Well done, Daniel.
The collected lute solos and lute concerts of Lauffensteiner are
available from
[1]www.tree-edition.com
Regards
Albert Reyerman
TREE EDITION
Albert Reyerman
Finkenberg 89
23558 Luebeck
Germany
[2]albertreyer...@kabelmail.de
[3]www.tree-edition.com
++49(0)451
Ron,
On Thu, 12/12/13, Ron Andrico praelu...@hotmail.com wrote:
Stubbs did not come to the lute from the typical classical guitar
background and thus has no reason to justify his
technique.
Ron, with this crowd, ya gotta justify everything ;-)
However, once again, Mace offers this advice in acknowledging the antecedent:
strike . . . your strings with your nails, as some do, who maintain it the
best way to play. Mace's implication is that nail play was also commonplace
and that tastes on this topic varied.
Eugene
-Original
This thread reminds me of what my music theory professor
once told me about composition: If it sounds good, it's good.
Given that no two lutes and no two lutenists are the same, it
is entirely possible that what works for one player on their
instrument may not work for a
Dear Chris,
you are right of course. The justification level is very high here :)
If one cuts to the chase though, I think that there are several discussions
going on at the same time in this thread.
1. The HIP discussion
2. The personal approach discussion
3. The nails - no nails discussion
