.
Also, thinking about freely available fonts, have you looked at Apple
Chancery, Comic Sans, Lucida Calligraphy, Lucida Blackletter, Bradley
Hand, or Skia?
Eric Crouch
[EMAIL PROTECTED]
On 7 Oct 2008, at 10:26, Doc Rossi wrote:
Has anyone got any suggestions for nice-looking French tablature
from transcribing some of them for
guitar) is the point made by Arthur Ness that the published facsimile
is so difficult to read. In transcribing I have incorporated the
corrections made by Matthew Spring in his grand staff edition.
Eric Crouch
On 6 Oct 2008, at 20:29, Greet Schamp
-slayer.com/ups-malware.shtml;
Try it and see
Eric Crouch
[EMAIL PROTECTED]
On 12 Aug 2008, at 17:16, Anthony Hind wrote:
This is not the same issue, but like many of you, no doubt, I have
received several offers to share with a Nigerian banker the profits of
a person who has
(N 1861).
Eric Crouch
[EMAIL PROTECTED]
On 18 Jun 2008, at 21:09, Peter Nightingale wrote:
Dear All,
Does anyone have or know where I can find a translation of the
introduction to Alessandro Piccinini's Intavolatvra ... Libro Primo?
Peter.
the next auto-quote is:
The human mind evolved
The bass viol part for this piece doubles the bass line of the lute
part!
Eric Crouch
On 2 Apr 2008, at 17:32, Bernd Haegemann wrote:
Hi!
http://www.gerbode.net/ft2/composers/Pilkington/pdf/pavan_for_lute_and_viol.pdf
sounds promising, but where is the viol part?
best wishes
Bernd
In Safari, click on the link above the files that says 'Listen'. It
plays the three tracks in order. The sound is very impressive!
Eric Crouch
On 13 Jan 2008, at 21:33, Gernot Hilger wrote:
Ed,
this is a non-Mac site. I tried all my browsers to no avail. Sorry!
g
On 13.01.2008, at 16:52
AFAIK Ruxbery publications (aka RecorderMail, and some other aliases
too, I think) are a print to order outfit, so they should be able to
do anything that's in their catalogue - if Severinus have transferred
the Burwell to them they should be able to print it.
Eric Crouch
On 16 Dec 2007
Ah, thanks, I hadn't spotted that.
Eric Crouch
PS Apologies, that last email was meant to go to the list, but I seem
to have sent it direct instead!
On 19 Nov 2007, at 08:13, Ed Durbrow wrote:
You go to the Preferences and click on Fonts then Tablature notes.
On Nov 18, 2007, at 11:38 PM
,
it was very easy to hear everything he did in that setting - though
having heard both Hopkinson Smith and Jakob Lindberg at Lute Society
meetings recently, I think AR's volume tends more towards the first
rather than the second.
Eric Crouch
On 25 Sep 2007, at 02:01, [EMAIL PROTECTED
Can anyone explain the meaning of the title 'Solus cum Sola' and the
next piece in Poulton 'Solus sine Sola'?
Eric Crouch
On 18 Jul 2007, at 22:47, Jim Abraham wrote:
The longer one is Solus cum sola, Poulton #10.
On 7/18/07, Alain Veylit [EMAIL PROTECTED] wrote:
This may have been
on the title of another piece, John Danyel's
wonderful set of variations 'Mistress Ann Grene, her leaves bee Grene'
Eric Crouch
On 19 Jul 2007, at 10:20, Charles Browne wrote:
The Lute Society Newsletter for December 2003 (no 68) has an
article by
Christopher Goodwin on some recent Dowland
My very old copy of the Diana Poulton tutor gives it as the version
from the William Ballet Lute MS and I assume it to be a faithful
transcription.
Eric Crouch
On 4 Jun 2007, at 11:34, Stephen Kenyon wrote:
Me again again. Does the Greensleeves version from Diano Poulton's
lute
tutor
Arthur,
Do you mean this piece http://www.cs.dartmouth.edu/~wbc/tom/
Chaconne_dXArlequin.mp3 ?
As far as I know Chris Wilke is right and it is a Lully/de Visee
theorbo work from the Saizenay MS.
