Am 26.05.2013 15:12, schrieb David Kastrup:
Christ van Willegen cvwille...@gmail.com writes:
On Fri, May 24, 2013 at 8:59 PM, Wim van Dommelen m...@wimvd.nl wrote:
Sorry,
hobo is just the Dutch name for oboe. typo
Well, as long as you don't use the Dutch name fagot for bassoon...
An
luis jure l...@internet.com.uy schrieb:
on 2013-05-26 at 15:49 Urs Liska wrote:
When my son was 2 1/2 he was already an enthusiastic soccer player.
Once
he kicked too hard and sat on his bottom. His thrilled comment:
Boah,
jetzt bin ich umgefallen, weil ich so stark geschissen habe
Hi,
there is a free online course starting on Coursera.org, dealing with
Introduction to Systematic Program Design:
https://www.coursera.org/course/programdesign
It is primarily intended for people without prior programming
experience, but is said to be valuable for people who already have
Scores of Beauty
Janek Warchoł janek.lilyp...@gmail.com schrieb:
2013/5/31 Janek Warchoł janek.lilyp...@gmail.com:
this cannot wait any longer: there has to be a LilyPond blog.
Unless someone has a better idea, i'm going to create a blog on
WordPress.com tomorrow morning.
and it's time
Am 31.05.2013 23:09, schrieb Janek Warchoł:
Hi,
this cannot wait any longer: there has to be a LilyPond blog.
Unless someone has a better idea, i'm going to create a blog on
WordPress.com tomorrow morning.
+1
Goals:
- pick up the slack from The LilyPond Report,
- provide Lily users with
Am 02.06.2013 03:27, schrieb Janek Warchoł:
Hello everybody,
thanks for your interest! The blog is up and running at
http://lilypondblog.wordpress.com/ :)
Great, congratulations!
More later - I only say kid's birthday party ...
Urs
It's quite possible that we may move it to some other
Am 03.06.2013 20:38, schrieb Jim Tisdall:
Relative newbie alert.
I'd like to have the action of the completion_heads(rests)_engraver
*within* a bar --- so that, for example, rhythms that cross over the
start of the 3rd beat in a measure of 4/4 rewrite as two groups of
two-beat rhythms with a
Am 04.06.2013 10:55, schrieb Janek Warchoł:
Hi all,
it seems to be decided that we're moving the blog to our website (i.e.
to be hosted on lilypond.org),
Makes sense to move away from a commercial provider.
and we're doing it asap, because as
Paul said:
Installing WordPress is a one
Am 04.06.2013 11:24, schrieb Urs Liska:
I think I'd prefer lilypond.org/blog because it's consistent with the
other menu entries.
But a subdomain could be more straightforward when it comes to running
a live web application.
A subdomain can also be transparently mapped to another service
Am 04.06.2013 10:55, schrieb Janek Warchoł:
If we go for WordPress, Jacques Menu showed a starting point. Jacques,
i count on your help as well! :) There is no way i could do this
alone. 2013/6/3 Jacques Menu jacques.m...@tvtmail.ch:
Hello,
I've switched from CMS Made Simple (lives up to its
You also could check out the Frescobaldi sources on GitHub. There should be
some material in it you could use.
Jonathan jwcsh...@gmail.com schrieb:
Hello,
I am new to Lilypond and am THRILLED with it.
I am interested in making a Lilypond syntax highlighter for Notepad++.
Have
the issues
Hi,
once again with a link instead of an attachment ...
https://dl.dropboxusercontent.com/u/49478835/plaintextworkflows.pdf
Am 05.06.2013 14:58, schrieb Urs Liska:
Hi all,
it took quite some more time than hoped, but now I've completely
rewritten my 'plain text' essay that I had posted
ges32- -\markup { \dynamic sfz } \p \ |
\annotate Script critremark
#'((voice . vc1)
(source . Ms. 2)
(author . Urs Liska)
(date . 2013-06-06))
Tenuto added as in Vc. 2
ges4-- \p
r r |
r4 r
\annotate Hairpin engraving
#'((voice . vc1))
Hairpin is too
Hi David,
thanks for your comments!
