Does anyone have a harmonized version of La Bergere from Jacob Van
Eyck? Or know someone who has done it.
Regards. A
--
Bruno Figueiredo
A
Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o
historicamente informada no alaA-ode e teorba.
Doutor em PrA!ticas
Never mind, I found it!
Regards.
2014-08-01 16:58 GMT-03:00 Bruno Correia [1]bruno.l...@gmail.com:
A A Does anyone have a harmonized version of La Bergere from Jacob
Van
A A Eyck? Or know someone who has done it.
A A Regards. A
A A --
A A Bruno Figueiredo
Dear Tobiah,
You should check jazz guitarist Martin Taylor, he always rests his
pinky on the soundboard or the tap plate many archtop guitars have.
He plays very difficult polyphonic jazz arrangements.
Regards. A A
2014-07-28 14:44 GMT-03:00 Tobiah [1]t...@tobiah.org:
On
Thanks for the replies, I'm not planning to build a lute, just curious
about certain aspects of its construction.
Regards.
2014-07-26 15:43 GMT-03:00 Martin Shepherd [1]mar...@luteshop.co.uk:
Dear All,
As far as bridge toppings are concerned, there is no doubt that that
and elsewhere,
[6]http://tinyurl.com/nlvpy32 Thus unlikely to be acoustic in
intention.
Regards Anthony
Sent from my iPhone
On 26 juil. 2014, at 00:32, Bruno Correia
[7]bruno.l...@gmail.com
wrote:
Dear Daniel,
This thin slice of bone is precisely what I
A question (maybe to the luthiers): What's the function (if any) of the
bone that is glued on the top of the bridge? Is that only ornamental or
it is sonically important? I noticed that some lutes and guitars have
these pieces of bone and others don't. Classical guitars have a saddle
the string height but also transmit better the vibrations
to the
A A top.
A A By the very physics of how a guitar bridge works, the saddle
DOES NOT
A A transmit vibrations to the top!
A A ---
A A AB
A A On 25/07/2014 19:06, Bruno Correia wrote
Dear Daniel,
This thin slice of bone is precisely what I was referring to. I'm sure
you have seen many lutes with these cap.
All the best.
2014-07-25 18:44 GMT-03:00 Dan Winheld [1]dwinh...@lmi.net:
Never had a bone on any of my lute bridges (except the guitar saddle
bone
Could someone tell the avarage tension for the basses and octaves for a
liuto attiorbato (G at 415, 7 x2 = 635 cm, 7 x 2 = 92cm). I need to
order strings and I'm pretty confused to calculate the basses and their
octaves. The programs I've tried are for the long archlute, so the
:00 Bruno Correia
[2][3]bruno.l...@gmail.com:
A A A A A A Could someone tell the avarage tension for the basses
and
A A A octaves for a
A A A A A A liuto attiorbato (G at 415, 7 x2 = 635 cm, 7 x 2 =
92cm). I
A A A need to
A A A A A A order strings
, at 3:30 PM, Bruno Correia [2]bruno.l...@gmail.com
wrote:
A Thanks David,
A I have checked previuosly Gamut's calculator but I wasn't sure if
I
A could use the same tension as the swan-neck. It might work, maybe
A something between 2.6 and 2.8 Kg.
A All the Best
--001a11c1e0786e649604f997b9c8
Content-Type: text/plain; charset=UTF-8
Content-Transfer-Encoding: quoted-printable
Interesting, the petit jeu is pretty short in comparisson with the grand
jeu. Would this kind of instrument have enough power in an ensemble
situation? Is it desirable to have such a
Very nice indeed! Lovely playing and great instrument. Is it possible
to know the string lenght (stopped and unstopped)? I couldn't read that
in the website.
Thanks for sharing,
Bruno.
2014-05-16 17:39 GMT-03:00 BENJAMIN NARVEY [1]luthi...@gmail.com:
A A Dear
Yes, there was an 11 course in that tuning (theorbated - neck with
small extension), check Mersenne there is a drawing of the instrument,
also check Lynda Sayce's article on Grove under archlute. I think he
had an 11 course just like Mersenne's drawing. He might have used the
more
Really good, thanks for the present!
All the best,
Bruno.
2014/1/1 David Tayler [1]vidan...@sbcglobal.net
Happy New Year!!!
Laissez les bons luths rouler!
