Big thanks Wayne
Your list was great!!
Arto
On 30.9.2020 13.11, Wayne Cripps wrote:
> Hi Lute People -
>
> The Dartmouth lute list is ending in less than three hours. I certainly
> have learned a lot from all of you and I thank you all for taking part in it.
>
> Wayne
>
>
>
>
> To get on
And if you play continuo, it is not too complicated to play this piece
directly from the score.
Arto
On 27.9.2020 12.52, Mathias Rösel wrote:
>There's an edition of pieces by Purcell from Tree Edition for one
>archlute.
>Mathias
>
Big thanks to you for your valuable work of decades!!
Arto
On 22.8.2020 22.04, Wayne wrote:
> Hi -
>
> I have been running this lute mail list since 1998, and it has been
> interesting and fun. Now I am retiring from my job at Dartmouth College, and
> when I retire the computers that I have
I second Rob's comment. Thanks Ernst!
Arto
On 3.5.2020 12.31, Rob MacKillop wrote:
>Your Scribd page has amazing treasures, Ernst!
>Rob MacKillop
>
>On Sun, 3 May 2020 at 10:19, <[1]fischer...@aon.at> wrote:
>
> Dear lute friends,
> As you most probably know, the
Wow!
Thanks Rainer! :-)
Arto
On 01/02/2020 18:09, Rainer wrote:
> https://mazarinum.bibliotheque-mazarine.fr/ark:/61562/mz3446
>
> Click under "Télécharger"
>
> Rainer
>
>
>
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I thought every serious lutenist can sing the tabulature lines.
sincerely
Arto
On 11/12/18 21:25, r.turov...@gmail.com wrote:
What about those of us who compose in tabulature?
I also know a few people who can sing off the tab.
RT
http://turovsky.org
Feci quod potui. Faciant meliora
Hi
Google translates in (from Latin:) "paternal inheritance"
Arto
On 30/05/18 19:21, Bernd Haegemann wrote:
Dear all,
a beautiful pavan by Anthony Holborne. One variant is in the Varietie of
Lute Lessons.
Is there an explanation of the title?
Kind regards
Bernd
---
Diese E-Mail wurde von
is a good idea!
Arto
On 13/05/18 23:00, Ralf Mattes wrote:
Am Sonntag, 13. Mai 2018 21:44 CEST, Arto Wikla <wi...@cs.dartmouth.edu> schrieb:
Tiny comment: f#-gb, d#-eb, c#-db, etc. are not octaves! ;-)
To that I can only answer with that famous quote from Thomas Binkley: "Detai
Tiny comment: f#-gb, d#-eb, c#-db, etc. are not octaves! ;-)
Arto
On 13/05/18 22:30, Rainer wrote:
A clarification:
Suppose you want to place the frets on a lute so that:
1) All unisons are pure. That means the f on the second course has the
same frequency as the open 1. course, the g on
Hi lutenists,
here is a microtonal piece by one of my composer friends. This piece
probably cannot be combined to to any Indian raga based performance? But
who knows? He who searches, will find...
https://soundcloud.com/juhani-nuorvala/kaiho
Anyhow, I like this piece! No lutes ther, just a
Dear Tristan,
fanciful and kind of interesting speculations you have had! Many thanks
for the fun! I guess just that was your main intention, fooling the
credulous.
Please, go on with your fanciful stuff! :-)
Arto
On 04/04/18 00:53, Tristan von Neumann wrote:
Sorry, I needed space for
Hi dear lutenist friends
I've played many unorthodox lute thingies to the YouTube, oftenmost very
badly. ;-) Here are links to some of them:
* Pietre Rotolanti: Dipingi nera quella porta:
https://www.youtube.com/watch?v=Tuyf4uha8fs
* Something very different: short teenage memory ... ;-)
Hi dear fellow lutenists
My experience in many international "master courses" is that those, who
talk most of this or that tuning, "4th" or "6th" or "equal", are just
those, who are not the best in the intonation...
Lute is a strange animal: you make compromises, you put tastini, you set
Oops! I have already made the intabulation! Just called it "Purcell:
Hornpipe".
