Hello Lilypond-Users,
I am trying to set an eight-voice choral score in four staffs (SATB).
This is working out very well and my choir-singing fellows appreciate
the nice look of my lilypond-scores.
Right now I am compiling a collection of pieces to a book. One of
these pieces shows up
schrieb Jan-Peter Voigt:
Right now I am compiling a collection of pieces to a book. One of
these pieces shows up with a phenomenom, wich I do not understand:
The default-staff-size is set to 16 - that makes 3 SATB-systems. But
there is one page with only 2 systems leaving a lot of blank space
Hello Christian,
everytime you want to enter chord, you have to put it in \chordmode.
This version compiled in my Lilypond:
--
\version 2.12.2
\header {
title = \Creep\ by Radiohead
}
\new ChordNames {
\chordmode { g1 g1:sus4 }
}
\new
Hello Frederico,
you can use \bookpart :
\book {
\bookpart{
\tocItem ...
\header {
title = ...
}
}
\bookpart{
\tocItem ...
\header {
title = ...
}
}
}
If you surround every piece with a bookpart-statement, you dont need to
Hello Mark,
one first point:
to set the right margin, you have to set the line-width in the
paper-block. This is, what I include in my scores (it does not fit your
specifications, but should be adjustable):
% set the paper size
#(set-default-paper-size a4)
\paper {
% alternativly set
Hello Peter,
a short answer about transposition in schort:
Need to transpose to 'C', 'Bb', 'Eb' and have treble and bass keys.
What I do, if I have a trumpet voice is:
- snippet ---
\new Staff {
\transposition bes % display in Bb for trumpet
Hello eeePc-Users,
Ubuntu and Kubuntu both come in 'netbook remix' form. I think that
has more to do with user interface than with size of the install,
but it's worth looking into.
That's right, I am using Ubuntu Netbook Remix on an eeepc 900a. I think
its worth looking at ubuntu.com to see,
Hello Stan,
David already wrote about 'instrument'.
I thought this might be interesting.
I often use a paper block like this:
%---
date = #(strftime %d.%m.%Y (localtime (current-time)))
\paper {
% ... more paper defs ...
Hello Kieren, hello David, hello out there,
I followed this conversation a little bit. Well I have been a quite
good C++ coder, but that was about 10 years ago. Right now I am one of
those million java developers.
For my Job I had to turn to Java, wich I didn't really love. With
Java5 it
Hello Mario,
if you want to build one PDF from two .ly-files, you can also surround
the scores with a \bookpart statement. Then you produce
another .ly.file, wich includes the two sources.
I often use this to combine several pieces to a 'book' and still be
able to produce single PDFs piece
Hello,
these statements won't change the tempo in midi output. If you want to
modify the tempo in a midi file, you have to use
\tempo 4=80 for eight quarters per minute.
to have both nice text in the score and tempo in the midi file you can
place two tempo statements:
...
\tempo 4=120
of its own.
From 40a1419a051402ee4bac6d8f7fa65e5b8353b815 Mon Sep 17 00:00:00 2001
From: Jan-Peter Voigt jp.vo...@gmx.de
Date: Fri, 2 Mar 2012 09:54:20 +0100
Subject: [PATCH] add ly:book-set-header!
Add a scheme function ly:book-set-header! like ly:score-set-header!
Function is copied from score
On 02.03.2012 10:30, David Kastrup wrote:
Jan-Peter Voigtjp.vo...@gmx.de writes:
Hello David, hello lists,
now, when we have a book-predicate, we are dealing with books in
scheme. And then we might want to set a header after creating a book.
There is a function ly:score-set-header!, which I
Hello David,
sorry for this kind-a-basic-scheme-question(s) ... ;-)
How do I inject variables into an empty module?
I assume, the string-eval approach loads up the whole guile-tool-chain,
so that define is defined.
The function I am thinking of shall work like this:
pseudo-snip
Hello David,
thank you for answering!
Now I know about (make-module) and (module-define! ...) - these are the
two I was missing, while reading the guile 1.8 docs ...
So these are the set-book/score-headers! functions:
--snip--
(define-public (set-book-headers! book header)
(let ((bookhead
Hello list,
I made a quick fix for the makeOctaves function from
http://lsr.dsi.unimi.it/LSR/Item?id=445
Since 2.15.x notes may appear as single NoteEvents *not* wrapped in an
EventChord, I added a check for 'NoteEvent and did a map on EventChord
elements.
