Re: Your favourite/most efficient methods of inputting scores (piano)?

On Tue 21 Feb 2017 at 11:35:40 (+0100), Urs Liska wrote: > Am 21.02.2017 um 10:40 schrieb kmg: > In addition, it is often a good idea separate things out in individual > files (e.g. one for each staff or even one for each voice). > > > > I did the same with the score where right hand had only

Re: Your favourite/most efficient methods of inputting scores (piano)?

On Tue, 21 Feb 2017 11:35:40 +0100, Urs Liska wrote: > Specify the duration at the beginning of each line, even if it's not > technically necessary. This makes it more obvious on first sight, and it > helps avoid errors if you should change anything later. I've been doing

Re: Your favourite/most efficient methods of inputting scores (piano)?

Krzysztof Gutowski: > Karl, Urs, thanks for your repositories, definitely interesting stuff > there. I'm kinda overwhelmed by all your includes and multiple files + > scheme stuff, :) yea, I know the fealing. > but I can appreciate the organisation of larger works and > will maybe try it out

Re: Your favourite/most efficient methods of inputting scores (piano)?

Hi all, > On Feb 21, 2017, at 5:35 AM, Urs Liska wrote: > > | % 41 > d4 d d d > > This makes the input file vertically "longer", but usually that doesn't > matter. The advantage is that it makes it very clear visually what happens, > and (if you use that) it gives

Re: Your favourite/most efficient methods of inputting scores (piano)?

Karl, Urs, thanks for your repositories, definitely interesting stuff there. I'm kinda overwhelmed by all your includes and multiple files + scheme stuff, but I can appreciate the organisation of larger works and will maybe try it out little by little, even for smaller works. LilyPond Manuals are

Re: Your favourite/most efficient methods of inputting scores (piano)?

Krzysztof Gutowski: > As I'm recently starting to type more and more in Lily and browsing some > scores on Mutopia Project to see how others are doing it, I wonder how you > - proffessionals - are approaching it? Does it depends on the type of the > score? > I started to like \pararellmusic, [...]

Re: Your favourite/most efficient methods of inputting scores (piano)?

Am 21.02.2017 um 12:29 schrieb kmg: > Also, thanks Urs! For some reason I saw your response only when > checking out the lists directly, it was not in my mailbox. Honestly I > also like the idea of one voice at a time better, and Frescobaldi > helps with seeing it consistently (as you guys

Re: Your favourite/most efficient methods of inputting scores (piano)?

Also, thanks Urs! For some reason I saw your response only when checking out the lists directly, it was not in my mailbox. Honestly I also like the idea of one voice at a time better, and Frescobaldi helps with seeing it consistently (as you guys pointed out). Before I saw only "|" at the

Re: Your favourite/most efficient methods of inputting scores (piano)?

Thanks! Actually somehow I never used screen splitting.. now trying it out, and it means you have basically \parallelmusic without drawbacks, that's really cool. Also with folding Frescobaldi provides, you can hide stuff you already completed. I guess you can even split to 4 when working on 4

Re: Your favourite/most efficient methods of inputting scores (piano)?

Am 21.02.2017 um 10:40 schrieb kmg: > Hey, > > As I'm recently starting to type more and more in Lily and browsing > some scores on Mutopia Project to see how others are doing it, I > wonder how you - proffessionals - are approaching it? Does it depends > on the type of the score? Surely. On

Re: Your favourite/most efficient methods of inputting scores (piano)?

Il giorno mar 21 feb 2017 alle 10:40, kmg ha scritto: I started to like \pararellmusic, because you can go one measure at a time, instead of of putting bunch of voices and going back and forth. On the other hand, it seems like it's limited and you have to restate

Re: Your favourite/most efficient methods of inputting scores (piano)?

Hello Krzysztof, I am sure how each person uses lilypond is a very personal thing, since it is so flexible. I engrave quite deeply complex New Complexity School keyboard music in the main, as a serious professional undertaking. I simply use multiple voices for treble and bass staves, sometimes up

Your favourite/most efficient methods of inputting scores (piano)?

Hey, As I'm recently starting to type more and more in Lily and browsing some scores on Mutopia Project to see how others are doing it, I wonder how you - proffessionals - are approaching it? Does it depends on the type of the score? I started to like \pararellmusic, because you can go one