Am 06.06.2013 12:22, schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
I'm interested in
- general thoughts on the signature design (as I still lack experience
with Scheme functions)
% Plain signature of the function draft
annotate =
#(define
Am 06.06.2013 13:35, schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
Am 06.06.2013 12:22, schrieb David Kastrup:
If your first argument is something like Script, you might want to make
it of type symbol? instead. I actually have a syntax sanitizing patch
in limbo where
...)
It is probably worth considering to make properties of type context-mod?
(potentially optional), then you can write the argument as
\with {
voice = vc1
source = Ms. 2
author = Urs Liska
date = 2013-06-06
}
That looks very good. How would the values then be accessed
interested in any caveats, enhancement suggestions, and/or further
use cases.
This is only the starting point for a potentially interesting project,
so anybody who's interested joining and helping me is highly welcome.
Urs
Am 06.06.2013 12:09, schrieb Urs Liska:
Hi,
I want to develop
Am 10.06.2013 16:35, schrieb Urs Liska:
Hi all,
thanks to the feedback on this list I reviewed the interface to my
\annotate function and think it has become quite elegant now.
Please have a look at the attached file and at the updated description
on
https://github.com/openlilylib/lilypond
.
and the whereabouts within the
bar would be very nice.
Yes, I hope that will be possible.
Any hints how to retrieve the position within a measure at the moment a
Scheme function is called?
Best
Urs
Richard
On Mon, 2013-06-10 at 17:09 +0200, Urs Liska wrote:
Am 10.06.2013 16:35, schrieb Urs Liska:
Hi
Am 10.06.2013 18:29, schrieb Kieren MacMillan:
Hi Urs,
But you're probably right: If I have more than one score in the file it won't
be enough to just determine the bar number.
Not to mention if there are polymetrics involved! ;)
Cheers,
Kieren.
How would LilyPond represent barnumbers in
Am 10.06.2013 18:52, schrieb David Kastrup:
Richard Shann richard.sh...@virgin.net writes:
This looks great Urs. I wrote a CriticalComment command for Denemo
that allows you to attach comments to notes in a score. These comments
can include \score {} blocks so that the music being commented on
Am 11.06.2013 12:46, schrieb Janek Warchoł:
2013/6/10 Urs Liska u...@openlilylib.org:
Hi all,
thanks to the feedback on this list I reviewed the interface to my \annotate
function and think it has become quite elegant now.
Please have a look at the attached file and at the updated description
Am 11.06.2013 15:11, schrieb Janek Warchoł:
2013/6/11 Urs Liska u...@openlilylib.org:
Don't feel dumb - i don't know how to get along with scheme either ;) (yet)
After all, I'm still wondering what benefits Scheme offers.
I find it extremely reluctant to be understood (that's what it feels
Am 11.06.2013 15:57, schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
Am 11.06.2013 15:11, schrieb Janek Warchoł:
2013/6/11 Urs Liska u...@openlilylib.org:
Don't feel dumb - i don't know how to get along with scheme either ;) (yet)
After all, I'm still wondering what benefits
Hi,
could someone please check if Frescobaldi's Copy to colored HTML
command (not the export to a HTML file) is working for them?
It seems to be broken here (using the Git version (latest and not the
latest)) on Linux.
As I have mangled with the code in this area I'd like to be sure that
it's
Am 11.06.2013 18:24, schrieb Tim Slattery:
Urs Liska u...@openlilylib.org wrote:
After all, I'm still wondering what benefits Scheme offers.
I find it extremely reluctant to be understood (that's what it feels:
Scheme tries to avoid being understood), and I would like to have some
benefits
Am 11.06.2013 18:52, schrieb Urs Liska:
Hi,
could someone please check if Frescobaldi's Copy to colored HTML
command (not the export to a HTML file) is working for them?
It seems to be broken here (using the Git version (latest and not the
latest)) on Linux.
As I have mangled with the code
Am 11.06.2013 20:33, schrieb Paul Morris:
Using Frescobaldi 2.0.10 (mac), when I paste into a LibreOffice document or
an email message I get the colored text (but not the raw html). I haven't
been able to get the raw html. Pasting into a plain text editor does not do
it.