This is an ugly solution, because
Hello Frank,
the vertical spacing is always a difficult thing. First I would
recommend to upgrade to the latest stable version 2.14 or better 2.15.33
(next stable 2.16 is almost finished) - there has been significant and
improving changes to vertical spacing.
But to get a little hint
Hi Ben,
the problem is, that these markup-command allow a markup as argument,
but they are expecting strings to process.
So if you redefine the markup-command:
--snip--
#(define-markup-command (oldStyleNum layout props str) (string-or-symbol?)
Old-style numerals
(if (symbol? str)(set! str
Hello Urs,
There are two possibilities:
1.: use a little music-function-helper:
--snip--
\version 2.15.36
dbtime = #(define-music-function (parser location frac)(fraction?)
#{
\bar || \time $frac
#})
% example
\relative c' {
c4 e g b \dbtime 3/4 c des b | c2.
}
--snip--
but this
Hello Urs,
the articulations are were copied to the EventChord - so I added copying
the articulations from NoteEvent to EventChord.
That means, they should not stay in the NoteEvents when getting wrapped
into the EventChord:
--snip--
\version 2.15.36
#(define (with-octave-up m octave)
Hello David,
thank you for implementing this stuff!
This is nice, but there are two things to mention:
1. with Urs' example, lily complains about Slurs it can't finish
2. if you try this tiny snippet, the chord g b is actually broken in
two notes and the slur is typed twice.
So how do you
Dear Stefan,
here's a try, that has a parameter dir, which takes a symbol. If the symbol
equals 'above, the Staff is aligned above, else below:
--snip--
\version 2.14.2
ossiastaff = #(define-music-function (parser location x dir y) ( string?
symbol? ly:music? )
(let ((align (if (eq? 'above
Hello Urs,
if you are using the current devel version, you can wrap any markup with
#{ #}
--snip--
\version 2.15.37
#(define-markup-command (nfont layout props arg)(markup?)
(interpret-markup layout props #{
\markup { \override #'(font-name . DejaVu Sans) $arg }
#}))
\markup {
This is almost, what I just was about to write ...
just another hint: you can also enter any character in a markup with the
\char command. The codes are 8222 and 8220.
If you want to circumvent \markup \concat { \char #8222 Ich }, you might
use a music-function, to wrap syllables in quotes.
I
Hello Urs,
yes there was a syntax change:
you might try
shapeSlur = #(define-music-function (parser location offsets)(list?)
#{
\once \override Slur #'control-points = $(shape-slur offsets)
#})
Variables in musicfunctions now are available by there name without the
preceding $.
The
Hello David,
I would write #(shape-slur offsets) here: there is no need for an
immediate Scheme expression here (the point of $ over # is that the
syntactical function of the $ expression is determined by its expression
type, but here the syntactical function needed is Scheme anyway).
thank
Hello list,
for some Books, I set the first page number to -1, to start page numbers
with the real music.
Now the PDF-internal links to the corresponding pages refer to the wrong
page:
If a tocItem displays page 8 it will open PDF-page 8 but that has the
printed page-number 6, if its started
Hello Harm,
thanks alot! This seems to do the trick.
I will have a deeper look at it next days.
Cheers, Jan-Peter
On 28.04.2012 01:53, Thomas Morley wrote:
\version 2.15.36
#(define (book-first-page layout props)
(define (ancestor layout)
Return the topmost layout ancestor
Hello Àlex and Frederico,
the toc-markup is executed/expanded, when the markuplist with
table-of-contents is created. So \fromproperty #'header:title gets the
title from the bookpart containing the tocs.
To have a method, that sets the title and the toc item in one step,
there has to be
Hello David, hello Urs,
thank you very much for these improvements!
I have a tiny addition: PhrasingSlurs
--snip--
shapePhrasingSlur =
#(define-music-function (parser location offsets)
(list?)
#{
\once \override PhrasingSlur #'control-points =
#(shape-curve offsets
Hello Urs,
On 10.05.2012 12:40, Urs Liska wrote:
Hi David,
thank you for the reply
Am 10.05.2012 12:05, schrieb David Kastrup:
Urs Liskali...@ursliska.de writes:
So now the question:
How can I write a function that produces a toplevel expression?
