Marion,
I'll make one last try at what I was saying. I was not speaking of
eliminating tabulature or staff notation - or any other way of passing music
from one person to another. I'll have to be more boring than usual and
mention that I spent a long time in data communication - and still have an
Needless to say, I much prefer the little Feldman said to the lot others
have to say all the time...
BTW: how can one know too much? Did you go through that experience and how
did you get rid of your learning so successfully?
danyel
- Original Message -
From: Roman Turovsky [EMAIL
BTW, has anyone noticed that while 50% of the
repertoire in the 16th
century is religious - Ave marias, motets, psalms,
etc. - the later
repertoire is entirely profane?
Yeap, that´s true ... monks seemed to like that new
entirely profane music. A very substantial part of
the 17th 18th
Ralf,
This is very interesting: how many of those pieces preserved in
monasteries (roughly speaking) are sacred works, as opposed to dances or
preludes? any single volume dedicated to the liturgy?
Alain
ralf bachmann wrote:
BTW, has anyone noticed that while 50% of the
repertoire in the 16th
There is not much sacred music in those manuscripts.
But there are other manuscripts and even prints (Falckenhagen!) only
containing sacred music as there still was a living tradition of domestic
devotion.
Thomas
Am Mittwoch, 23. Februar 2005 18:04 schrieb Alain Veylit:
Ralf,
This is very
Thomas,
Thanks for the info. I was unaware that Falckenhagen had published
sacred music. Also, obviously, the practice of continuo blurs the
situation, particularly with simple tunes used for psalms.
Alain
Thomas Schall wrote:
There is not much sacred music in those manuscripts.
But there are
Alain Veylit [EMAIL PROTECTED] said:
Roman,
I have many friends in the sciences and I have always loved the titles
of scientific articles for their sheer poetic impact.
One title on my shelf, The making of the Broads (a large tidal marsh in
England).
Also, one of the
most important set
Jon Murphy [EMAIL PROTECTED] said:
So my suggestion was only that there be a uniform
notation for transmission that all music software vendors would agree to so
they could accept any other software's transmission.
I agree that this would be highly desirable, but, as with all standards, there
