Dear All,
Where to get from a working drawing of the Arciliuto by Matteo Sellas, Venezia
1639, Cat. 104 - Inv. 1748?
Thanks in advance,
Jerzy
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Hello Jerzy,
The Germanisches National Museum sells the drawing of that instrument.
Please find it at:
[1]http://www.gnm.de/fileadmin/redakteure/Museum/pdf/gnm_tz_roentgen.pd
f
in the Appendix: "Aus dem Besitz des Museo Civico Medievale in Bologna"
"Arciliuto (8x1/5x2+1
Well, airs de cour were still accompanied by lutes in renaissance tuning at the
time...
Jean-Marie
> Le 8 août 2017 à 22:48, G. C. a écrit :
>
> What baffles me is what a baroque tablature is doing, applied on a
> renaissance tuning and a french translation of Zarlino
Theory always appealed to musicians for its own sake sometimes. It gave them
some sort of légitimity I would think.
JM
> Le 8 août 2017 à 23:55, G. C. a écrit :
>
> Demonstrably, Zamboni was old tuning.
> But Zarlino in mid 17th means, they thought that his music
Exactly what I wrote before seeing your post,Ron...
Jean-Marie
> Le 8 août 2017 à 23:37, Ron Andrico a écrit :
>
> It's yet one more among the many popular misconceptions that each and
> every lutenist played only d-minor tuned lutes by the mid-17th
> century. The
Great thanks, Paolo!
All the best,
Jerzy
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> On 9 Aug 2017, at 21:08, Paolo Busato wrote:
>
> Hello Jerzy,
>
> The Germanisches National Museum sells the drawing of that instrument.
> Please find it at:
>
>
That piece is all over the place. Charlotte traced it for one of her
seminars, but the teacher did not return her paper.
Arthur Ness
arthurjn...@verizon.net
-Original Message-
From: G. C.
To: Lutelist
Sent: Wed, Aug 9,
SORRY I pushed SEND too soon.
The "Pastyme with good Companye" tune is all over the place. Often
ascribed to Henry VIII, it is more likely to be of continental origins.
Probably a chanson rustique. Charlotte traced it for one of her
seminars, but her professor (famed as reputed
Hi all!
Does anybody have the lute version of "Pastyme with good companie" that
Paul O'Dette plays on the Royal Lewters CD. I am encoding it into
fronimo from RA 58 but not getting it quite right. The Phalese version
(De mon triste [Richafort]) is also faulty.
Regards
G.