No such thing.
:-(
an _ugly_ way is to
Hi David,
Am 10.05.2012 um 19:02 schrieb David Kastrup d...@gnu.org:
Jan-Peter Voigt jp.vo...@gmx.de writes:
... thanks to Davids remarkable parser refinements. (I was not amused
in the first place, rewriting/updating my scores accordingly, but IMO
these changes are a major step forward
Hello Harm and list,
thank you very much for this function! I really like it :-)
Now I just wanted to share my way to shorten the input:
\shape #'(((0 . 0)(0 . 0.3)(0 . 0.3)(0 . 0)))
is a long thing to type. Most times I only want to adjust the y-part of
the two inner control-points -
On 14.05.2012 12:34, David Kastrup wrote:
Jan-Peter Voigtjp.vo...@gmx.de writes:
Hello Harm and list,
Could you try _not_ posting in HTML? This mail had both a plain text as
well as an HTML-specified part, and both rendered awfully here. If you
send just as plain text, chances are that
Hello Philip,
you might use markup-lists. In markups, the parens are typeset:
--snip--
\version 2.15.40
% should run in 2.14
% define a music-function, to convert a markup-list to a list of LyricEvents
lyricmarkup = #(define-music-function (parser location mup)(markup-list?)
(make-music
Hello list, hello David,
I have two questions concerning the \shape command (2.15.40) created by
David Nalesnik:
1. Is it possible to shape ties in a chord?
{ \shape Tie #'(((0 . 0)(0 . 1)(0 . -1)(0 . 0))((0 . 0)(0 . 1)(0 . -1)(0
. 0))) c' e' g' b'1 ~ | q4 }
2. In the development version
Hi David,
thanks for your reply!
Am 19.06.2012 um 19:20 schrieb David Nalesnik:
Hi Jan-Peter,
On Tue, Jun 19, 2012 at 7:51 AM, Jan-Peter Voigt jp.vo...@gmx.de wrote:
Hello list, hello David,
I have two questions concerning the \shape command (2.15.40) created by David
Nalesnik:
1
Hi Sami,
for the purpose of a text at the beginning of a music-book, I created a
markup-list command.
This command expects some installed commands: pdflatex and/or xelatex,
pdftops and pdfinfo.
I use ubuntu so this is installed via aptitude and callable on the
console. I don't know anything
Hello list,
here's my approach to inherit the input-location in nested music-functions:
--snip--
\version 2.15.40
% a test function, which simply outputs the location
test = #(define-music-function (parser location mus)(ly:music?)
(ly:input-message location ~A location) mus)
% a
Hi David, what do you mean by assignments? I'm not a native speaker
and not familiar with programming. Is assignments a fix set of command?
Kai
Hello Kai,
it's the assignment of a variable in lily-syntax:
--snip--
% allowed
musik = \relative c'' { bes a c b }
% not allowed
\score {
musik
Dear list,
I am working on a piece using partcombine. This works great - I just
like to stop the partcombining, if there are only few notes 'a due' in a
longer passage:
--snip--
\version 2.15.40
{
\partcombine
\relative c'' {
% how to prevent a2 for this single e?
c4 b c d | e fis g g |
Hi Janek,
thank you :-) ... I was so deep in my work, that I did not find this
part ... I should have rtfm ... ;-)
cheers, Jan-Peter
On 18.07.2012 13:42, Janek Warchoł wrote:
Hi Jan-Peter,
On Wed, Jul 18, 2012 at 9:23 AM, Jan-Peter Voigt jp.vo...@gmx.de wrote:
I want to use the merging
Wow, this sounds very interesting and I am really sad, that I can not join this
meeting. Will you record and publish parts on video or audio? Well, of course
there has to be a somewhat recordable prepared presentation ... someone
preparing and presenting.
I hope you have a somewhat successful
Hello Daniel,
I usually use \repeatTie/\repeatSlur and \laissezVibrer to create
half/broken slurs or ties.
So you end the first piece with (for example)
{ ... c1\laissezVibrer }
and start the next one with (for example)
{ c4\repeatTie ... }
Here's a tiny example with the new \shape (v
Hello fabio,
you can use an override:
\relative c' {
\once \override Slur #'direction = #UP
\acciaccatura d'8 c, aes' c
}
That leaves any slurUp/slurDown/slurNeutral intact and changes direction
only for this particular slur.