[2]http://www.youtube.com/watch?v=OKgLEWv9imEhd=1
To get on or off this list see list information at
Bruce Haines is a must read regarding this issue (romantic, modern and
the Hip approach).
2013/12/19 Christopher Wilke [1]chriswi...@yahoo.com
This also fits in nicely with Richard Taruskin's often stated
thesis
that early music performance practice today is really
Which doesn't mean his decisions were right...
2013/12/18 gary [1]magg...@sonic.net
I'm sure from Segovia's point of view in promoting his own tastes he
was protecting the integrity of the guitar and the music.
Gary
On 2013-12-17 13:13, Braig, Eugene wrote:
. . .
Funny, if I'm not mistaken, O'Dette said in interview that he was
deeply inspired by Julian Bream's lute performances (records?). This
seems more logical: Dowland played on a lute shaped instrument.
2013/12/16 [1]terli...@aol.com
As far as his influence on the lute: I heard Paul
The respect of the master towards the scholar will cause respect from
the scholar to the master. A master should not be too old nor too
young. The
young one is foolish and hath little experience; the old one is
peevish,
distasteful, knows not or slights the new manner of playing
Really? What about the others? What about Tarrega's disciples
(specially Pujol), Barrios, and all the other latin american
guitarists? They wouldn't exist without Segovia? I don't think so.
There are so many forgotten names...
2013/12/15 Chris Barker [1]csbarker...@att.net
If anyone would like to know more about Segovia's early years, just
contact Thomas Garcia (Miami University - OH). He has contributed to
the Lute Society journal for many years.
2013/12/15 howard posner [1]howardpos...@ca.rr.com
On Dec 15, 2013, at 1:47 AM, William Samson
They were right, the guitar is soft compared to the orchestral
instruments. Segovia made fame because of the new technology of
recording, something paralel to the exposure given by youtube
nowadays.
2013/12/15 howard posner [1]howardpos...@ca.rr.com
Segovia's Autobiography of
Sorry, I couldn't resist.
I have no need to express the hands must be kept white and clean. It is
the mark of a gentleman and a lady,and it were better never to play of
the lute than to play with nasty hands. For the nails, they must be
short and smoothly cut (which some do with a
I've just listened to his Kellner recording and for my taste, honestly,
it has an unpleasant sound (even with his great playing). I don't know
if he is playing with nails, but as the sound is so metallic it
confirms your statement. Now, that is a true silvery tone, no sweetness
The reason, why the nails are not so good to draw sounds with, as the
flesh.
But on doing of this, take notice, that you strike not your strings
with your nails, as some do, who maintain it the best way to play, but
I do not; and for this reason; because the nail cannot draw so
Do you think he needed it?
2013/12/10 Tom Draughon [1]t...@heartistrymusic.com
With Viagra he may have had more!
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1. mailto:t...@heartistrymusic.com
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not trying to convince anyone of anything. Play
any way you want to, just leave the dogma on the porch.
Joseph Mayes
From: [2]lute-...@cs.dartmouth.edu [[3]lute-...@cs.dartmouth.edu] On
Behalf Of Bruno Correia [[4]bruno.l...@gmail.com
Here we go again with the nails issue. There are many sources
describing the use of flesh as the best way to sound upon the lute,
however, the use of nails was certainly a possibility. But only because
three cats used it doesn't mean it was the general taste of those
times. Just
It may sound good to you, but not for most of the lutenists out there.
Ask Hoppy about this issue? Ok, you don't need to ask him, after all
you don't ride a horse to the gig... Hey, I'd like to do that, the
traffic has been so bad nowadays.
The most frequent word to describe the
-Original Message-
From: Mayes, Joseph [2]ma...@rowan.edu
Sent: Dec 10, 2013 11:23 AM
To: Bruno Correia [3]bruno.l...@gmail.com, List LUTELIST
[4]lute@cs.dartmouth.edu
Subject: [LUTE] Re: Bream Collection... I just noticed
I play the lute, archlute and vihuela
As we are becoming more jazzier these days, I've just bumped into this
programme with Joe Pass:
[1]http://www.youtube.com/watch?v=2HAZP7nWo6A
--
Bruno Figueiredo
Pesquisador autonomo da pratica e interpretac,ao
historicamente informada no alaude e teorba.
Doutor em
Would anybody be willing to share his own experience with liuto forte
instruments?