Here is the tab:
https://www.cs.helsinki.fi/u/wikla/mus/Arciliuto/PurcellHornpipe200617.JPG
And here is my YouTube example of that:
https://www.youtube.com/watch?v=y7hRdN00B3w=youtu.be
Arto
On 19/0
Dear theoj89294(?)
Making an intabualation of that nice piece is not very complicated. If
you wish, I can quite easily make one for you in the near future. ... In
case you just start signing your messages... ;-)
Arto
On 18/02/18 23:43, theoj89...@new-old-mail.cs.dartmouth.edu wrote:
) I did not post it:
> If a Hindustani flute player matches Fantasy XII, it sounds
like a
> Castello Sonata. I will try and prepare a mix with that, but
I have not
> yet found the right music source.
> Anyone interested may get an mp3 in private email.
>
Well, I listened carefully all those example combinations of Bull's
harpsichord pieces and the suggested similiar(?) raga performances, and
sincerely I could not find much in common between them, just two
different sound clips connected. Tristan von Neumann is of course free
to name me also
Hi all
My friend, Finnish composer and specialist of Indian classical music and
culture, commented Tristan's example by pointing to this funny video,
which represents the type of joke that is not rare in Indian humour:
https://www.youtube.com/watch?v=5ueGc2MTGog
Arto
On 05/02/18 23:44,
Big thanks for the great facsimile! To the on-line publisher, the finder
of it and also the nice version connector! :-)
And I suppose that if you can play these pieces, you also quite easily
find out, when there is an "e" and when there is a "c", don't you. ;-)
all the best,
Arto
On
Perhaps this page helps:
http://musicofyesterday.com/historical-music-theory/early-history-of-tablature/
Arto
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Äh, must be G-c-e-g-b-e
(I cannot count to six ;-) )
Arto
On 07/04/17 17:17, Arto Wikla wrote:
Hi
If it is the same as in his "Libro Tertzo", the six fingerboard courses
are (assuming the 6th is in G):
G-c-e-b-e ("b" in the English sense)
Arto
On 07/04/17 09:29
Hi
If it is the same as in his "Libro Tertzo", the six fingerboard courses
are (assuming the 6th is in G):
G-c-e-b-e ("b" in the English sense)
Arto
On 07/04/17 09:29, Alain Veylit wrote:
Anybody knows what the "Cordatura del signor Virgo" is like? (It is for
archlute used by Meli)
To
Dear Susanne
Years ago I went to a pharmacy and asked them to measure the weight of
one KF string with their precision scale. I had by myself measured the
length and thickness very accurately. After calculatios I got the
density 1791 Kg/m³.
This has worked to me.
I hope this helps!
Arto
Hi lute gang and Bruno
Bruno and others had problems in getting Aquila loaded nylgut CD and
normal NNG strings work well in tune, when used as a pair
fundamental-octave. I have had no problem in this.
Here is the proof:
https://www.youtube.com/watch?v=ZVmmPulDLVc=youtu.be
The strings are
Neither I dare let Java applets run, but my most simple calculator runs
in JavaScript, see
https://www.cs.helsinki.fi/u/wikla/mus/Calcs/mc.html
I use that, but you'll certainly find more advanced calculators, too.
Arto
On 01/03/17 15:59, Leonard Williams wrote:
Can anyone recommend a good
In the "dark times", actually medieval times, they used the Pythagorean
tuning, in which the major third is even larger than in the equal
temperament. That third really is very dissonant!
Arto
On 01/03/17 10:18, Lex van Sante wrote:
The major third is a dissonance in equal temperament
Hi Bruno
No problems on my archlute's 6th and 7th. CDs and NNG octaves.
Arto
On 28/02/17 19:56, Bruno Cognyl-Fournier wrote:
Dear Collective wisdom,
I have been tuning my 5 and 6th course in octaves for years, with wound
strings and gut or nylgut.
recently I bought the CD loaded
I sincerely cannot understand the idea of those hidden "machine heads"!
Violinists, viola players, cellists, ..., do not use those.
Why should I? The old friction pegs are so easy, fast and good - if they
are. I have had the luck of having good ones.
But everyone may choose his/her own way,
Dear Mimmo,
if you decide to make the loaded nylgut strings (CD) less elastic, I
hope (and wish and urge ;-) ) that you keep also the original elastic
version in your repertoire! They work exceptionally well on my Harz
arclute, great stuff.