HTH
Jan-Peter
On 27.08.2012 14:48, fabio gabbianelli wrote:
Hello list,
I am using partcombine in a piece, wich makes use of instrumentSwitch.
Now this leads to a stack of 4 times piccolo in this example.
--snip--
\addInstrumentDefinition #piccolo
#`((instrumentName . Piccolo)
(shortInstrumentName . Pc.)
(instrumentCueName . Piccolo)
Thank you, Harm and Keith for your solutions!
I will now introduce the layout solution in my include files :-)
Cheers,
Jan-Peter
On 14.09.2012 08:02, Keith OHara wrote:
Jan-Peter Voigt jp.voigt at gmx.de writes:
I am using partcombine in a piece, wich makes use of instrumentSwitch.
Now
Hi David,
On 14.09.2012 10:53, David Kastrup wrote:
It is often a tossup whether you are better off using the partcombiner
on voices, or just \voiceOne/\voiceTwo. If, say, one of two oboes
switches instruments, you just want to see this for its own voice. In
fact, I find that for things like
On 14.09.2012 11:23, Thomas Morley wrote:
But while using separate voices, LilyPond prints the instrumentCueName
twice, too. Or did I sth wrong? \version 2.16.0
\addInstrumentDefinition #piccolo #`((instrumentName . Piccolo)
(shortInstrumentName . Pc.) (instrumentCueName . Piccolo)
Hello Mario,
you may try to put the options before the curly brackets:
\begin[line-width=12\cm,staffsize=14]{lilypond}
...
There has been a change a while ago, that lilypond environment looks like other
envs, IIRC.
Cheers, Jan-Peter
Am 25.10.2012 um 15:10 schrieb Mario Raffin:
Dear All,
Hello Mogens,
AFAIK quoted lyrics has to be done manually right now.
In those cases, I usually create a CueVoice=mycue and quote the needed
music in there. Then I can create Lyrics (with a smaller font) that is
assigned to that voice with \lyricsto mycue.
Those cases are not too often, so I
Hello list,
I am experimenting with scheme engravers and have an issue with
simultanious voices:
--snip--
\version 2.16.0
\layout {
\context {
\Voice
\consists #(let ((ccid 1))
(lambda (context)
(let ((id ccid))
(set! ccid (+ 1 ccid))
`((start-translation-timestep .
,(lambda
Hello again,
sorry for reposting, but thunderbird (again) crashed the code layout ...
Cheers, Jan-Peter
Am 04.01.2013 14:54, schrieb Jan-Peter Voigt:
Hello list,
I am experimenting with scheme engravers and have an issue with
simultanious voices.
This little snippet prints out
,
On Fri, Jan 4, 2013 at 8:00 AM, Jan-Peter Voigt jp.vo...@gmx.de wrote:
Hello again,
sorry for reposting, but thunderbird (again) crashed the code layout ...
Cheers, Jan-Peter
Am 04.01.2013 14:54, schrieb Jan-Peter Voigt:
Hello list,
I am experimenting with scheme engravers and have an issue
Hi Noeck,
here's a little snippet with a nonsense-function, embedding one function
in another in two ways:
%--snip--
\version 2.16.1
% define a music function
funA = #(define-music-function (parser location x y)(number? number?)
(ly:input-message location I am here!)
Hello Urs, Antonio and list,
this is a great tutorial Urs. I will recommend it to people whom I gave
introductions and who want to step further.
I recently introduced one guy, with plain lilypond (no scheme, no
tricks) to produce some SATB-sheets.
As we can see in this thread, there are a lot
Hello Urs,
Am 09.01.2013 um 11:55 schrieb Urs Liska:
Am 09.01.2013 09:13, schrieb Jan-Peter Voigt:
I really would like to discuss this stuff with other ponders - but this list
should'nt be spoiled with such discussions and scare new users with intimate
scheme-expressions ...
If we would
Hello Urs,
Am 09.01.2013 um 17:31 schrieb Urs Liska:
Am 09.01.2013 13:48, schrieb Jan-Peter Voigt:
Am 09.01.2013 um 11:55 schrieb Urs Liska:
Am 09.01.2013 09:13, schrieb Jan-Peter Voigt:
I really would like to discuss this stuff with other ponders - but this
list should'nt be spoiled
Great!