--
Bruno Figueiredo
Pesquisador autonomo da pratica e interpretac,ao
historicamente informada no alaude e teorba.
Doutor em Praticas Interpretativas pela
Universidade Federal do Estado do
in this world.
Sent from my Ouija board
On Aug 22, 2013, at 6:05 PM, David Tayler
[3]vidan...@sbcglobal.net wrote:
If they called it a fake lute, it would not sell as well.
__
From: Bruno Correia [4
That's crazy! The audience is laughing...
2013/8/20 Leonard Williams [1]arc...@verizon.net
Sprezzatura!!
Leonard
On 8/20/13 4:22 AM, William Samson [2]willsam...@yahoo.co.uk
wrote:
Interesting new study showing that visual cues are more
important that
I have been searching the possibility of giving home concerts. Perhaps
Ron could give us more insight into this topic.
2013/8/13 [1]t...@heartistrymusic.com
Thanks Ernesto,
I think you just organized it!
At least, it's a good start.
I'll see what I can do with
Chris,
It seems that the lute world revolve exclusively around these figures.
Any performer below these names are simply non-existent, very unfair I
believe.
2013/8/12 Christopher Wilke [1]chriswi...@yahoo.com
Stephen,
I think you are correct. This is essentially
Bravo!!
Being able to play figures off a baritone clef and transpose down a
third while doing so has nothing to do with playing musically,
collaboratively and with appropriate ornaments and affect. The
stultifying performances of many a conservatory graduate can attest to
that.
Dear David,
Didn't get your point. As you say, the general public is
pretty diverse, ok that's fine. Then, you change the focus to the lack
of skill of today's lutenists... What does it mean exactly? We are so
bad that we don't deserve to be listened? That's probably why people
]www.nancycarlinassociates.com
--
Bruno Correia
Pesquisador autonomo da pratica e interpretac,ao
historicamente informada no alaude e teorba.
Doutor em Praticas Interpretativas pela
Universidade Federal do Estado do Rio de Janeiro.
--
References
1. mailto:na
://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Bruno Correia
Pesquisador autonomo da pratica e interpretac,ao
historicamente informada no alaude e teorba.
Doutor em Praticas Interpretativas pela
Universidade Federal do Estado do Rio de Janeiro.
--
References
1
which we cannot
do on
a regular basis due to budget size. Ernesto Ett 11-99
242120
4 11-28376692 On 31.07.2013, at 22:46, Bruno Correia
[2][7]bruno.l...@gmail.com wrote:Dear members of the
list,
I have been at pains trying
Dear Chistopher,
In America, I haven't found any lack of interest in lute or early
music
from the broader public. Many people who are intimidated by
perceived
ritual and stuffy atmosphere of standard classical concerts are
drawn
in by the look and
?
--
Bruno Correia
Pesquisador autonomo da pratica e interpretac,ao
historicamente informada no alaude e teorba.
Doutor em Praticas Interpretativas pela
Universidade Federal do Estado do Rio de Janeiro.
--
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http
a good deal of time on it.
It seems that Lully paid a high price trying to keep musicians playing
in absolute strict time...
2013/4/9 howard posner [1]howardpos...@ca.rr.com
On Apr 8, 2013, at 7:26 PM, Bruno Correia [2]bruno.l...@gmail.com
wrote:
How absolute metric time
on that aspect of the performance,
as well as on any other point I have raised.
Thanks!
Tobiah
[2]http://www.youtube.com/watch?v=y837TG7FgFM
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--
Bruno Correia
that they do this
better than gut.
Thoughts?
Benjamin
Sent from my iPhone
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--
Bruno Correia
Pesquisador autonomo da pratica e interpretac,ao
Has anybody experienced the Turbo tuner ST 122?
[1]http://www.turbo-tuner.com/st122-index.htm
I've been thinking about the Peterson SC1, but it has only 1/6
meantone...
--
Bruno Correia
Pesquisador autonomo da pratica e interpretac,ao
historicamente informada
://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Bruno Correia
Pesquisador autonomo da pratica e interpretac,ao
historicamente informada no alaude e teorba.
Doutor em Praticas Interpretativas pela
Universidade Federal do Estado do Rio de Janeiro.
--
References
1. mailto:wa
.
--
Bruno Correia
Pesquisador autonomo da pratica e interpretac,ao
historicamente informada no alaude e teorba.
