Hi Ron,
the c-minor fantasia is also on my page in the originial baroque version.
http://www.lautenist.de/WeisscMoll.pdf
Actually 11 courses are enough for this piece ...
I'll copy some more of Martin's Weiss transcriptions into Fronimo when I
finished copying the source I'm working on at
Dear Ed,
Gianoncelli is good. I also enjoy Melii (in spite of many printing
mistakes) and Kapsberger. There are also some modern pieces out which makes
well-sounding repertoire (to name an example: I like the settings of Satie
published by TREE). By the way: Zamboni is nice and entertaining
..maybe Milorad Romics:
R.de Visee : 5 suiten in transcription für Archlute,
or some of the music from the Goess-tabulatures.
best wishes
steffen gliese
Ed Durbrow wrote:
Actually Zamboni is flat and very simple music (often not much more than
simple I-IV-V). Very entertaining but not comparable
I'd say: space slightly!
Regards,
Stephan
Am Mon, 7 Feb 2005 23:54:59 - schrieb [EMAIL PROTECTED]:
I may have posed this question to the list in the past, but perhaps it is
time to
do so again.
My admitedly limited survey of historical printed sources shows a diferent
approach to
I also prefer to have spacing. It would be nice to have the possibility of
changing the grade of it.
Unfortunately that isn't possible in django and a little bit uncomfortable in
fronimo at the moment.
But if someone doesn't like it, at least in django he has the possibility to
let the
Markus Lutz wrote:
It is necessary in my opinion to have the tablature as easy readable as
possible.
I agree - and modern spacing makes it much easier.
If one wants to play as historical as possible there's no other way than
playing from facsimile.
Hmm I haven't seen too many music
Do I understand that correctly? You mean one should play by heart ;-).
Or another (heretical) thought: the music stands are missing in paintings (and
photos as well) because the would obscure the view to the musician ...
Best
Markus
On Tue, 08 Feb 2005 10:55:34 +, Martin Shepherd wrote:
MS
Fronimo's spacing is easy to achieve, if you know the
parameters you are entereing (1.5 for most durations).
This is how it will be in version 3.0 because the space between notes
changes in a continuos way. In the 2.1 the space can change only in fixed
steps and you have to set the number of
Hello Gang,
I have posted a beautiful hardbound facsimile edition of schoole of
musike by robinson on ebay.
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=3781498520
Allan
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Now finally to the correct list
-- Forwarded message ---
From: [EMAIL PROTECTED] (Markus Lutz)
To: baroque-lute@cs.dartmouth.edu (Barocklauten-Liste), [EMAIL PROTECTED]
Dear Martin,
now again to you and the net.
Your fwd hasn't made it way to the lute-net, as attachments
Hello Ter,
Hi. Excuse my ignorance, but what is contained in the book - Is it all
lute tablature - are there songs, duets? Solo pieces by Robinson?
This is a beautiful facsimile which was published back in 1603
The tablature is clear.
Text at the beginning which is instruction.
90% solo
Markus Lutz wrote:
Indeed today we (at least I) are very used to read from sight.
As I do read very easily I never tried to play by heart.
Memorizing never was a favorite of mine.
Me too. This is my point - we are so used to taking information from
the printed page we don't give it a
If one wants to play as historical as possible there's no other way than
playing from facsimile.
Hmm I haven't seen too many music stands in paintings of musicians
from the Renaissance and Baroque - and most printed books have page
turns in the middle of pieces as well!
Dear Martin, Wayne and All,
I believe there are some music stands depicted in paintings of the Baroque
era, but I've never seen one in a Renaissance painting -- only music laying
on tables as Wayne described. So when exactly did music stands enter the
picture? Sometime after the development
At 11:36 AM 2/8/2005 -0500, James A Stimson wrote:
Dear Martin, Wayne and All,
I believe there are some music stands depicted in paintings of the Baroque
era, but I've never seen one in a Renaissance painting -- only music laying
on tables as Wayne described. So when exactly did music stands
To add to Caroline's comment: It was a common working practice from
the Renaissance through at least the early 20th century for artists
to accumulate drawings and watercolor paintings in sketchbooks as
they traveled, worked on projects, etc. These sketches would be kept
as resource material to
Wayne wrote:
Not many stands - though some are pretty interesting -
does a book leaned up on something count as a stand?
Is there any iconography showing use of the ubiquitous bird house book stand
as a music stand?
Regards,
Craig
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At 01:18 PM 2/8/2005, [EMAIL PROTECTED] wrote:
Is there any iconography showing use of the ubiquitous bird house book
stand as a music stand?
Here is an odd, folding stand in a 1746 painting by P. Longhi. Maybe a
little late for the discussion at hand, but does this count? (I just like
this
Hi all,
Thanks to Dana for bringing up those questions: it is always a bonus for
programmers when users and other programmers express their ideas
on concrete matters like this. In fact, I have been feeling personally
in the past year or two that perhaps I lost contact a little too much
with the
Hi All,
Just me with my highly imperfect knowledge of music and history, but is it
possible the use of music stands has something to do with the rise of ensembles
larger than those that could comfortably gather around a table?
Best,
Steve
--
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its final form for printing as you have it in mind.
Being able to integrate a digital image in the program also makes it a
lot easier, more reliable and less physically painful to key because you
don't have to turn your head every other second.
I have 2 monitors, so turning my head is not a
Thanks to anyone who responded to my query! I have now received a message from
the Bibliothèque du Conservatoire in Montreal and: yes, there's a shelf number
for that lute book now: MSS-1.
Joachim
--
Dr. Joachim Luedtke
Frühlingsstraße 9a
D - 93164 Laaber
Tlf.: ++49 / +9498 / 905 188
Well, there is another thing that keeps my going: playing with the
software to create some really bad music... You can check my latest
example of this at
http://cbsr26.ucr.edu/wlkfiles/Publications/Prelude/Prelude_orch.html -
A prelude for archlute, bandoneon, cello, bass and tinkle bells...
Alain said:
Sent: Tuesday, February 08, 2005 7:30 PM
Subject: Re: horizontal spacing in tablature
This is where it seems to me, in the past couple of years, a tendency
has grown to consider that small software developers like me, who do it
on the side of their real job, cannot possibly
I prefer some degree of spacing, otherwise notes crossing strings in
a phrase can appear to be stacked rather than linear. I currently use both
Wayne's TAB and Christoph Dalitz's abctab2ps on my Mac. They are not all
GUI and user friendly, but they offer variable horizontal spacing: TAB
On the other hand, we mustn't forget that some artists at some
periods used curved mirrors and the camera obscura to paint something
that was very much like a photograph, although certainly not a
snapshot.
To add to Caroline's comment: It was a common working practice from
the Renaissance
Had some system problems, just testing. No answer needed.
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