I would like to join in and I am going to host my lib/framework on github too
with the option and goal of integration with openLilyLib and/or later lilypond.
This morning I created a github account, so I am not familiar with its services
(beside the usage of GIT). What are you missing
So, tomorrow I will create a google group and look at the options of a
google code site.
I am a bit in a hurry - my kids are waiting ;)
Cheers, Jan-Peter
Am 10.01.2013 12:30, schrieb Urs Liska:
Am 10.01.2013 09:33, schrieb Jan-Peter Voigt:
Hello Urs,
Am 09.01.2013 um 17:31 schrieb Urs
Hi Kieren,
just stumbled across this thread. I once was trying to create an
engraver, that recognizes transposition/instrument changes and inserts a
time signature there. (IIRC it was a piece with a change between oboe
and english horn)
In the end I inserted tagged key-sigs, whenever I
Hi Kieren, hi David,
I darkly remember a scheme engraver, that did something, whenever a
time-sig-schange happens. IIRC it is based on snippet from you David.
One might reduce it to the following:
--snip--
% engraver
#(define-public timesig-barline
(lambda (context)
(let
Hi Urs,
you can write a music-function that conditionally includes files.
I use a function to include a file, if it exists. The if statement can
of course also test for a option with ly:get-option.
Best, Jan-Peter
On 04.02.2013 16:48, Urs Liska wrote:
Hi list,
I don't know if I _could_
Am 05.02.2013 11:07, schrieb David Kastrup:
Jan-Peter Voigt jp.vo...@gmx.de writes:
Hi Urs,
you can write a music-function that conditionally includes files.
I use a function to include a file, if it exists. The if statement can
of course also test for a option with ly:get-option.
\version
Hello lists,
I am trying to get cued lyrics. There has been a mail of Rainhold
Kainhofer:
http://lilypond.1069038.n5.nabble.com/Obtaining-the-current-staff-s-context-id-from-withing-a-voice-td115463.html
I can fetch the cueVoices parental Staff-ContextId ... see attached file
... but now I
Hello Urs,
On 14.02.2013 20:50, Urs Liska wrote:
Hi list,
maybe it's an academic question, but maybe it also triggers the
curiosity of some Scheme-hackers ;-)
I wouldn't call it academic - if want to build some kind of workflow,
you will face the need for creating several pdfs from one
Am 15.02.2013 11:40, schrieb Urs Liska:
After a few test I have one further question.
I managed to tweak your functions to my needs (i.e. make it _less_
generic, because I need it for a specific purpose).
Attached you'll find my version of the function with example.
I created a function that
))
)) ; close let *and* define-void-function
Am 15.02.2013 12:50, schrieb Urs Liska:
Am 15.02.2013 12:39, schrieb David Kastrup:
Urs Liska li...@ursliska.de writes:
Am 15.02.2013 12:18, schrieb Jan-Peter Voigt:
Am 15.02.2013 11:40, schrieb Urs Liska:
You can create an adhoc-book in scheme
o dear, thunderbirds always destroys any formatting done in frescobaldi ...
here my working example as an attachment.
Am 15.02.2013 13:01, schrieb Jan-Peter Voigt:
OK, copypaste lost a paren ... but not in the let-line, but in the
end of the whole function.
let opens a new scope, so you start
Hi Kieren, hi David K.,
applyContext is good for doing somethind conditionally anywhere in the
music stream:
cond = ##t
mod = \with { \override NoteHead #'color = #red }
\relative c' {
c4 e g b \applyContext #(lambda (context) (if cond
(ly:context-mod-apply! context mod))) c a f d c1
}
Am 27.02.2013 12:45, schrieb David Kastrup:
Jan-Peter Voigt jp.vo...@gmx.de writes:
Hi Kieren, hi David K.,
applyContext is good for doing somethind conditionally anywhere in the
music stream:
cond = ##t
mod = \with { \override NoteHead #'color = #red }
\relative c' {
c4 e g b
Hello Harm,
I don't have a solution, but I found, that not-first-page is not defined
in the global space. You can't access it with $(display not-first-page).
