3/4 2/4 5/4 ...etc ?
Making a compound bar of 3+2+5 / 4 doesn't serve me, btw.
Thanks
Uri
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long-syllable a b c long-syllable d long-syllable e
}
\new Staff \repeat unfold 8 { c''2 }
\layout {
\context {
\ChoirStaff
\consists Span_bar_engraver
}
}
}
James E. Bailey
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frankly, as a
singer, I would be very confused by it. It implies that Ly is a
wholly self-contained word within the word Lyric
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'8 b e } e,2 } \\ { e,2. }
I feel that it must be but have not stumbled apon the solution as yet.
--hsm
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-user
James E. Bailey
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signature with markup showing what
you want.
If you speak german, there's a german lilypond forum at
www.lilypondforum.de
James E. Bailey
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signature with markup showing what
you want.
If you speak german, there's a german lilypond forum at
www.lilypondforum.de
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no
clue. Will check out the forum.
Cheers, Stefan
Am Donnerstag, den 19.11.2009, 19:00 +0100 schrieb James E. Bailey:
On 19.11.2009, at 18:27, stefankaegi wrote:
Hi
I'd like to have the time signature 3+1/2 / 4
(three and a half quarters).
How can I do this?
Thank you for your advice
?
Apparently do. Seems like you don't use italiano.ly after all.
Translation. You need to add \include italiano.ly to your input file.
James E. Bailey
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a lot for your kind help.
Guillermo
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= ##f.
I do this by having hidden time signatures. That way, I have bar
lines where I want them, accidentals that make sense, and everything
else associated.
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of
adding an extra quarter note, without all the fuss of having to hide
things and fake the time signature and everything. I'm going to have
to use that the next time I do something like that.
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absolutely
cannot work without (like custom key signatures) that's fixed in 2.13
and not in 2.12, I would wait.
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either \raise or \lower to get it to the proper height.
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with a fresh version of lilypond on a different account and
see if you have the same problems?
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that time (and while I was writing the music for my
senior recital) I unhappily used finale.
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could do it in
sibelius faster.
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it?
thanks,
Rodolfo
No \version statement? That's horrible.
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On 04.11.2009, at 18:00, Graham Percival wrote:
James: LSR doesn't include version snippets.
Yeah, I just read that. My badge.
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)
\fontSize = #-2
}
}
Hou je goed / Keep well,
Erik
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On 28.10.2009, at 19:34, James E. Bailey wrote:
I thought at first that Python 2.6 was bundled in the darwin
installers now, but I'm not so sure. Is the python executable in
your
LilyPond_devel.app/Contents/MacOS just a wrapper or something?
Because I see that the md5 library in your
suppressing the chords from the MIDI,
taking their volume down to nothing would also serve.
Thanks in advance!
ChrisA
You'll probably want to create two \score blocks, one for layout,
with the chords, and one for MIDI, without the chords.
James E. Bailey
On 29.10.2009, at 12:14, John Mandereau wrote:
Le mercredi 28 octobre 2009 à 19:34 +0100, James E. Bailey a écrit :
downgrading to python 2.4.6 solved the problem and lilypond-book
works
perfectly now. Whom do I talk to to have this updated in the
distributed binary
On 28.10.2009, at 03:23, Patrick McCarty wrote:
On Tue, Oct 27, 2009 at 11:14 AM, James E. Bailey
derhindem...@googlemail.com wrote:
Ah, I just realised you meant with the development version (it's
not the
main version I use, so I didn't think about it). I still have the md5
problem:
19
On 28.10.2009, at 08:13, James E. Bailey wrote:
On 28.10.2009, at 03:23, Patrick McCarty wrote:
On Tue, Oct 27, 2009 at 11:14 AM, James E. Bailey
derhindem...@googlemail.com wrote:
Ah, I just realised you meant with the development version (it's
not the
main version I use, so I didn't
the Gnu - Lilypond - User mailing list archive at
Nabble.com.
