On 1/12/04, William Robb, discombobulated, unleashed:
http://users.accesscomm.ca/wrobb/paw/rolleireindeer.jpg
OK, it's a horrible waste of resources, and is a shamelessly bad
snapshot.
However, that is a 110 pound Rottweiler in the picture
Your dog is plotting its revenge even as we
On 1/12/04, frank theriault, discombobulated, unleashed:
They (mock mag covers) were getting a bit tiresome for a bit (but not
the one of Mark LOL just thinking of that one!). And, of course,
Cormorant Times is a classic that will likely never be eclipsed. Quit
while yer ahead, says I.
My
On 1/12/04, Juey Chong Ong, discombobulated, unleashed:
Would it work if you cover the windows with sheets of warming filters?
Yes that is done in movie-making but carrying those size gels is
expensive and I'm only shooting news ;-)
Cheers,
Cotty
___/\__
|| (O) | People, Places,
On 1/12/04, Paul Stenquist, discombobulated, unleashed:
From the park above the palisades just off Ocean and Broadway.
http://www.photo.net/photodb/photo?photo_id=2926176size=lg
I can hear the Beach Boys now :-)
Nice catch.
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
On 1/12/04, frank theriault, discombobulated, unleashed:
keep Cotty from guzzling all the beer.
I don't think s
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
||=|http://www.cottysnaps.com
_
Hi,
My understanding is that Iceland is about the most inaptly named
country in the world.
Greenland is perhaps a bit less aptly named
they are both evidence of climate change since they were named.
--
Cheers,
Bob
Thanks, Juey.
I guess that's what I should do!
Jens Bladt
mailto:[EMAIL PROTECTED]
http://hjem.get2net.dk/bladt
-Oprindelig meddelelse-
Fra: Juey Chong Ong [mailto:[EMAIL PROTECTED]
Sendt: 2. december 2004 05:41
Til: [EMAIL PROTECTED]
Emne: Re: Epson Printer (Sylus Photo)
I used to
fra: Bob W [EMAIL PROTECTED]
Hi,
My understanding is that Iceland is about the most inaptly named
country in the world.
Greenland is perhaps a bit less aptly named
they are both evidence of climate change since they were named.
I always thought that Greenland was an early
Can anyone please explain what clogging means?
Thanks
Jens Bladt
mailto:[EMAIL PROTECTED]
http://hjem.get2net.dk/bladt
-Oprindelig meddelelse-
Fra: Paul Stenquist [mailto:[EMAIL PROTECTED]
Sendt: 2. december 2004 00:42
Til: [EMAIL PROTECTED]
Emne: Re: Epson Printer (Stylus Photo)
My
Uh, mea maxima culpa indeed. I stopped updating the directory when
the komkon server died and I lost access to history galleries (the
tool that generates the directory is a post process approach - it
needs the gallery to be published and available for parsing).
I just checked and seeing
Rob,
I use a D-Lab 2 and the prints I get are quite sharp and crisp
(printed as is, no changes from the operators, minimal USM from my
part - I much dislike garrish sharpening of most digital prints
nowadays).
Except that once it happened that I received prints obviously not as
Strange, I thought there is nothing to focus about lasers, after all
those are in-phase, rectilinear beams with extremely low
dispersion!? Could it be the so called focus procedure is rather an
alignment process to insure the three laser spots overlap?
Servus, Alin
Butch wrote:
BB
Alin Flaider wrote:
Strange, I thought there is nothing to focus about lasers, after all
those are in-phase, rectilinear beams with extremely low
dispersion!? Could it be the so called focus procedure is rather an
alignment process to insure the three laser spots overlap?
It's unlikely
Hi,
The Ds has a great amount of interesting features but
its simplicity (few wheels and buttons) can make the
access to some of these features too complicated to be
really usable.
Being my current AF camera a MZ-5n, that has a
dedicated and very convenient commandment to change
between spot,
Thanks to all who commented. I went out specifically because it was
hazy. I've shot that sunset under clear skies any number of times, so I
wanted something with more atmosphere. I think the sharp silhouettes in
the foreground contrast with the hazy background. In any case, that was
my intent.