If you (re-)define a procedure #(define (not-first-page layout props
arg) (interpret-markup layout props arg)) the example compiles.
So
Hello Alberto,
the change was introduced in 2.13 or 2.15(?).
If you remove the dollar signs inside the scheme expression ($nom -
nom) (but not inside the lily code $mus), it should work:
#{
\set Score.measurePosition = #(ly:make-moment (- nom) den)
$mus
#}
HTH
Jan-Peter
Am 10.04.2013 14:50,
Hello Peter,
you can use a Dynamics context in the middle of the PianoStaff:
\new PianoStaff
\new Staff = RH \relative c' { c8 d e f g a bes b | c1 }
\new Dynamics = dyn { s1\p\ s1\f }
\new Staff = LH \relative c { \clef bass c8 d e f g a bes b | c1 }
HTH,
Jan-Peter
Am 22.04.2013 17:54,
Am 23.04.2013 10:09, schrieb David Kastrup:
Phil Holmes m...@philholmes.net writes:
- Original Message -
From: Urs Liska u...@openlilylib.org
To: lilypond-user@gnu.org
Sent: Monday, April 22, 2013 9:09 PM
Subject: Finale and Sibelius files
could somebody be so kind and send me Finale
Hi Ryan,
like Frederico mentioned, you don't need more than damn small linux,
lilypond and frescobaldi.
But one thing, I would like to ask in this context is, what would it
mean, to set up a repository - in ubuntu it probably would be a PPA on
launchpad - where you can install the current
Hi Urs,
the order of the arguments changed in 2.17:
\shape #'((0 . 0)(0 . 0)(0 . 0)(0 . 0)) Slur
should work. The second argument now also may be music, so that you can
use in a tweak fashion:
c-\shape #'((0 . 0)(0 . 0)(0 . 0)(0 . 0)) ( d)
HTH
best,
Jan-Peter
Am 24.04.2013 10:57, schrieb
Hi Paul,
Am 17.05.2013 09:45, schrieb Paul Malcolm:
excuse me, just a trivial question, but I cannot seem to find the answer.
I want to add the date variable to one element of text in my title.
I have this in the preamble
date = #(strftime %d-%m-%Y (localtime (current-time)))
What I want to
Hi Gerard,
isn't
\Some -- day\,
what you want?
HTH
Cheers, Jan-Peter
Am 20.06.2013 10:26, schrieb Gerard McConnell:
Hello, the following:
\Some -- day\,
produces:
syntax error, unexpected ','
and \Some -- day,\ gets Some-day,
however the result I want is: Some-day,
What
Hi there,
I am not at home ... so here is not a solution, but here is a little
snippet, that includes two functions, that may be helpful:
\version 2.16.1
musA = \relative c'' {
bes4 a c b
}
musB = #(music-map
(lambda (m)
(let* ((mus m)
(dur (ly:music-property mus 'duration)))
(if
OK, sorry ... I missed the point, you want pattern generation ;)
--snip--
#(use-modules (srfi srfi-60))
#(define-public pattern
(define-music-function (parser location n pitch dur)
(integer? ly:pitch? ly:duration?)
(let ((l (list)))
(define (pat i)
(if ( i n)
(append (pat (* 2 i))
Hi Kieren,
now I am looking at this feature request and maybe have an idea ...
later more on that.
Your snippet here fails, because the InstrumentName grob has two
properties 'long-text and 'text, which may or may not be set. The 'text
property is only set, when you define a
Hi Kieren and list,
now I tried to add a feature to ly:grob-interpret-markup - this is
working for instrumentName, but not for TextScript.
So one has to look into text-interface.cc ... AFAICS
But before using a property 'font-size-mode (or whatever you name it),
would'nt it might be more
be calculated as needed based
on the grob-layout-settings. Then the lambda could be hidden in a
scheme-function, so it might look like
\override TextScript #'font-size = \absolute 30
Best, Jan-Peter
Am 22.07.2013 11:49, schrieb David Kastrup:
Jan-Peter Voigt jp.vo...@gmx.de writes:
Hi Kieren and list
On 22.07.2013 12:31, David Kastrup wrote:
Jan-Peter Voigt jp.vo...@gmx.de writes:
as one can read in
http://www.lilypond.org/doc/v2.17/Documentation/extending/callback-functions.html
you can use callback-functions on /all/ grob-properties ...
so why doesn't this work?
