[1]https://youtu.be/qdrVqr4Mej4
With kind regards,
Met vriendelijke groeten,
Bien cordialement,
Gilbert Isbin
[2]www.gilbertisbin.com
[3]gilbert.is...@gmail.com
--
References
1. https://youtu.be/qdrVqr4Mej4
2. http://www.gilbertisbin.com/
3.
When I looked into some scores edited by Anthony some years ago I had the
impression that the music could very well be intended for a mandolin-type of
lute. The music would not cross the bass and it seemed to fit a six-course
Genoese mandolin tuned one octave above a (modern) guitar (or mandora in
Dear Konstantin,
Thanks for this. I agree that the works do not always seem to fit well
on the G archlute and that an instrument in nominal A is often more
comfortable for some of Reggio's works.
Regarding the notation being either at pitch or an octave lower: look
at the Dalla
Dear all,
I have been lurking on the list for a couple of days to see any
comments.
To answer a couple of questions. The general concensus it that they
were composed for calascione, which was a popular instrument used in
churches in Italy at this time.
I believe that these
Dear Anthony,
Many thanks for this.
Why is it thought by some that the intended instrument was an Italian
'calascione' (not to be confused with the mid-European
callichon/gallichon) rather than a 'liuto' or 'leuto' with 6/7 courses
which was still known in Italy in the eighteenth
As a follow up to Martyn's comments: Dalla Casa is a piece of cake to
transcribe compared to Rust... I gave up - for the time being - on his
H-Dur sonata because I could not figure out what octave the notes on the
F staff are at... It seems that the diapasons' octaved string are
sometimes
