Andreas,
Thanks for pointing it out.
Interestingly, the ornament table in this source is almost identical to
the manuscript one usually attributed to Falckenhagen. Being typeset,
however, you can actually read the words in the Beyer! Beyer is also a
little more detailed. His
Bill and Ted,
I think the nature of mahogany would be counter to the needs of the lute
ribs. I've had mahogany bodied guitars, but the form of the lute and
the sound production is different. As a joining piece between the ribs
it should work, but the resonating body of the lute is different
Mahagony widely used at Gibson Les Paul electric guitars and
Rickenbacker basses. All these instruments are deepest godly sounding
instruments with lots of sustain. I dont think there is a room for this
wood at lute construction. And it is very heavy and color is hot with
deep
That said, I've seen some lovely 7c instruments and they sound better
for resisting the extra course. Ed Martin's, for example, as well as
Jacob Herringman's 7c Gerle. The latter is interesting in that it
retains the earlier parabolic neck which, I think, would not support 8
courses. If that
Dear Bill,
Never used the material for ribs and the like, but a few random
thoughts come to mind:
There are, of course, many types of mahogany and not all are classed as
'true' mahogany so we must be careful about over-generalising but
having said that, compared to
I have been asked to play the above lute song by Dowland, but one big problem:
I don't play or own a renaissance lute! Would anyone happen have to a version
for theorbo in French tab? Any advice appreciated. Thanks in advance.
Shaun Ng
0426 240775 | shaunk...@gmail.com | shaunng.blogspot.com
On 3 May 2012 13:19, Shaun Ng shaunk...@gmail.com wrote:
I have been asked to play the above lute song by Dowland, but one big
problem: I don't play or own a renaissance lute! Would anyone happen have to
a version for theorbo in French tab? Any advice appreciated. Thanks in
advance.
That
Thanks for that. Are there staff notation versions flying around online?
Yes, I doubt this will be satisfactory for our standards, but if a singer asks
a rather baroque theorbo player to do a renaissance lute player's job, knowing
full well that he does not play the instrument, then we can
Dear lute lovers,
I am searching si dolce è 'l tormento by Monteverdi from the
collection Quarto scherzo delle ariose vaghezze by Carlo Milanuzzi, 1624.
(the facsimile if possible)
A tenor wants me to play an accompaniment for him and gave me the
arranged version with an interesting
Bruno,
You are assuming that the string length on the theorbo will allow
non-re-entrant tuning... it would have to be a really really 'toy' theorbo I
would think,
Miles
On 2012-05-03, at 9:25 AM, Bruno Fournier wrote:
Hello,
A
Well I would think that if you do not have to play
You can find a facsimile reproduction of the piece on page 69 of
Michael Gavito's thesis Carlo Milanuzzi's Quatro Scherzo...
A serach for Michael Gavito +Carlo Milanuzzi should take you to
the PDF.
A modern typeset version (following the original) is posted on my
Ning page.
A thought that comes to my mind is to find a midi version of the lute
song and pull that into your notation or tab program to use that as a
starting point. At least I can bring it in to to Finale and do that.
BTW, Stefan Lundgren's Op. 35 composition Dawn for solo theorbo is
based on five
Have a look:
http://daten.digitale-sammlungen.de/~db/0007/bsb00072047/images/
Enjoy!
Andreas
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I have a series of jpegs of the microfilm of the original with
alfabeto. I also have a modern typeset version that only lacks the
alfabeto. Let me know which you would like.
Steve
Date: Thu, 3 May 2012 15:02:50 +0200
To: lute@cs.dartmouth.edu
From: mandolinens...@web.de
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