It would work. To me, it wouldn't be worth the effort or the expense.
Plus, you would lose the contrast of warm and cold.
Paul
On Dec 1, 2004, at 11:52 PM, Juey Chong Ong wrote:
Cotty,
Would it work if you cover the windows with sheets of warming filters?
--jc
On Nov 27, 2004, at 4:26 AM, Cotty
Wed, 01 Dec 2004 19:21:54 -0800
http://users.accesscomm.ca/wrobb/paw/rolleireindeer.jpg
OK, it's a horrible waste of resources,
and is a shamelessly bad snapshot.
However, that is a 110 pound Rottweiler in the picture
William Robb
Rottelope? :)
(ala Bloom County)
Sincerely,
C.
The Epson design is sometimes a problem because of the print head nozzle
design. They clog when dry. Epson does recommend
a small amount of warm water to clear them. (At least they did with my old
Stylus Color 400, almost as old as the Stylus Photo.) If one's household
humidity level gets
Paul Stenquist wrote:
Thanks to all who commented. I went out specifically because it was
hazy. I've shot that sunset under clear skies any number of times, so I
wanted something with more atmosphere. I think the sharp silhouettes in
the foreground contrast with the hazy background. In any
From Gene Poon on Yahoo group.
Sincerely,
C. Brendemuehl
*
The Vivitar 550FD M/P/O (Minolta/Pentax/Olympus) is a medium power
bounce-head flash with TTL capability, for use with all Pentax
cameras with or without flash programming. It has its own sensor for
Sure.
In an Epson (as opposed to the Hewlett-Packard style wherein the ink
jets are contained in the ink cartridge itself) they are in the
cartridge's carrier/print head. No practical way to remove and clean, so
the machine has a cleaning cycle built into it's software.
To elaborate, at the
Mishka,
you'll hate me even more, I found one for EUR 295, :-)))
This lens is really difficult to find, and I couldn't believe it when I saw one
for sale, grabbed it immediately of course, and I'll never ever let go.
Frank
i hate you too.
mishka
On Mon, 29 Nov 2004 21:05:52
Pat,
I tried something like this once about 20 years ago with an ME Super +
winder, a 135/2.8 (not Pentax), tripod and a great long air release. The
objective was to photograph siskins (Carduelis pinus, about the size of a
fat sparrow) on a feeder whilst I was hiding in the house.
Although
I just took a series of shots using an M type lens at f5.6 and TTL
flash on the D in Manual Mode at 1/150 second and ISO 400.
I was about 4.5ft (1.5M) from the subject.
Used the pop up flash, room was very dimly lit.
At EC settings from -2.5 to +2.5 all of the shots are *uniformly*
overexposed.
What's your point?
-Original Message-
From: Peter J. Alling [mailto:[EMAIL PROTECTED]
Sent: Thursday, December 02, 2004 3:09 AM
To: [EMAIL PROTECTED]
Subject: Re: enabled twice over!
The large majority of photos in the sample were shot with digital
cameras that produce
He's saying that on the ist D you are only
using the central portion of the fisheyes
image circle where the effect is the least.
This reduces the 'fisheye' effect and the
results look more like a distorted WA shot
than a true fisheye shot.
I'm just now playing with the Zenitar
16/2.8.
If I compose
Pat,
Like Chris, I've used a long air release some 20 years ago on some
Baltimore Orioles at the feeder. I don't remember if I used a 50mm or
135mm, but you can get really close and fill the frame with the feed
tray bird. I've still got the shots around somewhere...
Regards, Bob S.
On Thu, 2
http://www.dpreview.com/reviews/pentax750z/
--
Best Regards
Sylwek
Hi!
I've read through the manual and couldn't find it. What if I am in (the manual)
mode where I want to control the output of the (built-in) flash. How can I do
it?
Is it at all possible?
Thanks.
