Reusner's advise to follow the latest fashion in playing inegale can be
taken as a clue that this fashion was not yet selfevident in
German-speaking countries in the mid-17th century. It is often mentioned
that inegale play was particularly French, but I'm not too sure about
that. Perhaps, the
It is often mentioned
that inegale play was particularly French, but I'm not too sure about
that.
It is a least interesting that Spanish writers are among the first to deal with
that topic,
f.e. Tomàs de Santa Maria.
Perhaps, the French put an extra stress on it, but inegale
actually
Mathias,
Do you happen to have Quantz statement on inegalite? I wonder how close
his definition was compared with earlier sources.
Best,
Nicolas
2010/2/22 Mathias Roesel [1]mathias.roe...@t-online.de
Reusner's advise to follow the latest fashion in playing inegale can
A good example how to implement it effectively is in Tim Burris' recording
of the Courante from BWV995.
RT
From: Nicolás Valencia niva...@gmail.com
Mathias,
Do you happen to have Quantz statement on inegalite? I wonder how close
his definition was compared with earlier sources.
Best,
Bernd et al.,
...he often was so diligent as to write out the inegalite.
Perhaps Bach intended this only for his French style works such as some
partitas and ouvertures, but what about his other works? Can we infer
that he applied inegalite everywhere?
Best,
Nicol`as
http://www.youtube.com/user/jbernardhickey
. a performance of Bach's Loure from BWV 1006a by me. from a
classical guitar society evening in 2009.
__
Browse profiles for free! [1]View photos of singles in
On Sun, Feb 21, 2010 at 8:02 PM, dem...@suffolk.lib.ny.us wrote:
No way european music was going to be encountered in settlements in the
bights of benin or baifra, maybe some few on the island of Djakarta, but
during the time of slavery those places were mostly habited by slavers
and
In
Agnes DeMille had the theory that African American dance was heavily
influenced by Irish folk dance. The Irish were another downtrodden
population in 19th-century America (no Irish need apply), and the
Mississippi River basin was filled with Irish dockworkers in steamboat
days. The
All,
I'd be very grateful for some assistance. Does anyone know where I
might be able to find a score for the A minor version of Lachrimae
from Dd.2.11? Poulton, of course, has the G minor version, but I'm not
certain where the A minor one might be. A naive question perhaps, but
The version in a minor is from the book Lachrimae, written for 5 viol
or violins, + the lute part.
ed
At 11:56 AM 2/22/2010, Graham Freeman wrote:
All,
I'd be very grateful for some assistance. Does anyone know where I
might be able to find a score for the A minor version of
Thank you. Matthew Spring writes of three versions in Dd.2.11: one for
lute in G minor; one for lute in A minor; and one for bandora. The two
versions apparently have very different divisions. Poulton lists the A
minor version as Dd.2.11, ff.. 75v/76, from which she provides a brief
There is a version in Am for solo lute in Dd.2.11, soon to be published
in facsimile by the Lute Society. I have a feeling it may be on a Paul
O'Dette recording, too.
Martin
Edward Martin wrote:
The version in a minor is from the book Lachrimae, written for 5 viol
or violins, + the lute
All the versions which have the mistake in the first bar are
secondary sources, they have parallel version fifths between the
first two chords. The sources related to either LoST from 1603 or are
absent the mistake (yet have full harmony) are either Dowland or
based on Dowland.
Most of the
Hi Graham,
There is one version in a in Hirsch without divisions.
Hope this helps.
Lex
Op 22 feb 2010, om 18:56 heeft Graham Freeman het volgende geschreven:
All,
I'd be very grateful for some assistance. Does anyone know where I
might be able to find a score for the A minor version of
Since Dowland hated Divisions. . . This statement piques my
curiosity. Is there a readily available text that discusses Dowland's
life and his musical styles? There seems to be a book by O'Dette (as
co-author); would this be a recommended place to begin?
Thanks,
Ned
Hello all,
Those who live in the UK can listen again to this Saturday's edition of
Music Matters, which features (along with items about Nono and Dohnanyi!)
