Roman,
I have many friends in the sciences and I have always loved the titles
of scientific articles for their sheer poetic impact.
Hence the title of my very first HTML page. It was called The Sautscheck
Saga: An experiment in paramusicology, to parody one of Tim Crawford's
papers.
RT
BTW, has anyone noticed that while 50% of the
repertoire in the 16th
century is religious - Ave marias, motets, psalms,
etc. - the later
repertoire is entirely profane?
Yeap, that´s true ... monks seemed to like that new
entirely profane music. A very substantial part of
the 17th 18th
Ralf,
This is very interesting: how many of those pieces preserved in
monasteries (roughly speaking) are sacred works, as opposed to dances or
preludes? any single volume dedicated to the liturgy?
Alain
ralf bachmann wrote:
BTW, has anyone noticed that while 50% of the
repertoire in the 16th
There is not much sacred music in those manuscripts.
But there are other manuscripts and even prints (Falckenhagen!) only
containing sacred music as there still was a living tradition of domestic
devotion.
Thomas
Am Mittwoch, 23. Februar 2005 18:04 schrieb Alain Veylit:
Ralf,
This is very
Thomas,
Thanks for the info. I was unaware that Falckenhagen had published
sacred music. Also, obviously, the practice of continuo blurs the
situation, particularly with simple tunes used for psalms.
Alain
Thomas Schall wrote:
There is not much sacred music in those manuscripts.
But there are
Alain Veylit [EMAIL PROTECTED] said:
Roman,
I have many friends in the sciences and I have always loved the titles
of scientific articles for their sheer poetic impact.
One title on my shelf, The making of the Broads (a large tidal marsh in
England).
Also, one of the
most important set
At 04:40 PM 2/22/2005, Alain Veylit wrote:
I have many friends in the sciences and I have always loved the titles
of scientific articles for their sheer poetic impact. As a matter of
fact, I have just been invited to a conference entitled: The Evolution
of Exclusive Paternal care in Arthropods.