Boris
[EMAIL PROTECTED] wrote on 02.12.04 14:34:
I've read through the manual and couldn't find it. What if I am in (the
manual)
mode where I want to control the output of the (built-in) flash. How can I do
it?
Is it at all possible?
The old trick with being in manual mode and using normal
Same question as my EC with TTL Flash on ist D? below.
Don
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Thursday, December 02, 2004 7:34 AM
To: [EMAIL PROTECTED]
Subject: Flash output compensation on *istD
Hi!
I've read through the manual and
Here's a copy of my earlier post in case it didn't get to
the list:
I just took a series of shots using an M type lens at f5.6 and TTL
flash on the D in Manual Mode at 1/150 second and ISO 400.
I was about 4.5ft (1.5M) from the subject.
Used the pop up flash, room was very dimly lit.
At EC
Well, the observations are obvious, and the impression I get (at least from
Peter's post) is that somehow this is unacceptable, or not a good use for
the lens, or that another lens might be better suited to the photos. I
only saw four or five pics, and while I do think some may have been better
You may be right... I just ordered D with the 16-45 for around $1350 after
rebate. It will pay for itself after one year in film
and processing savings. I will also shoot more as I don't have to conserve
film.
- Original Message -
From: J. C. O'Connell [EMAIL PROTECTED]
To: [EMAIL
Forget it, my wife would kill me if the whole house got the formaldehyde smell,
I ordered D with 16-45 instead.
I would love to play with chemicals but I don't have a separate room to do it
and doing it in the bathroom is not fun.
- Original Message -
From: William Robb [EMAIL
We'll have to start a most hated club :-)
If you could see how my A* 85 1.4 looks after 15 years of hard use I'd be
president of that club (the glass is fine, I had a CLA and check a couple of
years ago).
DagT
fra: Frank Wajer [EMAIL PROTECTED]
Mishka,
you'll hate me even more, I
[EMAIL PROTECTED] wrote on 12/1/2004, 2:57 AM:
What is your prefered sharpness setting in the *istD.
Lately i've set everything at the middle setting which is normal i
guess. I shoot RAW almost exclusively so I'll make adjustments on a
per-picture basis in Camera RAW and PS CS.
--
William Robb wrote on 12/1/2004, 10:20 PM:
http://users.accesscomm.ca/wrobb/paw/rolleireindeer.jpg
OK, it's a horrible waste of resources, and is a shamelessly bad
snapshot.
However, that is a 110 pound Rottweiler in the picture
In other pictures of Rollei and Leica they've been
Paul Stenquist wrote on 12/2/2004, 6:26 AM:
Thanks to all who commented. I went out specifically because it was
hazy. I've shot that sunset under clear skies any number of times, so I
wanted something with more atmosphere. I think the sharp silhouettes in
the foreground contrast with
Ann Sanfedele wrote on 11/28/2004, 12:00 AM:
Just started putting some old black and whites up
on photo net -
here is one:
http://www.photo.net/photodb/photo?photo_id=2915425
This was the ferry between Cape Breton Island
(Sydney) and Argentia, Newfoundland.
I really like this
Yes, the name of the bay near Ocean City, Maryland is called Assawoman
Bay. It's connected to Little Assawoman Bay in Delaware to the north
and empties into the Atlantic Ocean to the south.
This shot is facing East towards Ocean City.
http://www.skofteland.net/displayimage.php?album=10pos=3
Quoting Ann Sanfedele [EMAIL PROTECTED]:
[EMAIL PROTECTED] wrote:
Quoting Ann Sanfedele [EMAIL PROTECTED]:
Well I'll tell you what do what I do - I wait to see what others on
the
list
say about
some link that is posted to see if it sounds interesting :)
LOL, Ann, I do
Quoting William Robb [EMAIL PROTECTED]:
- Original Message -
From: Shel Belinkoff
Subject: Re: Filter question
If God had wanted us to use cameras, we'd have all been born with
one.
We weren't?
JUST one?