Eric Crouch
On 11 May 2007, at 12:46, [EMAIL PROTECTED]
[EMAIL PROTECTED] wrote:
Arthur
address, they seem to be the same people as
[EMAIL PROTECTED] (again judging by the postal
address). Easiest to give them a ring on +44 (0) 1422 882751, as they
don't seem to be very communicative otherwise.
Eric Crouch
On 11 Dec 2006, at 09:30, LGS-Europe wrote:
- has Jane Pickeringe's MS been
to
this account the flexible waist tends to absorb the longitudinal
vibrations and the foot to transmit the vertical vibrations.
Eric Crouch
On 28 Aug 2006, at 11:42, Charles Browne wrote:
The following link to the proceedings of a 1983 conference of
Swedish guitar
makers is quite interesting
On 20 Aug 2006, at 23:10, Roman Turovsky wrote:
Note that SLW's title is feminine.
RT
Can anyone develop that point - is it possible the title 'L'Infidele'
also connotes another meaning of the word?
Eric Crouch
--
To get on or off this list see list information at
http
On 21 Aug 2006, at 08:26, Eric Crouch wrote:
On 20 Aug 2006, at 23:10, Roman Turovsky wrote:
Note that SLW's title is feminine.
RT
Can anyone develop that point - is it possible the title 'L'Infidele'
also connotes another meaning of the word?
Ah, I see it's been answered already. More
-mondegreen-buttocks-pressing-
song_15.html
Eric Crouch
On 22 May 2006, at 18:08, Stewart McCoy wrote:
This afternoon I was sent this little bit of nonsense, which I pass
on, with the hope that some might find it amusing.
Stewart McCoy.
-o-O-o-
The following appeared in Early Music Review
Sorry, seem to have got the link wrong:
http://witf.blogspot.com/2005/03/lady-mondegreen-buttocks-pressing-
song_15.html
EC
(ps, if it comes out wrong again, try closing up any spaces that
arise from the address going over two lines)
Begin forwarded message:
From: Eric Crouch [EMAIL
What format have you got the tablature in? If it is in Fronimo or
Django files, the task is straightforward. If on paper then it is
(imho) fairly laborious transcribing to notation.
Eric Crouch
On 10 Apr 2006, at 09:27, bernardo gui wrote:
dear list members,
for a forthcoming recording
There's someone in Norway who obviously decided it would be a service
to humanity to make MIDI files of all the Shadows tunes ;-)
Have a look here: http://home.online.no/~gunnar-a/eng.htm
Eric Crouch
On 27 Jan 2006, at 15:30, LGS-Europe wrote:
Does anybody have some info on The Lute Number
there was such a variety of accent in Elizabethan
England that a time traveller returning there (providing [s]he
avoided anachronisms) would merely be regarded as outlandish (in the
Elizabethan sense of course).
Eric Crouch
On 12 Jan 2006, at 22:42, Nelson, Jocelyn wrote:
Some communities
dialect.
Eric Crouch
On 13 Jan 2006, at 03:17, guy_and_liz Smith wrote:
I'm sure Elizabethan England had many local dialects, just as it
does today.
But most countries have something that's considered the nominal
standard
dialect. IIRC, she was referring specifically to the accent
French than the English of the Northern and
North Midland counties of England which showed strong influence from
Scandinavian languages.
Eric Crouch
On 13 Jan 2006, at 03:31, Peter Oljelund wrote:
Hello Everyone
Interesting subject!
I found this text on the internet:
Elizabethian English
It's still possible to hear people who say th'art for you are in
South and West Yorkshire.
Eric Crouch
On 13 Jan 2006, at 18:25, [EMAIL PROTECTED] wrote:
In a message dated 1/13/06 10:11:15 AM, [EMAIL PROTECTED] writes:
I keep hearing that bit about people who still speak Elizabethan
of music is reflected in research
from a music teacher in this country (UK) which purported to show
that playing Mozart to school pupils increased their capacity to
learn. Presumably lute fantasies would have an even stronger effect :-)
Eric Crouch
On 3 Jan 2006, at 05:35, Daniel F Heiman
Begin forwarded message:
From: Eric Crouch [EMAIL PROTECTED]
Date: 13 November 2005 15:30:11 GMT
To: dc [EMAIL PROTECTED]
Subject: Re: [LUTE] Piccinini
You can find it here: http://www.gerbode.net/ft2/composers/
Piccinini/
Eric Crouch
On 12 Nov 2005, at 20:08, dc wrote:
Where
Have you thought about left hand mousing on the computer? I switched
for similar reasons and found it very helpful. Anyone who can do lute
left hand fingering should have no problems learning to use a mouse
left handed.