And big thanks for your invaluable work!
Arto
On
Hi
My first impressions of the Aquila loaded nylgut strings are very good
(archlute cc, G and F; 2x5th, 6th and 7th).
My 1st check:
https://www.youtube.com/watch?v=_7boXtpffL0=youtu.be
And 3 recorded real pieces:
https://www.youtube.com/watch?v=nV7q2jxMK3Q=youtu.be
Hi Bruno
Perhaps you can arrange (and select) some of the variations of my arr of
Purcell's Chaconne (from King Arthur) to archlute?
My tab is in
https://www.cs.helsinki.fi/u/wikla/mus/PurcellChaconne020916.pdf
And my video of playing it is in
https://www.youtube.com/watch?v=olsmDPzPDq4
This group is fantastic! Thanks to everyone! :-)
Arto
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Dear fellow lutenists.
there is some chamber music to lute by Haydn. I just cannot find it!
Any advice or help?
Arto
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The difference between 0.50 mm and 0.52 mm KF's is actually not very big!
If we take for example string length 600 mm and a = 220 Hz, we get the
following "tensions" (well just "Kilograms" on our dear Earth ;-) )
KF 50 = 0.50 mm => 2.598 Kg ~ 2.6 Kg
KF 52 = 0.52 mm => 2.702 Kg ~ 2.7 Kg
The
Hi all,
as I already wrote earlier, the KFs can be calculated as "carbons", the
density 1791 Kg/m³ works well. Actually years ago I measured a KF string
with my micron and with pharmacy's precision scale. Then it was easy to
calculate the density ...
Arto
On 25/04/16 11:25, Martin
I have calculated Savarez KFs as if they were "carbon" strings: 1791 Kg/m³
Works.
Arto
On 17/04/16 16:16, Mathias Rösel wrote:
--=_NextPart_001_0026_01D198BC.2C945FD0
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Dear Collected
Our Finnish word "tiede" (~science) also has this wider European
meaning, fortunately! :-)
Arto
On 24/03/16 20:07, Rainer wrote:
On 24.03.2016 18:39, Brad Walton wrote:
I believe that the word "science" has wider connotations in French
than in English.
As - unfortunately - in German.
And by the way, these pieces are to baroque lute in d-minor tuning (11
courses is enough), no to theorbo!
Arto
On 23/02/16 18:55, Wayne wrote:
That might be
http://www.cs.dartmouth.edu/~wbc/tab-serv/tablature.cgi?Baroque_lute/pachelbel.pdf
We will see if this gets to the list unmangled.
And by the way, all the 6 open strings of an a theorbo, A-d-g-h-e-a,
should be familiar to guitarists, too. Only the order is little
different... ;-)
Arto
On 15/01/16 18:58, David van Ooijen wrote:
Replacing the second string with a high octave is what some continuo
players do. I
Perhaps somebody ordered this painting just to show, how some of his
social enemies try to look like civilized, just to mock them. Or perhaps
that couple did not pay properly to the painter for his work, and he
decided to revenge. And maybe the couple even did not get the insult?
Just a
Hi all
Perhaps my very old (1994!) "lute continuo school" is for some help to
continuo beginners? See
http://www.cs.helsinki.fi/u/wikla/mus/continuo.pdf
Arto
On 02/11/15 20:28, Peter Kwasniewski wrote:
Geoff,
Many thanks for your note. I can see that the real solut
Hi Peter,
Dowland's son Robert published Amarilli with written out tabulature in
1610 in his "Musicall Banquet". It is to 7 course lute, but easily
adopted to 6 courser.
Arto
PS If you wish, I can take a photo of those 2 pages and send them to you.
On 02/11/15 18:56, Peter Kwasniewski
, anyhow.
See http://www.cs.helsinki.fi/u/wikla/mus/Calcs/mc.html
If you wish to use the more general Java calculator, go first to that
page, allow Java, use the calc, and disallow Java _before_ leaving the
calculator page.
I hope this helps,
Arto
On 15/10/15 19:52, Bruno Figueiredo wrote
Herbert,
if baroque counts and if you play continuo, there are enormous amount of
possibilities.