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On 29.10.2009, at 00:40, Graham Percival wrote:
On Wed, Oct 28, 2009 at 07:34:31PM +0100, James E. Bailey wrote:
Okay, yeah, that solved the problem. downgrading to python 2.4.6
solved
the problem and lilypond-book works perfectly now. Whom do I talk
to to
have this updated
On 27.10.2009, at 08:58, Patrick McCarty wrote:
On 2009-10-26, James E. Bailey wrote:
And, for completeness' sake, here's the error output for 2.13.6:
[snip]
/Users/jamesebailey/Applications/LilyPond_devel.app/Contents/
Resources/bin/lilypond-book:1258: DeprecationWarning: the md5 module
On 26.10.2009, at 22:09, Graham Percival wrote:
On Mon, Oct 26, 2009 at 06:52:17AM +0100, James E. Bailey wrote:
On 25.10.2009, at 12:16, Graham Percival wrote:
If you're going to use the unstable development version, then
use
the latest one. Various things have changed
On 27.10.2009, at 08:58, Patrick McCarty wrote:
On 2009-10-26, James E. Bailey wrote:
And, for completeness' sake, here's the error output for 2.13.6:
[snip]
/Users/jamesebailey/Applications/LilyPond_devel.app/Contents/
Resources/bin/lilypond-book:1258: DeprecationWarning: the md5 module
])
File /Users/jamesebailey/Applications/LilyPond_devel.app/Contents/
Resources/bin/lilypond-book, line 1944, in do_file
in_handle = file (input_fullname)
IOError: [Errno 2] No such file or directory: ''
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On 25.10.2009, at 12:16, Graham Percival wrote:
On Sun, Oct 25, 2009 at 11:14:20AM +0100, James E. Bailey wrote:
is lilypond-book on osx 10.4 broken? I remember I had some
problems
before, but I don't know whta the current status is: I get
these errors
using 2.12.2 and 2.13.4
On 25.10.2009, at 12:16, Graham Percival wrote:
On Sun, Oct 25, 2009 at 11:14:20AM +0100, James E. Bailey wrote:
is lilypond-book on osx 10.4 broken? I remember I had some
problems
before, but I don't know whta the current status is: I get
these errors
using 2.12.2 and 2.13.4
files and
in the same file, but neither has worked. However, it compiled
properly when the file only had one movement.
You probably have a stray , { or somewhere in your file. If you
use an editor with bracket matching (like nano) it can show you where
each bracket is closed
James E
. http://sites.google.com/
site/nanoforlilypond/
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?
thank you!
Daniel
--
sax, clarinet, guitar, vocals, composer
http://www.danielmcbrearty.com
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The \voiceOne \voiceTwo constructs solve this problem. You can read
more in the Notation Reference under 1.5.2 Multiple Voices
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, but seeing that there are only 18 pages, people
are more likely toa ctually read the whole thing, rather than seeing
that there are 100+ pages, and saying, oh sod it all!
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Look up upbeat in the documentation
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having the music in a markup block. Then, adding text on the
right is very easy.
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.
This is not true. If you extend your first measure to be more than
one measure long, you'll see this.
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instead of smiles). This
is bad.
What am I doing wrong?
Using a long out-of-date version of LilyPond
Although, you may want to have a look at the \tieUp and \tieDown
commands.
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are all going up. This is good.The ties are upside down however (frowns instead of smiles). This is bad.What am I doing wrong? Using a long out-of-date version of LilyPondAlthough, you may want to have a look at the \tieUp and \tieDown commands.James E. Bailey James E. Bailey
these issues are
thoroughly covered there.
-Patrick
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!
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to 2.13.3 does not help any
more.
On 25.09.2009, at 19:40, Patrick Schmidt wrote:
Original-Nachricht
Datum: Fri, 25 Sep 2009 19:30:53 +0200
Von: James E. Bailey derhindem...@googlemail.com
An: Patrick Schmidt p.l.schm...@gmx.de
CC: lilypond-user Mailinglist lilypond-user@gnu.org
On 25.09.2009, at 22:17, fiëé visuëlle wrote:
Just, pretty please: Could someone tell me how to get chord names
with -is and -es (saying fis and not f#)?
Or of course point me to the appropriate chapter of the docs.
