Further to my previous email and also Alain Veylit's below, it's unlikely
that these short horizontal dashes placed under individual notes are tenuto
(holding) signs. As mentioned earlier, It's more likely that they are signs of
articulation/emphasis. This use of special signs to denote
Dear Chris Wilke,
I don't know if a modern facsimile edition has been published: I obtained a
microfilm about from the Nationalbibliothek Wien some 20 years ago. The MS is
mostly in a single scribal hand for 11 course Dm lute and most probably dates
from around 1700 with a suite by
Alain,
I take the u to be an appoggiatura from below.
Elsewhere, Hurel uses the star for vibrato and the
comma for an appoggiatura from above.
Chris
--- Alain Veylit [EMAIL PROTECTED] wrote:
Many thanks to Chris for sharing the gigue bmp -
One problem with the tenuto theory is in the
Number 9 from Book 4. Usual mp3, French tab and basic guitar transcription:
http://www.musicintime.co.uk/Fuenllana.htm
Or http://www.musicintime.co.uk/dates.htm
Numbers 10 to 13 of the fantasias from this book have the lowest course
dropped a tone. I 'recorded' one about three times today, but
I take the u to be an appoggiatura from below.
Elsewhere, Hurel uses the star for vibrato and the
comma for an appoggiatura from above.
you can see it in Saizenay, too. Star stands for vibrato. In some
pieces, appogiature from below are marked by half moon on the left, in
some pieces
Dear List,
As long as we are on the subject of lines in tablature, what about those
vertical lines that seem to connect one or more notes in the treble and
(usually) only one in the bass, that crop up occasionally? Is this an
indication that the two or three notes are to be played
Dear Lutenetters,
Maybe someone out there can help me with a voix de ville from Jean
Chardavoine 1576 publication entitled L'ennuy qui me touemente.
The tune which is a sort of passemezo thing is also in Arbeau.
My question is does anybody have a english translation of the text or know
where I
- Original Message -
From: Jason Kortis [EMAIL PROTECTED]
Date: Friday, December 16, 2005 10:17 am
Subject: [LUTE] Oil
Hello all,
Is anyone aware of oil used in the renaissance by players to
soften their hands and facilitate the whole process of playing the
lute? Did they drink any
Further to my previous email and also Alain Veylit's below, it's unlikely
that these short horizontal dashes placed under individual notes are
tenuto (holding) signs.
to put things straight, those longer inclined lines (lower left to upper
right) signifying bass notes to be held on, which