See for ex. our Albinoni:
https://www.youtube.com/watch?v=INPaHCrft6U=youtu.be
I play "renaissance" lute there.
Arto
On 13/10/15 05:46, Herbert Ward wrote:
I have a chance to play music
Thanks Wayne!
I am also one of the very early list members... ;-)
Arto
On 21/07/15 19:39, Ron Andrico wrote:
I feel the need to add a clarifying remark my statement that when a
service is free then YOU are the product.
This discussion list, hosted by Wayne Cripps and his
Dear lutenist friends,
today I spotted a very beautiful aria by Cavalli performed by Mariana
Flores and Cappella Mediterranea:
https://www.youtube.com/watch?v=BSLbevOzmls
Does any kind soul happen to have the partitura of this piece or even
all of the La Statira? I'd be very happy to have
On 24/04/15 19:03, Arto Wikla wrote:
Yep, I've done that. I send it to you in private - the List doesn't
accept attachments.
Arto
On 24/04/15 18:14, Michael Grant wrote:
Does anyone know where I can find Kapsberger's Canario tab for a 10 c
ren lute in g?A I have a copy of the original
Yep, I've done that. I send it to you in private - the List doesn't
accept attachments.
Arto
On 24/04/15 18:14, Michael Grant wrote:
Does anyone know where I can find Kapsberger's Canario tab for a 10 c
ren lute in g?A I have a copy of the original written for, I believe,
the
At least my Cleartune in Android shows also the frequencies...
Arto
On 05/03/15 15:01, doug asherman wrote:
Hi David:
Thanks very much for the info. The tuner is Cleartune for the
iPad/iPhone.
Great idea, making a list -- I'll see if I can find a tuner that
displays
Hi lute gang,
does any of you have happened to number, arrange or even tabulate the
Erbarme dich and Mache dich continuo by JS Bach of his St. M.
Passion to (arch-)lute in g or theorbo in a?
I could of course do that. But lots of work woud it be ... ;)
And has anyone happened to make the
Hi all
Just an innocent(?) question: If you need amplification, why to use the
lute? Electric guitars are made for that purpose, loud music. ;-)
Arto
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
On 27/01/15 23:53, Tobiah wrote:
On 01/27/2015 01:49 PM, Arto Wikla wrote:
Hi all
Just an innocent(?) question: If you need amplification, why to use
the lute? Electric guitars are made for that purpose, loud music.
;-)
Oh right, and we can just use a Rhodes electric piano instead of those
Dear Herbert,
there were no early music performances in those days, and so there was
no Catholic or Protestant support to these in your 1520-1648. So it was
not possible to support any historical performance either.
Perhaps you could clear your question?
Arto
On 31/12/14 02:58, Daniel F.
Why not. Send me some example. :-)
Arto
On 01/11/14 17:32, Anton Höger wrote:
Hi,
is there anybody who plays Chitarrone?
I would like to test someone a Chitarrone intavolation?
Thx
Anton
To get on or off this list see list information at
Hi Robin,
I have 3 of them. Here are my very first tests of them, just when I got
them home:
Hoffmann 11-courser (28.10.2011)
http://www.youtube.com/watch?v=UJogB6wxB3U
Venere 7-courser (23.3.2012)
http://www.youtube.com/watch?v=Q5lzPnVZl_ofeature=youtu.be
Dieffopruchar 10-courser
Dear lutenists,
I love the violin type direct pegs on lutes: no endless turning and
turning as the poor guitarists have to do, just a couple of times down
and up, and there it is.
I used to hate the guitar tuning gears; up, down, up down, tens of
times, and at the end it is anyhow out of
. http://www.youtube.com/watch?v=iDFjR95vZdsfeature=youtu.be
2. http://www.cs.helsinki.fi/u/wikla/mus/11_courseLute/SvejkSuite.pdf
Hidden links:
4.
https://www.facebook.com/groups/2485751181/permalink/10152456331856182/?comment_id152456500146182offset=0total_comments=1
To get on or off
Corrected link to the written music:
http://www.cs.helsinki.fi/u/wikla/mus/11_courseLute/SvejkSuite.pdf
On 03/06/14 00:24, Arto Wikla wrote:
Hi lutenists,
after having read the great book by J. Hasek, The Good Soldier Svejk,
I had to play some Czech music... ;-)
The Sonata
Yep, I also have the SPES' facsimile. Ordered it years ago directly from
the publisher.