ERNR
Quoting William Robb [EMAIL PROTECTED]:
- Original Message -
From: Jens Bladt
Subject: RE: Some really neat northern lights photos
Iceland must be really beautiful. My son (13) was there twice
already. I
have never been to Iceland. Maybe I will go some day.
Iceland have
Beautiful shot. I love the coloration. I also find the composition quite
pleasant, with the sun offset to the left. This appears to be one of those
times when a horizon near the center of the frame works well. Nice work.
Yes, the name of the bay near Ocean City, Maryland is called Assawoman
[EMAIL PROTECTED] wrote on 12/2/2004, 9:57 AM:
Beautiful shot. I love the coloration. I also find the composition
quite pleasant, with the sun offset to the left. This appears to be
one of those times when a horizon near the center of the frame works
well. Nice work.
thanks, Paul, I'm
It depends on your goal, but all-in-all you'll find that the cropped center
of an FE can't compete with a good rectilinear lens. Looking through the
gallery on Pbase, the digital shots are mildly distorted, enough to suggest
a bad lens rather than a fish-eye effect.
In my initial query to Amita
Well, Christian...if you feel the need, remember to go
to the downwind side of the ship. ; ))
Jack (alas, too weak to resist)
--- Christian [EMAIL PROTECTED] wrote:
Ann Sanfedele wrote on 11/28/2004, 12:00 AM:
Just started putting some old black and whites up
on photo net -
It wasn't odd at all.
Such lengths as 55 or 58mm gave perfect lifesize viewing with
viewfinders of the SLRs they were introduced along with.
That is one of the reasons.
Another might be that it is easier to design a superfast lens with
narrower field of view and longer clearing distance from
NC From: Jarek Dabrowski[EMAIL PROTECTED]
NC Could you tell more about Sigma 24/1.8 performance (sharpness, and
flare
NC control) ? Have you used it on a full-frame SLR ?
I tried it out on film few years ago. Wide open it was nothing
stellar. Also, wide open it has less relative
Jaume,
I'm sorry to tell you that changing the metering mode in Ds is not as
simple as pushing ONE button.
It involves going into menu to make the change. So the Menu button and 2
pushes of the UP button, One push of the RIGHT button and UP or DOWN
depending on which mode you choose.
So there you
Oh, you are quite advenurous. Aren't you afraid of them - ehm -
marking your 15mm as birds usually do?
Good luck with it. You might try to build a soundproof box for it.
Something like what is used on movie locations for stills and can
completely silence even the LX's motordrive blazing at full 5
One thing to consider. I have the JOBO CPE-2 with lift (wwhich was, as
you note, quite cheap). Although only doing BW in it so far. One
thing to consider though, try getting a CPP-2 with lift. It has better
(digital) temperature control and also a cold water valve, which both
combine to simpler
Hi Amita
Nice work.
On that one that is a bit washed out, try kicking the contrast up in curves
in Photoshop by dragging the top and bottom points to make a steeper
incline.
Butch
It wasn't odd at all.
Such lengths as 55 or 58mm gave perfect lifesize viewing with
viewfinders of the SLRs they were introduced along with.
That is one of the reasons.
Another might be that it is easier to design a superfast lens with
narrower field of view and longer clearing distance from the
Nice shot! Gives a peaceful feeling, but a little chilly. This is a
case where the horizon in the center works just fine because of the
moon and reflection. Nice job!
You do need to clean those dust spots off the sensor and clone them
out of the picture. :)
--
Best regards,
Bruce
I asked about using an A-16mm and Peter Ailing wrote and I tended to agree:
I have no experience with this lens on the *ist-d but the 17mm fisheye shows
enough distortion to look like a
24mm lens with extremely bad barrel distortion. It's neither fish nor fowl.
I wouldn't invest for that sole
Christian wrote:
[EMAIL PROTECTED] wrote on 12/1/2004, 2:57 AM:
What is your prefered sharpness setting in the *istD.