-Paul
Thanks, that
On 06/12/2013 02:50 PM, Tim Slattery wrote:
Thomas Morley thomasmorle...@gmail.com wrote:
Once I did a first step into C++
The common hello world
I had to _compile_ it to make it work.
That makes a great difference for usability in LilyPond.
I've been programming for over forty years, so I
On 06/10/2013 07:16 PM, Kieren MacMillan wrote:
Hi Urs,
How would LilyPond represent barnumbers in polymetrical situations?
Not sure…
http://www.lilypond.org/doc/v2.16/Documentation/internals/timing_005ftranslator
says currentBarNumber is a property from Timing_translator.
So in a polymetric
On 06/12/2013 05:10 PM, Paul Morris wrote:
Urs Liska wrote
BTW: How can I read such properties in a Scheme function, i.e. determine
where we are in a piece when a function is executed?
I didn't find it in the manual ...
http://www.lilypond.org/doc/v2.17/Documentation/extending/object-properties
On 06/12/2013 05:18 PM, Urs Liska wrote:
On 06/12/2013 05:10 PM, Paul Morris wrote:
Urs Liska wrote
BTW: How can I read such properties in a Scheme function, i.e.
determine
where we are in a piece when a function is executed?
I didn't find it in the manual ...
http://www.lilypond.org/doc
Am 13.06.2013 11:47, schrieb Janek Warchoł:
Hi all,
i got a suggestion to write a post about using MIDI keyboard with
Frescobaldi for fast note input. That's a good idea, but I've never
done this, so maybe someone who did would be interested to write a
guest post?
cheers,
Janek
Maybe it's obvious but I always wondered why LilyPond identifiers are so
restricted to [a-zA-Z] characters.
Is there a reason why one can't at least allow digits?
Urs
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lilypond-user@gnu.org
Am 14.06.2013 14:59, schrieb David Kastrup:
Richard Shann richard.sh...@virgin.net writes:
On Fri, 2013-06-14 at 11:52 +0200, David Kastrup wrote:
Urs Liska u...@openlilylib.org writes:
Maybe it's obvious but I always wondered why LilyPond identifiers are
so restricted to [a-zA-Z
Am 14.06.2013 15:36, schrieb David Kastrup:
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi all,
Curiously, this *does* appear to work (assuming the Unicode comes
through email properly)!
\version 2.16
Mvmnt１Voice１ = {
a b c
}
\score {
\Mvmnt１Voice１
}
Everything outside of
To anybody who runs Frescobaldi from the Git repository:
I'm working on an improved source code export from Frescobaldi (which
became necessary because the WordPress editor for the LilyPond blog
scrambled the HTML code).
While I'm not finished with it yet and will provide a better and unified
Am 18.06.2013 23:38, schrieb Shane Brandes:
Hello all,
i have been working on a small chorale arrangement project and I
noticed that a syllable marked xe- non vs. xe - - non yields to
different weights of hyphens.
These are completely different things. With xe- non the hyphen is
considered
Am 20.06.2013 11:17, schrieb Phil Holmes:
- Original Message - From: Janek Warchoł
janek.lilyp...@gmail.com
To: LilyPond Users lilypond-user@gnu.org; Graham Percival
gra...@percival-music.ca; Han-Wen Nienhuys han...@xs4all.nl;
Jan Nieuwenhuizen jann...@gnu.org
Sent: Thursday, June 20,
Am 20.06.2013 16:23, schrieb Kieren MacMillan:
Hi Carl,
\Some -- day,\ is grammatically correct. Commas and periods usually go
inside the quotation mark, but other punctuation marks only if they are part of the actual quotation.
Actually, that depends on the style guide being used by the
Am 21.06.2013 22:44, schrieb Janek Warchoł:
Hi folks,
2013/6/20 Mike Solomon m...@mikesolomon.org:
On 19 juin 2013, at 16:24, Tim McNamara tim...@bitstream.net wrote:
Occasionally LilyPond will render triplets in an ungraceful manner: [...]
This is not a problem in 2.17.21 with the following
Am 22.06.2013 23:31, schrieb Mike Solomon:
On 20 juin 2013, at 12:56, Urs Liska u...@openlilylib.org wrote:
Am 20.06.2013 11:17, schrieb Phil Holmes:
- Original Message - From: Janek Warchoł janek.lilyp...@gmail.com
To: LilyPond Users lilypond-user@gnu.org; Graham Percival gra
Am 23.06.2013 15:59, schrieb DW:
Ah, thanks. I was using the latest stable version which is 12.16.2, updating
to the unstable version did the trick.