Arto
On 19/04/14 09:02, Bernd Haegemann wrote:
Hi,
according to Peter's wonderful database, 3 have been found:
F-Pn ms. Vm7 6211, 31v
F-Pn Ms. Res. 474 Denis Gaultier, Livre de tablature, p. 8
Perrine, Pieces de Luth en Musique, 1680, p. 8
See:
[1]http://mss.slweiss.de/index.php?lang=engid=1exFilter=1type=mssst
/wikla/mus/NiinKauanMinaTramppaan.JPG
The text is quite macho.
1st verse says something like this (in dialect):
Iwalk the paths of this village as long as the soles of my shoes last.
I make love to anyone I wish, and the hags cannot stop that.
The second verse says something like this: How good
Very good! Thanks for the link, Roman!
Arto
On 04/04/14 18:38, Roman Turovsky wrote:
http://www.youtube.com/watch?v=WNmeGzjK6Ic
A truly fine performance, without histrionics.
RT
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Seconded! :-)
Arto
On 26/02/14 20:51, Jean-Marie Poirier wrote:
Plain text is fine, Wayne. Thank you !
Jean-Marie
--
Hi folks -
Due to an absolutely overwhelming lack of interest, I am not
going to change how the lute list handles formatted messages.
Wayne
Begin
oldest calculator
http://www.cs.helsinki.fi/u/wikla/mus/Calcs/wwwscalc.html
is in JavaScript, which is totally different from Java, but that page
contains a tiny sub-calculator in Java for calculating unknown string
material density. The warning must be connected to that, I suppose.
The New Calc
Hi lutenists,
I happened to find a nice example of a chain of secondary dominants long
before they were invented. I've seen them also in other pieces of the
period, but this one is very clear in one Courante by Valentin Strobel
in the ms. PL-Kj40620:
Jakob Lindberg had a funny speculation: In the old Venice dialect ti
orba meant I'll blind you.
Just think the problems with the long extension neck...
Once I happened to hit the director of a choir, when he arrived to the
front of the choir and me with the theorbo; tiny river of blood in
Happy luting to every lutenist in 2014!
Here is my modest try of an excellent piece by Lully:
http://www.youtube.com/watch?v=v3QtFKJcJ_kfeature=youtu.be
Arto
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Great! Thanks!
Arto
On 01/01/14 20:03, Andreas Schlegel wrote:
Happy new year - and have a look at:
http://digitalcollections.tcd.ie/home/index.php?DRIS_ID=MS408_001
Enjoy!
Andreas
Andreas Schlegel
Eckstr. 6
CH-5737 Menziken
+41 (0)62 771 47 07
lute.cor...@sunrise.ch
--
To get on or
So, you may choose ;)
I played a tiny suite - only 3 parts - in the ms. Virginia Renata
von Gehema, Berlin Mus. Ms. 40264) (D-B40264/145-147). These pieces
are on consecutive pages of the ms. Only the Sarabande is known to be
by F. Dufault, but it is possible that also the
;-)
Arto
On 20/11/13 20:33, Mark Seifert wrote:
Being a chronic pessimist, I worry that luters rallying to this exciting
opportunity might end up being allowed to play in public only during a cometary
visit, sort of like being typecast as comet accompanists.
Nice idea Danny! :)
Here is my try
http://www.youtube.com/watch?v=LeNtCLv5cqofeature=youtu.be
recorded in 15.2.2013
Arto
On 19/11/13 23:30, DANIEL SHOSKES wrote:
Dear all: as brought to my attention by Cathy Liddell, a new comet is rounding
the sun and heading for earth's orbit. If it
Dear all,
I understand wholeheartedly the need for a good tool for tabulature
publishing, but how beautiful are many of the original tabulatures! And
they all - also those that are not so beautiful - are very personal! So
why not write also nowadays by your own hand? No limitations in the
Zepplin?