Lately i've set everything at the middle setting which is normal i
guess. I shoot RAW almost exclusively so I'll make adjustments on a
per-picture basis in Camera RAW
Christian wrote:
Ann Sanfedele wrote on 11/28/2004, 12:00 AM:
Just started putting some old black and whites up
on photo net -
here is one:
http://www.photo.net/photodb/photo?photo_id=2915425
This was the ferry between Cape Breton Island
(Sydney) and Argentia,
http://photo.shopping.com/xPR-istDS~RD-163790294660
I read the above user review, and was a bit surprised at the comments
on lag and slowness. From other things I have read about the *istDS, it
is not so bad as this guy makes it sound. Does it feel as slow as this
guy makes it sound? I wonder
Jack Davis wrote:
Well, Christian...if you feel the need, remember to go
to the downwind side of the ship. ; ))
Jack (alas, too weak to resist)
LOL! Jack - see my comment back to Christian too --
ann
--- Christian [EMAIL PROTECTED] wrote:
Ann Sanfedele wrote on 11/28/2004, 12:00
In BW we can affect contrast and gray-level representation of color with the
use of filters. Some on the camera, some on the enlarger.
What I'm thinking of is really a question about the raw format. Is it truely
raw, the simple captured sensor data.
If it is, are there techniques in place to
This just in -
So you guys can get a glimpse of moi and a few of
my old pics - I don't know
if you get to see the un-bleeped version or the
bleeped version up there
but it is a fascinating and funny film - even if
you don't play Scrabble.
My favorite part, is, of course, when the run the
credits
Bruce Dayton wrote on 12/2/2004, 11:57 AM:
Nice shot! Gives a peaceful feeling, but a little chilly. This is a
case where the horizon in the center works just fine because of the
moon and reflection. Nice job!
Thanks, Bruce. I was freezing my a** that evening (I think it went down
Great news, Jaume, it takes 11 clicks through menus at worst, 3 at
best (hopefully one can wrap scrolling through the recording menu).
Pentax placed the metering mode as well as flash compensation at the
bottom of the menu page; image tone and size are considered far more
useful options
My feeling all along and after handling a DS in the store yesterday is
that those who are happy with something less than the MZ-5n, will be
happy with the DS. Basically people who are going to leave it on one
of the program modes and not change much of anything very often.
Those who like the
I don't have experience with those other models, but changing the metering
mode on the MZ-S rocks. One knob right on the top. In fact, the placement of
the knob makes it almost too easy: I've accidentally bumped it into another
mode a couple of times.
t
On 12/2/04 11:14, Bruce Dayton wrote:
Never.
Collin Brendemuehl wrote:
In BW
If it is, are there techniques in place to allow later treatment of the data as though it were the original light,
making it monochrome,
I don't have the *istDS, I have the *istD. I haven't physically used a
Nikon or Canon, so I can't draw a conclusion. What I believe however is
this:
1. I'm not unsatisfied with the *ist D. I'm very happy with it. I don't
expect a camera to exceed it's design or any other design.
2. Much
With all this talk about wide angles and distortion ...
If you watch US pro football on CBS
the broadcast seems to be using a rectilinear lens these days.
The horizontal lines are just too straight and it's especially easy to see when
they shoot from the end zone.
Sort of makes TV look like a
Collin Brendemuehl wrote on 12/2/2004, 2:29 PM:
With all this talk about wide angles and distortion ...
If you watch US pro football on CBS
the broadcast seems to be using a rectilinear lens these days.
The horizontal lines are just too straight and it's especially easy to
see when
On Thu, 2 Dec 2004 13:17:48 -0500, Collin Brendemuehl wrote:
In BW we can affect contrast and gray-level representation of color with the
use of filters. Some on the camera, some on the enlarger.
What I'm thinking of is really a question about the raw format. Is it
truely raw, the simple
It's terrible. Desaturating an image is the WORST way to make a BW
conversion.
In addition, the filters used in PS CS are color correction filters, not
contrast filters to be used with BW.