It is a really common source of problems that people use examples from
manuals not matching their LilyPond version ...
Urs
Thanks again
--
Am 23.06.2013 23:14, schrieb Mark Polesky:
Urs,
I missed the big discussion earlier, but has anyone mentioned FreeSerif?
Not that I recall ...
http://www.fontspace.com/gnu-freefont/freeserif
I'm getting some good results with lyrics. I particularly like that it has all
5
of the common
Am 24.06.2013 00:32, schrieb Nick Payne:
How about considering Gentium Plus once the bold and bold italic faces
are available (at the moment Gentium Plus contains only regular and
italic faces). It's released under the SIL open font license
Am 24.06.2013 09:58, schrieb DW:
Janek Warchoł-2 wrote
You may want to try GIMP. It can open pdfs as images.
hth
Janek
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lilypond-user@
https://lists.gnu.org/mailman/listinfo/lilypond-user
Ah, I never thought to try
Am 24.06.2013 21:24, schrieb Karl Hammar:
Janek:
2013/6/24 Karl Hammar k...@aspodata.se:
Hello all,
are there any lilypond presentations available I could use this week
when presenting lilypond for a few musicians here at Uppsala Cathedral.
What kind of presentation are you looking for? I
Hi all,
anyone who is interested in using formatted LilyPond source code for web
pages, PDF documents or printouts _and_ who uses Frescobaldi through its
Git repository is kindly asked to test my new Export Dialog:
https://github.com/wbsoft/frescobaldi/pull/163
It is finished 95% but I think
Am 25.06.2013 08:29, schrieb Philippe de Rochambeau:
In the Mac version of Lilypond, is there a way to:
- prevent the application from creating a new file each time it is run
Sorry, I don't really understand what you mean.
- use an editor (eg, BBEdit) other than the default one
You can use
Am 25.06.2013 09:29, schrieb phi...@free.fr:
Hi,
every time you double-click Lilypond for Mac, it create a new .ly file.
Ah, OK.
I would just like to disable that.
I don't know, but if you use another editor you won't have that anymore?
Urs
Philippe
- Mail original -
De: Urs
Am 25.06.2013 23:10, schrieb Karl Hammar:
I don't think it helps people to show them the golden standard since
they don't know what to look for.
That's *precisely* why i give the comparisons mentioned before to
anyone who has at least remote connection with music: show them what
to look for.
Am 25.06.2013 19:01, schrieb Joram Berger:
I have *never* seen reply to group in any client I've worked with.
It is usually called Reply All or Followup.
Thunderbird calls it Reply to mailing list and it is an alternative
choice to Reply to sender.
My Thunderbird even gives me Reply to
Am 26.06.2013 02:10, schrieb Hilary Snaden:
On 24/06/13 03:20, Nick Payne wrote:
On 24/06/13 09:58, Urs Liska wrote:
Am 24.06.2013 00:32, schrieb Nick Payne:
How about considering Gentium Plus once the bold and bold italic faces
are available (at the moment Gentium Plus contains only regular
Frederick Bartlett frederick.bartl...@gmail.com schrieb:
All,
I'm using 2.16.1 on Linux, writing in 3/4, and trying to attach a
fermata
to a whole rest. That is, r4\fermata is no problem, but R1 *
3/4\fermata
generates the following message on compilation:
programming error: Object is not a
lilypond ignores the instruction.
Can this be done?
I remember that someone (most probably Harm or David N) wrote code
doing this (scheme engraver?) about a year ago. I think Urs Liska was
involved in the discussion. You should be able to find this in the
archives.
hth,
Janek
Am 29.06.2013 20:05, schrieb Paul Morris:
I have Finale 2007 and it does appear that it will import from Rhapsody. Let
me know if you'd like me to import and export as musicXML.