Tobiah
On 11/01/2013 09:47 PM, Dan Winheld wrote:
Very cool, Arto!
Keep exploring, do more- it keeps us alive.
Dan
On 11/1/2013 4:05 PM, Arto Wikla wrote:
.. just in case there is any interest, my just a tiny little modest
try in
http://www.youtube.com/watch?v=xFN2nc9B0lcfeature
in a jarring effect that comes off as inaccurate
timing.
A worthwhile tongue in cheek endeavor. Do you
do any Zepplin?
Tobiah
On 11/01/2013 09:47 PM, Dan Winheld wrote:
Very cool, Arto!
Keep exploring, do more- it keeps us alive.
Dan
On 11/1/2013 4:05 PM, Arto Wikla wrote:
.. just in case
Dear Helen,
what about the Concerto delle donne of Ferrara? See
http://en.wikipedia.org/wiki/Concerto_delle_donne
For example Luzzaschi wrote a book of madrigals for one, two, and three
sopranos with keyboard accompaniment, published in 1601. Transforming
the keyboard acc (freely) to lute
.. just in case there is any interest, my just a tiny little modest try in
http://www.youtube.com/watch?v=xFN2nc9B0lcfeature=youtu.be
best,
Arto
To get on or off this list see list information at
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Thanks to everyone who suggested the best maker of an 11-courser!
All the answers were private, which is very ok.
And here is the list of the suggested makers in alphabetical order:
Karl Kichmeyr
Dan Larson
Renatus Lechner
Ivo Magherini
Stephen Murphy
Renzo Salvador
Michael Schreiner
Clive
Dear baroque lutenists,
who do you regard as the best maker of 11-course lutes? I suppose my
question is only theoretical, because her/his instruments are probably
priced above my economical possibilites, though... ;-)
Anyhow, 11-courser is very addictive; much more than I could imagine
Oh, how much I prefer the direct recordings (usually in not so optimal
home acoustics) compared to the troubles of editing, echoing, mastering,
cutting, pasting and all kinds of heavy producing of video and sound
files... ;-)
Arto
On 20/09/13 23:41, WALSH STUART wrote:
On 20/09/2013
In case someone wants to play these pieces, here is my practical
performance facsimile:
http://www.cs.helsinki.fi/u/wikla/mus/11_courseLute/LeslieSuite/
Best,
Arto
On 30/08/13 22:17, Arto Wikla wrote:
Dear baroque lutenists,
Master Leslie or Mr. Leslie wrote only 5 pieces
Dear baroque lutenists,
Master Leslie or Mr. Leslie wrote only 5 pieces to the Scottish
manuscript Balcarres in the normal baroque tuning in d-minor - there
are some more pieces in the D-major tuning and also in some other
tuning...
Anyhow, I just tubed those 5, and then glued
Very interesting! Thanks!
But it is quite irritating to see, how obsequious JB is ...
Arto
On 13/08/13 01:32, Braig, Eugene wrote:
http://www.youtube.com/watch?v=t4f8fej9Sqo
Eugene
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Dear lutenists,
I just picked my new 10-course lute by Lauri Niskanen, body model
Dieffopruchar 1612.
The lute is very, very new, it got the strings today, and I just drove
2 x 170km to get the instrument. First try is of course the famous
Home againe, market is done from the
Dear lutenists, b- and r-,
I happened to find an exceptionally good melody in the baroque lute
manuscript RA-BAn, Ms. 236.R-13769, Buenos Aires, Biblioteca Nacional.
It is a Sarabande with its (quite interestingly made) Double. The
composer is not known thus far today, but I strongly suppose,
Dear lutenists, b- and r-,
someone told me that it is something special, when you reach your 400th
playing to y-tube. Perhaps it is, perhaps not. Anyhow, I started by
several normal pocket digital cameras with their very lousy sound
quality, did also some (bad) video editing in
Dear baroque lutenists,
today I happened to find an interesting song setting to lute solo, quite
well made, in the D-LEm ms. II.6.24, Leipzig, Städtische Bibliotheken,
Musikbibliothek. The piece is also named interestingly: Die weil ich
nun Kein Weib nicht habe u. auch noch keines haben will.
