Piccinini's preface is not only vague but also very curious. He advises
   the player to do a gruppo with only the index finger (like a dedillo)
   and when the gruppo is joined by another part (with the thumb) it is
   called Arpegiare! Go figure...





   2012/3/27 David Tayler <[1]vidan...@sbcglobal.net>

       Piccinini's works are vague on the subject of nails, and his
     remarks
       have been widely mistranslated. It would appear that he used the
     nail
       for an effect, but that is of course a can of worms owing to the
     nails
       lobby. And rightly so! Tthere should be a lively discussion on
     this
       issue since the economic implications are so important.
       However, since there are no nails players today (that I know of,
     please
       point me there!) that play on gut strings, we can safely assume
     that it
       is neither practical nor desirable, and that there must be other
       factors at work such as volume and stability--20th century issues.
       It would be interesting to see a reconstruction of a Piccinini
       technique, using the nail in a supporting role, with a double
     strung,
       all gut strings archlute for example, but it would be very
     different
       than anything I have heard so far. I think it would make a great
     video
       project.
       dt

     __________________________________________________________________
       From: howard posner <[2]howardpos...@ca.rr.com>
       To: Lute List <[3]lute@cs.dartmouth.edu>
       Sent: Tue, March 27, 2012 3:36:18 PM
       Subject: [LUTE] Re: Vimeo: Monica Pustilnik playing Piccinini

     On Mar 27, 2012, at 3:40 AM, Mathias Roesel wrote:
     > What I was referring to is the position of her right hand close
     > to the bridge, her playing with nails, and the initial movements of
     her
     > index and middle fingers from the root joints. That's how I was
     taught to
     > play the classical guitar.
     Piccinini's 1623 foreword specifically instructs players to use
   nails.
     Of course, he may have been influenced by modern classical guitar
     technique.
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   Bruno Correia



   Pesquisador autonomo da pratica e interpretac,ao

   historicamente informada no alaude e teorba.

   Doutor em Praticas Interpretativas pela

   Universidade Federal do Estado do Rio de Janeiro.

   --

References

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