-Paul
I can't help it but this thread reads like an artificially designed
example for asection of my recent essay
Am 02.07.2013 08:16, schrieb Johan Vromans:
Pierre Perol-Schneider pierre.schneider.pa...@gmail.com writes:
While looking for some codes I just found this e-community few minutes ago:
http://lilypond.media.mit.edu http://lilypond.media.mit.edu/about
Hey! A LilyPond Wrist band. Now we can
Hi all,
what would be an elegant way to synchronize a passage of music that is
of different length in two staves?
I need to make an example where the composer made a second version that
compressed two bars into one. At the same time he modified the melody
around common anchor notes
I would
Hi Richard,
thanks for your suggestions.
I was just thinking about how to deal with the different timings (I
would have found that too, but later) when your second suggestion came in.
This works for the given situation.
But as you say I will have situations where it won't be sufficient
Am 05.07.2013 17:20, schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
Hi Richard,
thanks for your suggestions.
I was just thinking about how to deal with the different timings (I
would have found that too, but later) when your second suggestion came
in.
This works for the given
Am 07.07.2013 11:23, schrieb Karl Hammar:
Karl:
...
Hi Karl,
thank you for your comments. Very striking.
Would you mind writing the same as a comment to the original post on the
blog? That would be nice.
Urs
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Am 08.07.2013 01:32, schrieb John Kliewe:
This looks almost right. It's from Chopin Nocturne Op9 no 3 :
\version 2.16.0
\relative c'
{ \clef treble
\time 6/8
\key b \major
ais'4 gis8 {\hideNotes gis'4.~\\(
gis16 fis eis dis cisis dis\! e eis\) gisis,\( ais \times 2/3
%%\override
Am 08.07.2013 15:39, schrieb John Kliewe:
Thanks very much Urs -- the tip about moving the \override outside of
the \times did the trick.
The reason I duplicated the entire phrase in each voice is that I want
to see the second group of 16ths in a single-beam group. By limiting
the dual-voice
Am 07.07.2013 10:46, schrieb Karl Hammar:
Janek:
///
If you look at:
http://downloads2.makemusic.com/blog/elementsv1-p221.pdf
from his Binary Theory and Creation of the Fundamental Rhythm
Patterns, you'll see that the table is simply a
pattern = 0x00E0; // where each bit '1' is 64th
Am 09.07.2013 11:41, schrieb Urs Liska:
If you look at the attached score
:-[
\version 2.16.2
\paper {
% Remove the indentation of the first system
indent = 0
% Set the number of systems to prevent line breaks in the middle of a pattern
system-count = 5
}
% Define the pattern
Hi all,
sorry for the noise but it seems necessary.
The SourceForge staff has accidentally (???) deleted our 'project' and
with it the Scores of Beauty-announce mailing list. As having a
sponsored @lists.sf.net mailing list looked inappropriate anyway we
decided to implement our own custom
Am 09.07.2013 15:46, schrieb Jan Nieuwenhuizen:
Urs Liska writes:
Hi Urs,
As having a sponsored @lists.sf.net mailing list looked
inappropriate anyway we decided to implement our own custom
plugin to send out emails whenever a new post is published.
That's nice; it would be even nicer if you
Am 08.07.2013 17:02, schrieb Urs Liska:
Am 08.07.2013 15:39, schrieb John Kliewe:
Thanks very much Urs -- the tip about moving the \override outside of
the \times did the trick.
The reason I duplicated the entire phrase in each voice is that I
want to see the second group of 16ths
Am 09.07.2013 11:41, schrieb Urs Liska:
Am 07.07.2013 10:46, schrieb Karl Hammar:
Janek:
///
If you look at:
http://downloads2.makemusic.com/blog/elementsv1-p221.pdf
from his Binary Theory and Creation of the Fundamental Rhythm
Patterns, you'll see that the table is simply a
pattern
Am 09.07.2013 18:01, schrieb Urs Liska:
Urs
I now tried it the other way and am quite confused:
I managed to get everything lined up neatly, but I don't know where
all those additional barlines come from (and don't get rid of them).
If I set Timing.defaultBarType =
the barlines are right
Am 09.07.2013 18:18, schrieb Urs Liska:
I narrowed it down a bit:
I narrowed it down further: It is advantageous to read carefully :-[
From the manual:
\layout {
\context {
\Score
\remove Timing_translator
\remove Default_bar_line_engraver
}
\context {
\Staff
Am 09.07.2013 18:28, schrieb David Kastrup:
I find that strange...