://www.cs.helsinki.fi/u/wikla/mus/11_courseLute/KalivodaSuiteInGm/
And my playing the suite in
http://www.youtube.com/watch?v=xPSpgSB8_64feature=youtu.be
Perhaps beginning baroque lutenists can find some ideas of my fingerings
etc? Although I really am quite unotrhodox here and there. And what is
good
Dear lutenists,
The ms. RA-BAn Ms. 236.R-13769, Buenos Aires, Biblioteca nacional, the
the so called Kalivoda Ms., contains mainly music of the Weiss' times,
Weiss included. But strangely enough, it seems to have also some early
music as seen in 1720's.
My second try in this is a Sarabande
Dear baroque lute friends (cc to the main list)
I happened to find something interesting: A Courante by Pierre Gaultier
in a ms. of much later times,
The Courante comes from ms. RA-BAn Ms. 236.R-13769, Buenos Aires,
Biblioteca nacional, fol. 109v. The composer, Pierre Gaultier, was
active
in the Austrian ms. A-Wn ms. 17706, a
transcription of a Rondeau in Lully's Persee (Perseus), Acte IV,
Scene VI (LWV 60/73).
You can see the Viennese tabulature here:
[1]http://www.cs.helsinki.fi/u/wikla/mus/11_courseLute/LullyRondoPersee
Tab.jpg
And the Lully original is here:
[2]http
by Notator B)!
All the best,
Andreas
Am 19.03.2013 um 21:30 schrieb Arto Wikla:
Dear baroque lutenists,
does anyone know, whether there is an on-line version of the facsimile of the
Rhetorique des Dieux by Denis Gaultier? The pictures of the ms. are in the Net,
but what about the tabulature
In the Rhetorique des Dieux: Artemise ou l'Oraison funebre,
in the ms.ETGoessII C(ourante) G(aultier) sur L'entree de La Reine de
Suede dans Paris:
http://www.youtube.com/watch?v=eN7ui491_7Ifeature=youtu.be
http://vimeo.com/61828222
best,
Arto
On 12/03/13 22:49, Arto Wikla wrote
Still one opinion: I like and prefer the knot that David vE shows as the
2nd alternative in his page
http://www.vanedwards.co.uk/fretknot.htm
I learned that knot from my old lute teacher Leif Karlson, student of
Michael Shaeffer.
Very strong and reliable knot! Perhaps that will work?
Arto
Dear lutenists
In case someone is interested, I just tubed a direct and unedited home
recording of an extremist French baroque lute description of a couple of
very strong ladies of their times:
http://www.youtube.com/watch?v=YB0P_IXqm5kfeature=youtu.be
http://vimeo.com/61645403
best,
Hi lutenists,
are there any recent news of the loaded (new) nylgut srtings? Mimmo? :)
Arto
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Dear baroque lutenists,
when I started to study the baroque lute 3 years and some months ago,
one of my first tries was one at least historically interesting piece -
and at least to us Finns, Swedes and probably also Russians:
This anonymous lute arrangement of of a marche by Anders von
Dear Bernhard (and dear List),
great introduction, great analysis, great listing of pieces, great played
examples and great collection of the pieces by Berhandtzky!
Many, many thanks Bernhard! :-)
Arto
On 21/02/13 14:14, Bernhard Fischer wrote:
Dear Lute Friends,
Over the last few days I
Hi b-lutenists,
I just made my 2nd pathetic try on La Comete, Chaconne du V.Gallot
into the tubes:
[1]http://www.youtube.com/watch?v=LeNtCLv5cqofeature=youtu.be
[2]http://vimeo.com/59757771
Very far from perfect performance, but today it was the most perfect
day to play an
Just in case someone doesn't have the Elslein tabulatures, here you'll
find the facsimile of my 1980's handwriting in French(!) tabulature by
three Hanses: Judenkunig, Newsidler and also Gerle:
http://www.cs.helsinki.fi/u/wikla/mus/10_courseLute/ElsleinX3.pdf
All the best,
Arto
On 01/02
Dear lutenists,
if memory serves, we have been talking about one interesting question of
interpreting German tabulature: when (especially) Hans Newsidler
repeated a short note after longer one, did he really mean repeating the
pluck, or did he thus just in this way express a note with a dot?
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