and everyone else too. Made a little
bit of a fool of myself there.
James.
On 3 January 2013 02:51, James Jackson [1]weirdgeor...@googlemail.com
wrote:
From: James Jackson [mailto:[2]weirdgeor...@googlemail.com]
Sent: Wednesday, January 02, 2013 2:49 PM
To: Paul Daverman
Cc: [3
/113751643198470818818/WhatIAmBuildingAt
TheMoment?authuser=0feat=embedwebsite
AMH
At 06:37 PM 11/26/2011, Paul Daverman wrote:
I am wondering if anyone has any words of guidance concerning
inlay on
the veneer for the back of the lute neck. My hunch is that it
wouldn't
I am wondering if anyone has any words of guidance concerning inlay on
the veneer for the back of the lute neck. My hunch is that it wouldn't
work well to do the inlay while the veneer is still flat. But I'm also
not too sure of how you'd go about inlay on a curved surface. Anyone
Does anyone have experience using western red cedar for the lute sound
board? (I'm building a 10-cs Ren. Dieffopruchar.) I'm guessing it
would need to be thicker than a spruce top. However, I'm not sure how
much thicker I should expect it to be.
Thanks,
Paul
--
To
I have two questions -both related to Robert Lundberg's book on
Historical Lute Construction - that perhaps some of you veteran lute
builders can comment on.
First. In his Practicum 1, he shows the steps to making a lute mould.
The last photo in this chapter shows a mould
I am considering building a lute. Unfortunately, I have little
knowledge of the lute other that hearing the wonderful, mellow tone of
the lute on various recordings. I see there are plans available for
building various types of lutes. Does any one know of a resource that
has a