Section 2.7.2, Displaying chords under Customizing chord names
James E
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. (And, although I've written syntax
hilighting definitions that suit my needs, you're probably better off
writing your own.)
James E. Bailey
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) for those sections.
James E. Bailey
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for your help,
Ralph
I have a 'lily' command that I've set up in bash that calls lilypond
with an included directory for that sort of thing, so even when I
upgrade, lilypond still finds my included files.
James E. Bailey
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that you want
Guitar = \relative c'
{
e1 g d' g
e g d' fis
ees g des' fis
ees g des' f 2 ees g des' e
}
HTH,
Carl
Although, as previously noted, durations inside a chord will fail, so
the first chord would have to be e g d' g1
James E. Bailey
On 01.09.2009, at 04:19, Christian Henning wrote:
\chordmode {
g1 | g4..:sus4 g2 |
Here is your problem. Another way of writing this would be:
g1 | g4~ g8~ g16 g2
The second measure is missing a 16th note.
James E. Bailey
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On 30.08.2009, at 11:17, Mark Knoop wrote:
At 21:35 on 29 Aug 2009, James E. Bailey wrote:
I can rotate a character with the \rotate command, but is there a
way to get a mirror of a character, either horizontal or vertical?
to print, for example ə?
ə _is_ a rotation of 180
Is it possible to get a tempo definition like \tempo 8*5 = 100?
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to fiddle with the baseline to get the tie where it should be.
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, Kieren, I understand now.
A dot increases rhythmic value of each preceeding note by 50%. With
double-and triple dots, the later dots increase the value of the
previous dots.
so:
c4. = c4~ c8
c4.. = c4~ c8~ c16
c4... = c4~ c8~ c16~ c32
James E. Bailey
I can rotate a character with the \rotate command, but is there a way
to get a mirror of a character, either horizontal or vertical? to
print, for example ə?
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, whether I do it on the command line or in
LilypondTool.
-Jonathan
Using time on osx 10.4.11 I get:
with generating the pdf:
real0m1.482s
user0m1.206s
sys 0m0.255s
just generating a ps:
real0m1.307s
user0m1.091s
sys 0m0.201s
James E. Bailey
command that can be run from the command line and will
output the timing of the process that follows it. I learned that
because of this query.
James E. Bailey
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This should be very straightforward. What have you tried and what
hasn't worked? Could you show it in one measure?
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, James E. Bailey wrote:
On 20.08.2009, at 17:39, Simon Mackenzie wrote:
I haven't been able to figure out how to replicate the three
naturals on this music sheet using Lilypond script?
Any ideas?
CHW06601.jpg
Simon
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across
exactly this scenario and decided against it.
James E. Bailey
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{
\Score
\remove Bar_number_engraver % Removes automatic bar number
engraving for each staff line
}
}
% \midi { }
}
Simon
On 20/08/2009, at 23:17, James E. Bailey wrote:
I'm guessing you're turning off accidental engraver at either
staff
Staff \music \keys
\layout {}
}
\score {
\new Staff \music \keys
\layout { \context { \Staff \revert Accidental #'stencil } }
}
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I looked in the nano documentation on how to create a syntax
definition. It said that it was all regex. Then I went to wikipedia
and read how to do regex. That's it really. No searching, or maybe I
misunderstand what you mean.
On 19.08.2009, at 01:25, -Eluze wrote:
James E. Bailey-3
different things important to you. My regex is far from
perfect, but, it exists, and it means that I don't have to learn
another editor. And if something doesn't please me in the way the
syntax hilighting works, I know how to change it.
On 19.08.2009, at 18:22, -Eluze wrote:
James E. Bailey-3
the Gnu - Lilypond - User mailing list archive at
Nabble.com.
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staff.
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On 14.08.2009, at 07:52, Mark Polesky wrote:
James E. Bailey wrote:
Reading the documentation, I don't understand why this doesn't work:
\version 2.12.2
\markup {
\musicglyph #scripts.zero
\musicglyph #scripts.one
...
}
The glyph names for the numbers don't begin with scripts..