\override TextScript
On 22.07.2013 12:31, David Kastrup wrote:
The settings of font-interface and text-interface become part of the
props alist list for markup interpretation. At the time a markup is
interpreted, no information about a possibly responsible grob is
available, so no callbacks can be executed.
OK, so
Hello David,
thanks for your hint :)
Hello Kieren,
how do you like this solution?
It uses an engraver which acknowledges text-interface and font-interface
(maybe we only need font-interface)
and then wraps found markups in 'text and 'long-text (for InstrumentName
grob) in (markup
Thank you again, David ... nice ...
one more question: The symbol list is meant for (list /interface/
/property/)?
I still use (ly:grob-set-property! grob sym val) and catch interface and
property with car and cadr respectivly. Or is there another way/use in 2.17?
Cheers, Jan-Peter
Am
Hi David, you gave at least two essential clues/hints and the result wouldn't
be there now without them - so I would not call it a wrong direction.
Cheers, Jan-Peter
Am 29.07.2013 um 17:14 schrieb David Kastrup d...@gnu.org:
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi
Hi Urs,
isn't the layer grob property what you want?
This is what I use to interrupt ties (or slurs) if they collide with a
time signature:
% to have the time sig behind the staff symbol
\override Staff.TimeSignature #'layer = #-5
% whiteout anything behind the time sig
\override
Am 01.08.2013 11:07, schrieb Jan-Peter Voigt:
isn't the layer grob property what you want?
no, it isn't ...
but if one comes up with the right pdfmark ps command, there has to be a
check of this layer property to avoid inconsistent lily- and pdf-layers.
Best, Jan-Peter
Am 01.08.2013 15:01, schrieb Urs Liska:
I could imagine declaring a specific lilypond layer as a pdf layer at the top
of the file and later look for elements of this layer.
That way I would be responsible myself and by default there wouldn't be any
matching inconcistencies.
Something like
... maybe this is related to this issue:
https://codereview.appspot.com/12242043/
Am 01.08.2013 15:21, schrieb Jan-Peter Voigt:
Hi Kieren,
I did some checks on the absolute font-sizes:
- If you do a stencil-add on a stencil created via
grob-interpret-markup and interpret-markup inside
I will try later
That's what a quick googling showed up for me too.
Cheers, jp
Am 01.08.2013 um 15:40 schrieb David Kastrup d...@gnu.org:
Jan-Peter Voigt jp.vo...@gmx.de writes:
Hi Kieren,
I did some checks on the absolute font-sizes:
- If you do a stencil-add on a stencil created via
Am 01.08.2013 15:40, schrieb David Kastrup:
Jan-Peter Voigt jp.vo...@gmx.de writes:
Hi Kieren,
I did some checks on the absolute font-sizes:
- If you do a stencil-add on a stencil created via
grob-interpret-markup and interpret-markup inside a normal markup,
they exactly match-
- If you do
Am 02.08.2013 19:15, schrieb David Kastrup:
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi,
Kieren reported inconsistent sizes depending on how the
absolute font size was arrived at.
Particularly when I used e.g., #(set-global-staff-size 25.5)
Do you have a complete example
I'm not that surprised.
During the last few years I became something nerd-like. After beeing a
Mac-User for a long time, I now only use Ubuntu or Debian and all its
related tools for my everyday work.
So for me using lilypond is a quite natural thing and I am getting
better and quicker using
Am 08.08.2013 14:02, schrieb Richard Shann:
On Thu, 08 Aug 2013 12:06:36 +0200
Jan-Peter Voigt jp.vo...@gmx.de wrote:
If I import some musicXML the virtual instruments sound
much better than the standard midi output of either timidity or
mac-quicktime.
Isn't this just a question of which
standard - IMHO this is a good
thing - it is an open standard and lilypond might use any SMuFL
compliant font.
And that we don't forget it ;) musicXML export would also open lilypond
for other uses.
Jan-Peter Voigt
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Am 08.08.2013 14:09, schrieb David Kastrup:
Well, if enough people only slightly overstep a line, it will disappear.
I think it would make sense to expand on most followup thoughts in our
own blog, once they can't be expected to be of much interest to Daniel.
While he will be able to answer
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