Doutor em Praticas Interpretativas pela
Universidade Federal do Estado do Rio de Janeiro.
--
To get on or off this list see list information at
http
maestro!),
[1]http://chiesa.espresso.repubblica.it/articolo/72901?eng=y
--
Bruno Correia
Pesquisador autonomo da pratica e interpretac,ao
historicamente informada no alaude e teorba.
Doutor em Praticas Interpretativas pela
Universidade Federal do Estado do Rio de Janeiro
list information at
[5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Bruno Correia
Pesquisador autonomo da pratica e interpretac,ao
historicamente informada no alaude e teorba.
Doutor em Praticas Interpretativas pela
Universidade Federal do Estado do Rio de
Does anybody has Holborne's Pavan 2. I have a pdf version from
Gerbode's site but I'd love to check the original tablature.
Best wishes.
--
Bruno Correia
Pesquisador autonomo da pratica e interpretac,ao
historicamente informada no alaude e teorba.
Doutor em
Ac,orianos na categoria Melhor
Compositor
Erudito.
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Bruno Correia
Pesquisador autonomo da pratica e interpretac,ao
historicamente informada
by modern classical guitar
technique.
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--
References
1. [5]http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html
--
Bruno Correia
/edslute
[14]http://magnatune.com/artists/edward_martin
--
Bruno Correia
Pesquisador autonomo da pratica e interpretac,ao
historicamente informada no alaude e teorba.
Doutor em Praticas Interpretativas pela
Universidade Federal do Estado do Rio de Janeiro
://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Bruno Correia
Pesquisador autonomo da pratica e interpretac,ao
historicamente informada no alaude e teorba.
Doutor em Praticas Interpretativas pela
Universidade Federal do Estado do Rio de Janeiro.
--
References
1. mailto:vidan
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Bruno Correia
Pesquisador autonomo da pratica e interpretac,ao
historicamente informada no alaude e teorba.
Doutor em Praticas Interpretativas pela
Universidade Federal do
see list information at
[2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Bruno Correia.
Alaudista e Doutor em Praticas Interpretativas pela Universidade
Federal do Estado do Rio de Janeiro.
--
References
1. mailto:lutesm...@mac.com
2. http
/index.html
--
Bruno Correia.
Alaudista e Doutor em Praticas Interpretativas pela Universidade
Federal do Estado do Rio de Janeiro.
--
References
1. mailto:arc...@verizon.net
2. mailto:heiman.dan...@juno.com
3. mailto:heiman.dan...@juno.com
4.
http
Does anyone know how to use Finale or any similar program to edit a
lute transcription similar to what Ken Gilbert did on Kapsperger? In
fact it is not called a transcription but rather a transliteration. It
can be seen here:
the notes. Set the meter for measure to 4/2 and enter
notes. Set meter of measure 3 to 7/2 and enter notes, etc. I would
enter the above staff notes as Lyrics. At this point I would turn
off Stem and Time SIgnature display.
-- R
On Oct 22, 2011, at 12:24 PM, Bruno Correia
Franz,
Same problem with my cd too. It used to open on an earlier windows
version, but it doesn't on the Vista plataform... You can still open
de images manually though. I copied it into the HD and access the files
through the imagenes icon. I'd be glad If someone knows how to
Good question. I prefer bigger lutes, more than 60 cm. Actually,
browsing the beautiful iconography posted recently here, I noticed a
great incidence of large instruments. Some, almost too large for modern
standards.
Bruno Correia.
2011/8/10 Edward Mast [1]nedma...@aol.com
True... with 1.500 plus a 1.200 air ticket I could buy another lute
or have fun with my family in Buenos Aires, tasting the best meat and
wine of South America, not a bad idea!!
Regards from Rio de Janeiro (Brazil).
2011/6/27 Laura Maschi [1]lmas...@gmail.com
Hi
Interesting to hear that someone plays a double string theorbo. I've
never heard or seen it. Does it sound louder or maybe with more
refinement than the single strung version? Does it have octaves on 5th
and 6th courses?
Could it be possible that the double course was used for
Wow! From now on I'll be more careful playing my archlute outside
home...
Very, very funny!
Thanks.
