There's no question, empirically, that going to concerts is good for
your playing and listening to CDs is bad for your playing.
Everyone has to make that choice--whether they are a listener or a player.
Another way to look at it is that no one in the renaissance or
baroque ever listened to CDs,
Hello Gernot:
We just listened to our old LP version of the Tombeau by Inspector
Smith, and heard a young man with a real sense of poetry, still
discovering the music and not afraid of taking risks, inspired by the
virtues and vagaries of an historical instrument, and loads of
Another thing we do now is to narrow our field mostly to other plucked
string instruments and interpretations. The lute players who created
the music we are talking about heard lots of bowed strings, wind
instruments, keyboards etc. and it must have influenced their
repertoire and
I thought I'd use this posting from Allan as a personal/public thank you.
I recently ordered two of Allans publications:
The Magic Lute A Variety of Music for Renaissance Lute.
I compliment Allan on the quality of the publications the CD's. It is nice
to be able to listen to a piece and
Nancy Carlin schrieb:
One more point - the interpretations of Dowland by Hoppy and Paul
O'Dette are very, very different, but you can enjoy listening to both
of them. Listening is a different thing than picking aspects of the
performances that you can borrow for your own performances
Thomas Schall schrieb:
That's one of the most fantastic and beatiful things in lute world - the
interpretations are not as fixed as - for instance - in the violin or
piano world.
A real treasure!
Thomas
Thomas,
I honestly do not believe that this is the case. There is a mainstream among
lute
Hello chaps!
I was wondering if anyone might be able to recommend an edition of
Morlaye's tablatures for Renaissance Guitar? I just picked up a
ukulele and am having some fun on it... I have half a mind to badger
some friends of mine who play treble intruments to join me in jamming
some
oops sorry chaps, sent that with the wrong title...
Edward C. Yong
ky...@pacific.net.sg
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Hi, Edward,
I liked the first title better. Kept me guessing!
There's an old (well, not THAT old) Mel Bay edition of 16th c. guitar
music that seems to have just about everything, including Morlaye, in
modern notation. It's late here, but if you're interested, I'll dig up
the
Chris:
Going back to the Attaingnant question, you are correct that the AbeBooks
search turns up nothing, but if you search the Picard inventory here:
http://www.antiqbook.com/books/bookseller.phtml?owner_id=pic
you will get a hit for the Daniel Hearz edition, apparently still on sale for
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