Eric Crouch
On 2 Nov 2005, at 18:46, Craig Allen wrote:
Lately my
style is something that only really
developed during the 20th century. Richard Taruskin makes the more
radical point that 'historically informed performance' is, in fact, a
modern style.
A book worth reading , even if only to disagree with some of it!
Eric Crouch
On 28 Oct 2005, at 09:58
to admit that the bass notes of the theorbo sounding through
a baroque ensemble seem to me among the most beautiful sounds in the
whole of music. Maybe that's theorbists are popular? (And I name
David Miller, Linda Sayce and William Carter as the players who have
this effect on me!)
Eric Crouch
Ah, but is it a performance at all, as it is presumably MIDI
generated from the Lilypond file?
[Only musicologists to answer this :-) ]
Eric Crouch
lute@cs.dartmouth.edu
On 14 Sep 2005, at 16:19, Stewart McCoy wrote:
Dear All,
If you would like to hear an execrable performance of Dowland's
McCoy wrote:
Dear Eric,
Let's not split hairs. You need to listen at least halfway through
the MIDI file, to appreciate fully that someone lacks a certain
musicological nous. Dowland must be turning in his grave.
Best wishes,
Stewart McCoy.
- Original Message -
From: Eric Crouch
'Play' . You may or may not like the interpretation, but
as a live concert piece, in amongst other pieces from this CD, it was
a stunning musical experience. (OK, so that's renaissance music but
the point still holds.)
Eric Crouch
Feci quod potui, faciant meliora potentes.
==
http
No, I'm wrong - Scheit did no. 11 too!
EC
On 31 Aug 2005, at 18:32, Eric Crouch wrote:
I suppose we're straying a bit off lute topics again, but Karl Scheit
arranged the de Visee C minor suite both for modern guitar and for
guitar and recorder/flute in the early 70's and I have come across
they do contain
some editorial alterations. These are explained in his preface but,
in view of the particular nature of these pieces, players may not
agree with them all. So far I have transcribed the originals
faithfully (apart from making careless errors along the way!)
Eric Crouch
On 15
that reproduces the MS as faithfully as I can manage using
Sibelius. (The note values are in fact halved for reasons to do with
what Sibelius can and can't display.) I hope to post Prelude 4
shortly and I will check back to make sure that 1 and 2 are correct.
Eric Crouch
To get on or off this list
!
=EF=BF=BC
Eric Crouch
On 7 Aug 2005, at 20:46, Howard Posner wrote:
Eric Crouch wrote:
2) Someone repeated the belief commonly held among guitarists that
Beethoven wrote Moonlight Sonata after hearing Fernando Sor's study
in B minor for guitar. (I think it's from Sor's opus 31, but I'm
) but there are similarities in the chord
sequence sufficient to make the resemblance striking - and, yes it
must be that guitarists are just very credulous people!
You mean the one that Sor pilfered from #21 at
http://www.polyhymnion.org/swv/opus-2.html
RT
=EF=BF=BC
Eric Crouch
On 7 Aug 2005, at 20:46
Fernando Sor's study
in B minor for guitar. (I think it's from Sor's opus 31, but I'm not
sure because my copy hasn't got the opus no. on it.) I'd be
interested if anyone (perhaps Arthur) knows whether there is any
basis for this belief.
Eric Crouch
On 5 Aug 2005, at 18:39, Roman Turovsky
of different pieces based
on the same theme - eg Edward Collard's Ground (for lute) based on
the same theme as Byrd's Hugh Ashton's Ground, and the several
versions of Conde Claros for vihuela and lute.
Eric Crouch
On 24 Jul 2005, at 06:00, Sal Salvaggio wrote:
Luters,
I am presently working
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