-user@gnu.org
Sent: Monday, January 03, 2011 10:30 PM
Subject: Re: testing lilydev
Am 03.01.2011 23:15, schrieb Helge Kruse:
Am 03.01.2011 19:56, schrieb Phil Holmes:
If you go to the page above, and look
? And
if you do, would it be a serious problem if they were got rid of? Please
shout if you need them to be kept, letting us know what use you put them to.
Thanks.
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http
it, then have it again, then
lose it again? Surely it's easier for the performer to simply have ledger
lines?
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Could you confirm which version you're using, please? Your file says 2.12.44,
which doesn't exist.
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Phil Holmes
- Original Message -
From: MING TSANG
To: lilypond-user@gnu.org
Sent: Wednesday, January 05, 2011 3:13 PM
Subject: page layout syntax
I try to format
. I was thinking
about doing some benchmarking on this with virtual machines, but I think
it's pretty clear - if the compile needs more than a gig, and that's all you
have, then adding memory will speed up processing a lot.
--
Phil Holmes
marking affects both voices, despite it being only present
in one voice. I've also tried with explicit voices. If we drop the octave
of the second chord in the upper voice to place the notes correctly, we
can't tie the notes. Is it possible to ottavate only one voice?
--
Phil Holmes
attachment
a' }
\\
{ \stemUp {s2 s2 d'4 cis} }
}
should do what you want, I think.
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to apply to
the staff, which is common, would you need to set it in each voice? And
then you'd need to detect that it had already been set and not typeset it.
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- Original Message -
From: Patrick Horgan phorg...@yahoo.com
To: lilypond-user@gnu.org
Sent: Thursday, January 13, 2011 6:12 PM
Subject: Re: ottava bassa
On 01/12/2011 07:42 AM, Phil Holmes wrote:
- Original Message - From: l...@internet.com.uy
If you
Regards,
Helge
I don't know if this is useful, but I didn't have that problem, and I do the
same with parallel copies.
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with the second
lyric line (I know it's not necessary in this test, but in my music I need
more lyrics after the final bar).
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- Original Message -
From: Jan Warchoł lemniskata.bernoulli...@gmail.com
To: Phil Holmes em...@philholmes.net
Cc: LilyPond User Group lilypond-user@gnu.org
Sent: Saturday, January 15, 2011 5:45 PM
Subject: Re: Bug in lyric extenders?
I have a workaround - ad an empty syllabe
This is very well explained in the notation reference on entering lyrics. Look
for extenders and hyphens.
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Phil Holmes
- Original Message -
From: Michael Dykes
To: lilypond-user@gnu.org
Sent: Sunday, January 16, 2011 3:05 PM
Subject: Printing a hyphen
I would like
Compiling the glitch.ly at 17.82 on 2.13.46 on Windows produces perfect
output, so it's either specific to an OS, a machine, or a Lilypond build.
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Phil Holmes
- Original Message -
From: Frank Steinmetzger war...@gmx.de
To: lilypond-user@gnu.org
Sent: Tuesday, January 18, 2011 4:35
, the extender begins
immediately after the [punctuation].
Ted Ross also has the illustration with the extender after the full stop.
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explanation?
Think you've not got this fixed - particularly with Marc's reference to the
LSR.
The books don't say why it is to be done this way (normally they don't give
explanations for any of the rules), simply that it's the way it's done.
--
Phil Holmes
to space out the systems as Mike is trying to do here. If I do that, then
the lyrics stay well-spaced to the stave. It looks as if we've lost the
ability to space systems out with lyrics on top the stave without the lyrics
being wrongly positioned. Anyone disagree?
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Phil Holmes
Submitted as http://code.google.com/p/lilypond/issues/detail?id=1483
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Phil Holmes
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means. A full description of what's expected is at
http://lilypond.org/doc/v2.13/Documentation/contributor/issues. If you
could help out, please let me know either directly or via the mailing list.
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Phil Holmes
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- Original Message -
From: Xavier Scheuer x.sche...@gmail.com
To: Michael Dykes thedoctor81...@gmail.com; Phil Holmes
em...@philholmes.net
Cc: lilypond-user@gnu.org
Sent: Saturday, January 22, 2011 10:41 AM
Subject: Re: Converting .nwc files to .ly
On 22 January 2011 11:27, Michael
Michael,
It looks like you're going in the right direction by using 2 \score blocks.
However, it would be helpful if you could post a score that compiles. Please
could you correct the naming errors in this one?
--
Phil Holmes
- Original Message -
From: Michael Dykes
{
Compare it to the line above it:
verseOne = \lyricmode {
See a difference? Please work through the log file and correct the errors in
this manner, and see where you get.
--
Phil Holmes
- Original Message -
From: Michael Dykes
To: Phil Holmes
Sent: Saturday, January 22, 2011
, in the midi generated only 8 notes are played: C E G E C F A F.
I expect a total of 12 notes to be played: C E G E C F A F C F A F.
How can I make the repeat effective in the MIDI file as well?
Have you looked in the Notation Reference section 3.5.4 Repeats in MIDI?
--
Phil Holmes
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