Shel
[Original Message]
From: Leon Altoff [EMAIL PROTECTED]
In Photoshop under the Adjustments
I've also found that changing the temperature of the light in the RAW converter
will affect the look af a subsequent BW conversion. You can also adjust
individual color values, which again will afftect the way they convert given a
specific channel distribution.
Paul
On Thu, 2 Dec 2004
Henri Toivonen wrote:
mike wilson wrote:
Fred Widall wrote:
Actually Frank and myself live at (approx) 43.5 N, 80.5 W
so we're actually closer to the Equator than the North Pole. A couple
of hours drive north of here on the way to a place called Tobermory,
there's a road sign marking the 45th
mike wilson wrote:
Henri Toivonen wrote:
mike wilson wrote:
Fred Widall wrote:
Actually Frank and myself live at (approx) 43.5 N, 80.5 W
so we're actually closer to the Equator than the North Pole. A couple
of hours drive north of here on the way to a place called Tobermory,
there's a road sign
- Original Message -
From: mike wilson [EMAIL PROTECTED]
So your summer is about three days long.?
LOL.
Three lng days...:-)
One of my dreams is to spend a week of holiday in December at Svalbard
(Spitsbergen)http://www.svalbard.com/infosvalbard.html to experience
the dark
What gives, does EC not affect TTL flash in manual?
Exactly my experience... however I've found that it's generally pretty
accurate. It's just those few situations where it refuses to cooperate!
What does one do in this situation?
If you're using the inbuilt flash... cover part of it up or
On Wed, 1 Dec 2004 21:56:45 -0500, Paul Stenquist
[EMAIL PROTECTED] wrote:
From the park above the palisades just off Ocean and Broadway.
http://www.photo.net/photodb/photo?photo_id=2926176size=lg
Beautiful!
You know what I like? I know it sounds silly, but I like the hair
on the trees
I agree with you, Tom. I generally feel the same way.
However, most potential buyers do not own a Pentax lens collection to
influence their final choise of DSLR equipment.
IMO ther's two good resons to buy a Nikon ar a Canon:
1) The size of the camera system:
Since the dedicated Pentax DSLR
Great image! Well seen captured.
Kenneth Waller
- Original Message -
From: Christian [EMAIL PROTECTED]
Subject: PESO - Moonrise over Assawoman Bay
Yes, the name of the bay near Ocean City, Maryland is called Assawoman
Bay. It's connected to Little Assawoman Bay in Delaware to
On Thu, 2 Dec 2004 09:45:06 -0500, Christian [EMAIL PROTECTED] wrote:
Yes, the name of the bay near Ocean City, Maryland is called Assawoman
Bay. It's connected to Little Assawoman Bay in Delaware to the north
and empties into the Atlantic Ocean to the south.
This shot is facing East
On 2 Dec 2004 at 11:50, Mark Stringer wrote:
I asked about using an A-16mm and Peter Ailing wrote and I tended to agree:
I have no experience with this lens on the *ist-d but the 17mm fisheye shows
enough distortion to look like a 24mm lens with extremely bad barrel
distortion.
It's
Hi all,
My name is Joakim Johansson and I'm a new member.
I have a question, witch perhaps have been discussed before, about the next
Pentax DSLR. Is it possible that Pentax release a new advanced model (a
upgrade of the *istD) during 2005, and what can we expect from it if that is
the case?
Bob, Chris,
Like I said to Fra, I am not looking for 'bird guide'
shots - more an unusual shot that will occur by chance in a 3.5fps burst.
Not sure which lens will give the best result but I will try the 15mm f3.5
first (with front element protection) and then the 28mm f2.8. I
Hi Fra,
Oh, you are quite adventurous. Aren't you afraid of them - ehm -
marking your 15mm as birds usually do?
Yes, this is a danger, but I do intend to use a protective housing for the
camera with a glass panel to protect the lens and some sort of heating
system to help preserve batteries.