2011/5/31 Bernd Haegemann [1]b...@symbol4.de
(Little Britain USA)
[2]http://www.youtube.com/watch?v=gM7O8PMNdtA
To get on or off this list see list
- Original Message - From: Bruno Correia
[4]bruno.l...@gmail.com
To: List LUTELIST [5]lute@cs.dartmouth.edu
Sent: Wednesday, April 27, 2011 5:48 AM
Subject: [LUTE] Italian word
Could anybody help me with the Italian word corde or cordi. Does
it
mean string/s or chord
Could anybody help me with the Italian word corde or cordi. Does it
mean string/s or chord/s?
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Hi David,
Can the sesquialtera be performed as triplets? In Spinacino there are 6
notes in a bar (duple time).
Thanks for the info.
2011/4/9 David Tayler [1]vidan...@sbcglobal.net
Sesqui means one and one half. So a sesquipedalian likes words that
are a foot and a
Mast [3]nedma...@aol.com
Subject: [LUTE] Re: Wax
To: Bruno Correia [4]bruno.l...@gmail.com
Cc: List LUTELIST [5]lute@cs.dartmouth.edu
Date: Thursday, 24 March, 2011, 12:50
Hi Bruno,
Good question, and since I don't know the answer (Lundberg doesn't
give
]agno3ph...@yahoo.com wrote:
From: Anthony Hind[11]agno3ph...@yahoo.com
Subject: [LUTE] Re: Wax
To: Bruno Correia[12]bruno.l...@gmail.com,
[13]lute@cs.dartmouth.edu
Date: Thursday, 24 March, 2011, 9:44
Dear Bruno
Thanks for reminding me, I try to use
Is this product (Ranaissance wax) advisable to use on the top of the
lute? I think somebody mentioned it in the list...
[1]http://www.amazon.com/Picreator-65mL-can-Renaissance-Micro-Crystalli
ne/dp/B001DSZWEM/ref=sr_1_1?ie=UTF8qid=1300899218sr=8-1
--
References
1.
- gives two formulas for a wax to use
on the top. The simplest one is: 2 parts beeswax, 1 part carnauba
wax, 6 parts turpentine. Perhaps before buying, you can find what
the formula of the Renaissance wax is.
On Mar 23, 2011, at 5:32 PM, Bruno Correia wrote
Does anybody know of any transcription of Weiss for archlute? I've just
received my 14 courses (very nice instrument) and became interested to
try a suite or a sonata by this great composer.
Best wishes.
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To me, it seems that he is reffering to the left hand...
Best wishes.
2011/1/9 Bernd Haegemann [1...@symbol4.de
writes:
La Tiorba poi, co le sue piene, e dolci consonanze, accresce molto
la melodia, ripercotendo,
e passeggiando leggiadramente i suoi bordoni,
A question for those who play Kapsperger lute pieces: what temperament
fits best his music? I find 1/4 mesotonic quite good, but there are a
few spots that are not that sweet. I just started using a tastino on
the 1st fret and that creates some problems too. For example, when
there
Does anybody have a good translation from the preface of Kapsperger
1640 (4th chitarrone book)? It looks really interesting, however very
hard to understand. I'm afraid that my rough italian could lead me to a
complete different meaning...
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Does anyone has the II lute book by Giovanni Antonio Terzi (1599)? I
have a pdf in french tab, but for academic purposes It is better to use
the original source as an example. I just need the 2 toccatas included
in this book...
Regards.
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Does anybody has the facsimile of the Siena lute book? I need some
information about the 14 toccatas included in this edition.
Any help is welcomed.
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Restricted access...
I'd be interested in this thesis as well.
Regards.
2010/11/20 G. Crona [1]kalei...@gmail.com
Dear List
has anyone of you managed to download this thesis and is willing to
pass it on to me?
Does anyone has experienced Aquila's NGE strings? I have been trying to
contact Mimmo to ask about string gauges...
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Christopher,
I agree entirely with your coments. Classical guitars are very tense
instruments, nails are required if you want to play with good volume.
Btw they never fill a big hall (soundwise)...
2010/11/1 Christopher Wilke [1]chriswi...@yahoo.com
There are a lot
Howard,
Exactly the way I'm doing. No (a) finger (the author adverts against
its use!) and always following the pattern you describe. Not easy to do
in certain chords...
Thanks.
2010/10/18 howard posner [1]howardpos...@ca.rr.com
On Oct 18, 2010, at 1:54 PM, Thomas
I'm interested on this site too!