Well, you should probably move the Default_bar_line_engraver as well or
it will not be able to see the Timing it is supposed to dance to.
As I said: RTFM
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lilypond-user mailing
Hi James,
thanks for the report.
Someone (i.e. Paul or me) will look into it. Should definitely be fixable.
Urs
Am 10.07.2013 02:30, schrieb James Harkins:
I don't know if this has been reported (I don't recall seeing mention
of it on the list) -- links to PDF examples in older blog posts
Hi,
I need to achieve a beaming as in the attached png, i.e. beams over
rests with only one beam throughout the time.
a)
Is it really true that I have to do that manually in the way I did it in
the attached file?
b)
If yes, is this a deficit in LilyPond or an indication that this isn't
Hey, this work looks fantastic.
I would really love to include that in my reply post which now looks
like http://lilypondblog.org/?p=830preview=1_ppp=e3bfee8403
I have elaborated on how easy it is to recreate one example with
LilyPond and speculated a bit how one could generate a complete set
Am 10.07.2013 13:52, schrieb Nick Payne:
On 10/07/13 19:03, Urs Liska wrote:
Hi,
I need to achieve a beaming as in the attached png, i.e. beams over
rests with only one beam throughout the time.
a)
Is it really true that I have to do that manually in the way I did it in
the attached file
Am 10.07.2013 13:55, schrieb Urs Liska:
Am 10.07.2013 13:52, schrieb Nick Payne:
This works:
\version 2.17.21
{
\set subdivideBeams = ##t
\set baseMoment = #(ly:make-moment 1 16)
a'16[ r r a']
\stopStaff
s2
\startStaff
a'32[ r r a']
}
Thank you.
Of course I thought about
Is there an easy way to automatically repeat the time signature at the
beginning of each system?
It should also work for ones with manual timesignaturefractions.
TIA
Urs
--
Diese Nachricht wurde von meinem Android-Mobiltelefon mit K-9 Mail
Am 10.07.2013 11:26, schrieb Urs Liska:
Hey, this work looks fantastic.
I would really love to include that in my reply post which now looks
like http://lilypondblog.org/?p=830preview=1_ppp=e3bfee8403
I have elaborated on how easy it is to recreate one example with
LilyPond and speculated
Am 10.07.2013 22:43, schrieb Thomas Morley:
2013/7/10 Urs Liska u...@openlilylib.org:
Is there an easy way to automatically repeat the time signature at the
beginning of each system?
It should also work for ones with manual timesignaturefractions.
TIA
Urs
--
Diese Nachricht wurde von meinem
Hi,
I've made quite some progress in generating a complete set of rhythmical
building blocks. I think it will make for a pair of post on our blog
that _really_ show that Lily is infinitely superior to any wysiwyg tool
at least in this respect.
However, I still need some advice in achieving
Am 11.07.2013 23:19, schrieb Thomas Morley:
2013/7/11 Urs Liska u...@openlilylib.org:
Hi,
I've made quite some progress in generating a complete set of rhythmical
building blocks. I think it will make for a pair of post on our blog that
_really_ show that Lily is infinitely superior to any
Am 12.07.2013 03:10, schrieb Thomas Morley:
Hi Urs,
I was annoyed by the loads of warnings for beamed half notes.
I was annoyed too, but unfortunately I'm still way from being able to
fix that myself.
Therefore I wrote some code to avoid that:
\version 2.16.2
#(define
Am 12.07.2013 00:35, schrieb Thomas Morley:
2013/7/11 Urs Liska u...@openlilylib.org:
Am 11.07.2013 23:19, schrieb Thomas Morley:
[...]
Please use 2.16-syntax, if you declare \version 2.16.2 in
building-blocks-start.ly
or change the version.
Hm, actually I thought about that.
I never used
Am 11.07.2013 23:19, schrieb Thomas Morley:
Don't use \set in \layout { \context { ... } }
Oh, wow. That also solved the line-count issue!
Urs
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As some of you will have noticed, Janek yesterday published an article
on lilypondblog.org announcing that he intends to make a considerable
effort substantially improving LilyPond's tie formatting - one of the
fields Lily really can use some updates.
