There is just no good automagic way of doing multiple, off camera flashes.
With studio flashes you: get a meter, use a digital camera (even a PS) to
check a histogram (you can check this with a PS by uploading the file into
PS), or shoot many, many rolls of film. If your shooting a subject, and
Dave,
You are basically correct if the popup flash is stronger than the
slave and ambient isn't too strong. The problem is, that the reason
to move the flash off camera is to make the main light not be direct.
In your proposed approach, the popup becomes the main and the
AF360FGZ becomes the
Bruce
Could you please explain this further. I had actually planned on the slave
providing most of the light and the popup or hotshoe mounted flash providing
the minority of the light. I'm afraid I'm still a bit lost here. I have
the PZ-1p and PZ-1 cameras at this point and have no wireless to
3 matches
Mail list logo