2010/8/29 Fabio Rizza [1]fabio_ri...@alice.it
Dear friends,
one or two years ago someone posted here a link to a website with
tenths of pieces for flute and lute. Does anyone remember the link
to that website?
Thanks a lot,
I think John Williams never read anything about the history of his own
instrument. Check at 1:38. Couldn't believe he said that, specially
after watching those great videos by Jocelyn Nelson.
[1]http://www.youtube.com/watch?v=o_LNU1-s4BEfeature=related
--
References
1.
Does anybody knows this painting:
[1]http://www.harmoniamundi.com/#/albums?view=playlistsid=1258
I found this on O'Dette's cd playing Kapsperger. Harmonia Mundi changed
the album front cover... I was curious about the instrument and the
music that the lutenist is pointing to.
Good wishes,
John
On 09/07/2010, at 6:19, Bruno Correia wrote:
Does anybody knows this painting:
[1][3]http://www.harmoniamundi.com/#/albums?view=playlistsid=1258
I found this on O'Dette's cd playing Kapsperger. Harmonia Mundi
changed
the album
Does anybody have the SPES edittion from Kapsperger's 1611 book? I have
a serious question on corrente VII bar 28.
Regards.
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facsimile.
And all of the very early manuscripts have notational peculiarities
that may
never be fully understood.
Best wishes,
Denys
-Original Message-
From: [2]lute-...@cs.dartmouth.edu
[mailto:[3]lute-...@cs.dartmouth.edu] On Behalf
Of Bruno Correia
Sent
Thanks for the link!
2010/4/23 Bernd Haegemann [1...@symbol4.de
a lttle bit OT, becaue it is music in general, but if you want to
perform an unknown opera or so, have a look.
Enormous amount of stuff here:
[2]http://www.internetculturale.it/genera.jsp?lingua=en
This question must have been touched several times, but as I am rarely
pleased with the string tension on my lute I'll raise it once more: Is
it better to have the chanterelle at 36 N? the conversion is about 3.67
Kg. The problem is that nylgut gets thinner with age and this affects
opinion. If you use a gut treble, you can go
even lighter than 36 N., as gut responds much better at lower
tensions than does nylgut.
ed
At 08:53 PM 4/20/2010, Bruno Correia wrote:
This question must have been touched several times, but as I am
rarely
pleased
Graham,
I've been formerly an experienced classical guitarist as well. Let me
try to answer some of your questions:
2010/3/18 Graham Freeman [1]freeman.gra...@gmail.com
All,
I'm finding this discussion very informative and helpful. I'm also
an
A question for those who have read Piccinini's (1623) preface about
arpegiation.
I have been trying to understand exactly what he means by arpegiare
on the lute, but I'm surely missing the point (my Italian is also not
that great).
On the theorbo it is pretty clear that he
Many thanks to everyone who have replied to me privately.
Regards.
2010/1/23 Bruno Correia [1]bruno.l...@gmail.com
Does anyone in the list have this article:
Victor Coelho, G.G. Kapsberger in Rome, 16041645: New
Biographical
Data.103. It belongs
Does anyone in the list have this article:
Victor Coelho, G.G. Kapsberger in Rome, 16041645: New Biographical
Data.103. It belongs to LSA Volume XVI (1983).
I would really appreciate if someone could scan and send it to me. I
have been trying to buy it from the LSA but didn't
Could anybody give his/her opinion about this issue:
At the moment I am analysing the Kapsperger 1611 lute book for my Doc.
dissertation. All the musical examples will be written with Django tab
writer adding (automatically) its transcription. My question is: should
the
Well, I thought about it. BTW most transcriptions are in double staff..
Thanks for the suggestion.
2010/1/6 Christopher Stetson [1]cstet...@smith.edu
Hi, Bruno,
I've coincidentally been reacquainting myself with IHK recently and
I'd personally go for double staff
be more universally understood by those reading your
paper.
I personally would avoid the single-line guitar notation in e, for
the purposes for dissertation. Perhaps a later volume in e might be
published for guitarists.
ed
At 08:46 AM 1/6/2010, Bruno Correia wrote
Dear Chris,
I Appreciate your comments. Read below please.
2010/1/6 [1]chriswi...@yahoo.com
Bruno,
Oops, sorry! I obviously mis-read your message and thought you
meant the first theorbo book (this book uses 11 courses, anyway!).
You clearly said lute book. The
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