After having collected countless examples
Hi all, the Schemers in particular,
you surely know by now that I am writing a series of posts that
demonstrate how elegantly and efficiently we can recreate a portion of a
book that obviously has been produced with many pains in Finale.
I'm confident that it will be an impressive display of
Am 13.07.2013 16:03, schrieb Urs Liska:
Hi all, the Schemers in particular,
For each number in the range it should:
PS it would be advisable to create an 'inner function' that operates on
a single number and an outer function that calls it repetitively. This
is because it might someday
Ok, this would be very good too.
Makes sense only after the third post is published, but doesn't mean you can't
throw in your thoughts on the list already.
Urs
Janek Warchoł janek.lilyp...@gmail.com schrieb:
Hi,
2013/7/13 Urs Liska u...@openlilylib.org:
you surely know by now that I am
The same goes for ties spanning clef or staff changes. I suggest catching such
cases and implicitly pass on to a slur.
Janek Warchoł janek.lilyp...@gmail.com schrieb:
2013/7/13 Michael Rivers michaeljriv...@gmail.com:
As long as we're at it, how about fixing the bug where ties don't
work
, Urs Liska wrote:
For each number in the range it should:
- produce a LilyPond pattern corresponding to the binary
representation
of the given number
It may be my misunderstanding, but is the number below the systems
meant to indicate the number whose binary representation is being used
Am 13.07.2013 18:15, schrieb Trevor Daniels:
Urs Liska wrote Saturday, July 13, 2013 4:59 PM
The same goes for ties spanning clef or staff changes. I suggest catching such
cases and implicitly pass on to a slur.
That might look acceptable in the printed score, but it would break the midi
Hi,
in an edition I prepare I often have the situation that I want to dash
one sibling of a Slur (because the original edition forgot to start a
slur before the line break.
Is there a convenient way to do so without having to define two curves
and tweak them independently?
Thanks
Urs
Ok I' look into it.
Then I can do it myself and spare you all those \todo entries ;-)
Urs
Janek Warchoł janek.lilyp...@gmail.com schrieb:
2013/7/16 Urs Liska u...@openlilylib.org:
in an edition I prepare I often have the situation that I want to
dash one
sibling of a Slur (because
Hi Harm,
I did a quick compilation (further investigation to follow) - and that's
awesome! Thenk you very much.
Of course it will be hard to 'sell' it with a 'hey, look how easy it is
to realize that with LilyPond ;-)
Best
Urs
Am 20.07.2013 23:48, schrieb Thomas Morley:
\version 2.17.22
Am 21.07.2013 00:07, schrieb Thomas Morley:
2013/7/20 Urs Liska u...@openlilylib.org:
Hi Harm,
I did a quick compilation (further investigation to follow) - and that's
awesome! Thenk you very much.
Of course it will be hard to 'sell' it with a 'hey, look how easy it is to
realize
Am 21.07.2013 00:17, schrieb Thomas Morley:
2013/7/21 Urs Liska u...@openlilylib.org:
Am 21.07.2013 00:07, schrieb Thomas Morley:
2013/7/20 Urs Liska u...@openlilylib.org:
Hi Harm,
I did a quick compilation (further investigation to follow) - and that's
awesome! Thenk you very much
Am 21.07.2013 00:25, schrieb Urs Liska:
Am 21.07.2013 00:17, schrieb Thomas Morley:
2013/7/21 Urs Liska u...@openlilylib.org:
Am 21.07.2013 00:07, schrieb Thomas Morley:
2013/7/20 Urs Liska u...@openlilylib.org:
Hi Harm,
I did a quick compilation (further investigation to follow
Hi Kieren,
having contemplated all this for a few days I have come up with two more
questions regarding your intentions:
a)
Do you want LilyPond to achieve the results of the benchmark tests by
'automatic engraving', i.e. only with general overrides and settings? Or
will you accept local
Am 21.07.2013 13:29, schrieb Nick Humphrey:
Hi everyone,
I just wrote a detailed tutorial about how to get started with LilyPond in
Ubuntu 13.04, which shows how to install it, then create a compact/cropped
screenshot of a simple musical phrase, based on the LilyPond Learning Manual:
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