Jakob Lindberg discussing the pleasures and perils of playing Bach on the
lute:
http://www.bbc.co.uk/programmes/b00qpqz6
Best wishes,
Much of the material is in my disseration on Dowland, but of course
this research is now 24 years old
http://www.voicesofmusic.org/tayler/dowland.html
However, even though it is out of date, some of the more
controversial ideas which were thought to be far fetched at the time
are now now
On Mon, Feb 22, 2010 at 7:33 PM, Graham Freeman
freeman.gra...@gmail.com wrote:
divisions. Does anybody record the G minor version from Dd.2.11 as it
appears in Poulton/Lam?
I did, as a matter of fact, parallel fifths and all (though I must
confess my ignorance here, I'm sure dt is correct,
Thank you, David. I've downloaded your thesis and am printing it. I
look forward to reading it.
Ned
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On Mon, Feb 22, 2010 at 9:33 PM, nedma...@aol.com wrote:
Today's my day for quesions. This statement by David v O brings one up:
It really is a 7-course piece, and on the 10-course I used it was beyond
me.
Assuming the same tuning (other than the added bass courses) on a 7 course
and 10
Thank you for that answer, David. Thinking about what you said, I see
now that I was not thinking clearly about how one tunes a 10-course
lute. I was thinking that one could tune the 7th course as D, and then
just add the bass tunings for courses 8, 9, and 10 however they're
Dear b-lute-gang,
I just happened to tube one Sarabande by the old Gaultier, and everything
there is inégal... In the spirit of, and to the honour to, the late Robert
Johnson of the New World. And btw, the old G. also happened to set some
extra long pauses or better sayed longish notes
Dear lute list,
I was asked to forward my baroque-list mails to the main list, too, if I
think there is some interest. So below is one that has something to do at
least with 6-strings... :)
All the best,
Arto
Original Message
Subject: [BAROQUE-LUTE] Nothing but inégalité...
Hello Graham:
You'll find the version you seek posted on our website in pdf form.
http://editions.mignarda.com/downloads.html
The divisions probably are by Dowland - I don't especially care whose
version it is but I like the triplets at the end.
Best wishes,
Ron Andrico
First part of the answer: I'm not Nigel North ;-)
Nigel is playing thumb out, which does enable the middle-index finger
runs at high speed a bit easier. I can play middle index runs fairly
well thumb in, but not as fast, easily- or naturally- as thumb out.
The eternal conundrum of which way to
Ron-
Thank you again for another great gift to the lute list community!
Dan
Hello Graham:
You'll find the version you seek posted on our website in pdf form.
http://editions.mignarda.com/downloads.html
The divisions probably are by Dowland - I don't especially care whose
Thanks Val!
The piece of this poem (see below) is now in
http://www.youtube.com/watch?v=w-kXRdzDrBs
and also
http://www.vimeo.com/9646790
And the translation provided by you by the help of google is also there. My
google wasn't so clever...;-)
Thanks!
Arto
On Thu, 18 Feb 2010 08:44:31
somehow I have a blind spot: I still dont see the fifths!).
I think going from the last chord in the first measure (low open G,
still providing bass note from 3rd beat with open 2nd course d)
-moving to first chord of 2nd measure, E-flat b-flat e chord. G-d to
E-flat-b-flat are parallel
All,
Thank you to everyone who answered my question and provided some great
sources for me to look at. I very much appreciate it.
For Dr. Tayler: I've read your dissertation and liked it very much. I
wonder whether you've ever considered publishing it. While style
analysis did
That's the one, G to E Flat. Classic.
There is a really juicy one in the Bach D minor Double as well in the NBA.
dt
I have a note on my copy of Dd.2.11 from one I looked at the original
in Cambridge that is just a question mark, whether that version might
be connected to Dowland. Have to look
Thank you for you kind words, but I just put it online and at the
time it seemed the easiest thing. I couldn't get it off these huge
non standard floppies so I fed it into a scanner.
I had to decide whether to pursue musicology or performance, and I
thought, well, I'll just try performing full
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