While playing to Sarge's new Gerle series (thanks!)
http://gerbode.net/sources/GerleH/Musica_Teutsch_1532/pdf/
I saw this sentence: "Nun volgen etliche stucklein hernach in der
Tabulatur zu den
dreyzehen saytten."
(Now following: several pieces in tabs for 13 strings)
So this music is
While the unascribed pieces could by someone else, they surely play and
sound like Bartolotti.
Is there any other theorbo player from that time that we know of, who
could match the style and technique of these pieces?
r
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Thanks for this.
I have the Moscardi edition but he doesn't give any reasons for thinking the
pieces are by Bartolotti.
Unfortunately with lockdown I can't visit the library to check any other
sources but if I do eventually find some evidence I will let you know.
Cheers
Monica
> On 04 June 2020
Maybe it's worth to take a look on some of the literature? There is:
Boetticher: RISM B VII, p. 351-352 (rather useless, but he gives a bunch
of literature which I don't know)
Meyer (ed.): Sources Manuscrites en Tablature III/1, S. 121-125 (he
doesn't give any information on the other theorbo
Thanks Martyn
That's very helpful.
Regards
Monica
> On 04 June 2020 at 14:35 Martyn Hodgson
> wrote:
>
>
>Dear Monica,
>No - I don't know if there are any grounds for attributing the other
>tiorba pieces in this Ms to Bartolotti other than, of course, being
>adjacent in the
Dear Monica,
No - I don't know if there are any grounds for attributing the other
tiorba pieces in this Ms to Bartolotti other than, of course, being
adjacent in the same Ms. Incidentally the attribution of the Allemande
(Allemanda di Angelo Michiele) is on f.89r. not 92r.
The
Ms. 17706 in the Austrian National Library in Vienna includes 10 pieces for
theorbo usually attributed to Bartolotti. The Allemanda on f.92r is attributed
to Angelo Michiele. Does anyone know on what grounds the other nine pieces are
attributed to Bartolotti?
Thanks
Monica
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