On Thu, 02 Dec 2004 13:18:05 -0500, Ann Sanfedele [EMAIL PROTECTED] wrote:
This just in -
So you guys can get a glimpse of moi and a few of
my old pics - I don't know
if you get to see the un-bleeped version or the
bleeped version up there
but it is a fascinating and funny film - even if
On 2/12/04, Christian, discombobulated, unleashed:
http://www.skofteland.net/displayimage.php?album=10pos=3
shot with the D and an A 50/2, cropped and resized for the web.
Comments always appreciated.
Surreal. Almost like an airbrushed graphic. Beautiful.
Cheers,
Cotty
___/\__
|| (O)
On Fri, 26 Nov 2004 23:02:08 -0500, Paul Stenquist
[EMAIL PROTECTED] wrote:
And all through the house, my wife and daughters were dragging up boxes
from the basement and working furiously to decorate the Christmas tree.
That's somewhat of a tradition around here. My part of the job was to
go
- Original Message -
From: Joakim Johansson
Subject: Next Pentax DSLR?
Hi all,
My name is Joakim Johansson and I'm a new member.
I have a question, witch perhaps have been discussed before, about
the next
Pentax DSLR. Is it possible that Pentax release a new advanced
model (a
upgrade
On Sat, 27 Nov 2004 13:49:44 -0500, Amita Guha [EMAIL PROTECTED] wrote:
Last week, we saw my friend's 2 1/2 month old baby for the first time. I'm
still learning to shoot indoors, but this shot was one of the non-blurry
ones. I corrected for the yellow cast in Capture One.
On Thu, 2 Dec 2004 14:29:28 -0500, Collin Brendemuehl
[EMAIL PROTECTED] wrote:
With all this talk about wide angles and distortion ...
If you watch US pro football on CBS
the broadcast seems to be using a rectilinear lens these days.
The horizontal lines are just too straight and it's
On Sun, 28 Nov 2004 00:00:59 -0500, Ann Sanfedele [EMAIL PROTECTED] wrote:
Just started putting some old black and whites up
on photo net -
here is one:
http://www.photo.net/photodb/photo?photo_id=2915425
This was the ferry between Cape Breton Island
(Sydney) and Argentia, Newfoundland.
Actually Collin, (I risk my life by mentioning) I've only recently been
getting to know the inbuilt b/w parameters in the 20D. You can shoot b/w RAW
if you like, and the camera also seems to be able to emulate several colour
filters (red, orange, green, blue etc.). I really like the results I've
- Original Message -
From: Don Sanderson
Subject: EC with TTL Flash on ist D?
I just took a series of shots using an M type lens at f5.6 and TTL
flash on the D in Manual Mode at 1/150 second and ISO 400.
I was about 4.5ft (1.5M) from the subject.
Used the pop up flash, room was very
- Original Message -
From: Christian
Subject: Re: OT: Anyone notice this?
Funny you should mention that. My wife noticed (and she doesn't
like
American football, being an Aussie) and commented that it looked
like a
video game.
I think that they are shooting at much higher shutter
- Original Message -
From: David Zaninovic
Subject: Re: E6 with JOBO
You may be right... I just ordered D with the 16-45 for around
$1350 after rebate. It will pay for itself after one year in film
and processing savings. I will also shoot more as I don't have to
conserve film.
And
On Tue, 30 Nov 2004 04:19:56 -0800, Shel Belinkoff
[EMAIL PROTECTED] wrote:
Hi ...
I'm putting together a little family album and, since so many here have put
up family snaps, I thought I'd put up one of my sister and my niece, taken
a few years ago in full happy family snap mode using a
- Original Message -
From: Christian
Subject: PESO - Moonrise over Assawoman Bay
Yes, the name of the bay near Ocean City, Maryland is called
Assawoman
Bay. It's connected to Little Assawoman Bay in Delaware to the
north
and empties into the Atlantic Ocean to the south.
Comments
I think you will find that most of what you read on photo.net is
pretty biased towards Nikon/Canon.
About the only things readily believable in the article is that the
guy is a slow learner and don't believe everything you read on the
net.
William Robb
- Original Message -
From: Jon
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