Do
On 14.08.2009, at 19:11, Carl Sorensen wrote:
On 8/14/09 9:54 AM, James E. Bailey derhindem...@googlemail.com
wrote:
Though I reorganized them for 2.13. Hopefully you'll find this
version easier to read:
http://kainhofer.com/~lilypond/Documentation/notation/index_54.html
- Mark
)
(grob-interpret-markup grob
(markup #:override '(baseline-skip . 0) #:number
(#:line (
(#:column (one num))
#:vcenter +
(#:column (two num
)))
Can someone just do that for me?
James E. Bailey
command
Probably not. I'm guessing.
5) somehow incorporate your new argument (three) in with the rest
of the arguments.
This bit confuses me. Isn't it incorporated by adding three
everywhere?
Thank you
James E. Bailey
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of achieving this?
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On 15.08.2009, at 00:46, Reinhold Kainhofer wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Freitag, 14. August 2009 23:13:18 schrieb James E. Bailey:
Look at that, even I need scheme. I wanted to have the time
signature be
3+3+2
8
Apparently this is where Scheme
\musicglyph #scripts.seven
\musicglyph #scripts.eight
\musicglyph #scripts.nine
}
Can someone help me with what I've misunderstood, and what I'm doing
wrong?
James E. Bailey
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typing. In fact, I'm
of the opinion that there's no need to use Scheme, it's just there if
you know how to use it. So, if you take Scheme out of the lilypond
learning curve, it's actually not that difficult.
James E. Bailey
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On 12.08.2009, at 19:33, Mark Polesky wrote:
James E. Bailey wrote:
Personally, I think this is an area where knowing too much gets in
the
way. I, for example, have no clue about Scheme. Scheme is, as far as
I'm concerned, what other people do to save typing. In fact, I'm of
the opinion
On 12.08.2009, at 20:41, Mark Polesky wrote:
James E. Bailey wrote:
Really? What can't you do without Scheme?
Algorithmic music.
- Mark
Surely the calculations can be performed outside of lilypond, and
then simply input into lilypond for a score, right? Or am I missing
something
that this was explained. Perhaps it is implied in the
notation reference, but it really only mentions bar lines and bar
numbers, but not how cadenzas fit into multi-staff music.
James E. Bailey
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if you know about it, but there is a french
speaking mailing list for lilypond users. It's at http://
lists.gnu.org/mailman/listinfo/lilypond-user-fr
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\override Staff.Clef #'text = \markup {
\raise #-2.0 {\musicglyph #clefs.G}
\raise #0.0 {\musicglyph #clefs.F}
\hspace #0.1
}
\clef bass
\key c \minor
\time 3/4
b as g
}
James E. Bailey
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, not vertical, like they
should be. Is there a way to get something that looks like this?
http://media-2.web.britannica.com/eb-media/51/99251-004-92E3F389.gif
thanks for your time.
-lelangir
I would use markup in a lyrics context.
James E. Bailey
I think this was sent only to me and not to the list.
Begin forwarded message:
From: Hugo Leonardo Ribeiro hugole...@gmail.com
Date: 9. August 2009 21:06:06 MESZ
To: James E. Bailey derhindem...@googlemail.com
Subject: Re: roman numeral chord notation below staff with pivot
chord brackets
work, so perhaps there's
something that's preventing the output you want.
James E. Bailey
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the value of \aVariable? That doesn't
make any sense to me.
I think the corollary to this would be, why not simply define two
variables in the beginning?
James E. Bailey
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,
James E. Bailey
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-user@gnu.org
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AT
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James E. Bailey
that there is none.
James E. Bailey
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-e-e and è is option-`-e. These
can all be seen in the keyboard viewer, which can be accessed from
System Preferences in the Input Menu of the International preferences.
Also, if you're on a macintosh, your editor supports UTF-8.
James E. Bailey
?
Thanks,
Jonathan
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this is addressed in the Learning Manual under Real music example
James E. Bailey
;-)
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Wow, this is kind of the last place I'd expect an Aphex Twin
reference. Oh, and I remember first seeing this in my 10th grade
orchestra class.
James E. Bailey
LilyPond a lot easier, although I
must say, if you can construct your own macro, you're far better off
than a lot of us.
James E. Bailey
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James E. Bailey
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