Re: [scots-l] Re: two tunes

2004-07-13 Thread rog
 What's your story, Rog?

Well...  the way I originally got into this music was through dancing
reels with family and friends, in the dance-style of the Highland
Balls, a tradition that's easily maligned due to its class
connections, but one that I feel is important, as being neither the
high style of the RSCDS nor the country style of the usual
Scottish ceilidh; the traditional dances and tunes still play a very
strong role.  For those that haven't tried it, the nearest other dance
tradition in spirit that I've found is perhaps Contra which seems to
have the same kind of emphasis on fun, fast turns, and close
association of dance with music.

I'd always loved the music too, but although I was taught the violin,
I knew no-one that played the fiddle so, beyond a scrapy rendition of
the Drunken Piper, and Hamilton House, I never associated the two.
That changed a little when I was drafted in to play in the extras
band (a scratch band that plays one number when the real band have a
break) at the Skye Balls one year, great fun, but still reading from
music, a bare substitute for the real thing.

This started to change after some years, when I started discovering
folk music, something I hadn't known existed in the modern world, and
in particular I encountered a folk night at a pub near where I lived
in York.  This gave me an incentive to drag the fiddle out from where
it had been mouldering in its case and try to actually play some of
this stuff.  One thing led to another; I discovered a proper session,
abandoned written music, obtained a decent sounding fiddle and started
to really enjoy playing.

And ten years down the line, I find myself in a place where I seem to
be half way between several worlds - I'm happy in the local session
scene, play along with a bit of old timey kinda stuff on Sundays,
enjoy trying to make up accompaniment for folks singing songs, but my
heart is still with those old scots tunes and the infectious dancing
that goes with them.  I just can't get enough of them!

Which is why it was so nice, the other weekend, to encounter these
folks from Boston that knew loads of Scottish tunes, a joy to play
along with.  One of them, a guy named Tom Pixton, fantastic on the box
and piano, sent me a CD he'd done with Lissa Schneckenburger (who
plays with Hanneke) with some excellent stuff on it, highly
recommended (http://www.pixton.org/scottishinsalem/sallycd.html),
which kind of brings this post full circle, I guess!

You asked for it!

  cheers,
rog.

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Re: [scots-l] Re: two tunes

2004-07-13 Thread Jack Campin
 T:Boston Urban Ceilidh
 um, it occurs to me that the tune i just posted is neither
 traditional nor scottish, and hence is probably off topic.

Phooey.  It would fit just fine in a set of Scottish reels
(with Jenny Dang the Weaver or Glenburnie Rant, maybe?).

Or you could play it slowly and it could be a swinging 4/4
march like Hamnataing.


-
Jack Campin: 11 Third Street, Newtongrange, Midlothian EH22 4PU; 0131 6604760
http://www.purr.demon.co.uk/jack * food intolerance data  recipes,
Mac logic fonts, Scots traditional music files and CD-ROMs of Scottish music.
 off-list mail to j-c rather than scots-l at this site, please 


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Re: [scots-l] Re: two tunes

2004-07-12 Thread rog
i wrote:
 T:Boston Urban Ceilidh

um, it occurs to me that the tune i just posted is neither
traditional nor scottish, and hence is probably off topic.

sorry about that.
(although in mitigation, can i say that the tune's composer does
play in scottish style (strongly influenced by alasdair fraser)?)

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Re: [scots-l] Re: two tunes

2004-07-12 Thread Steve Wyrick
Hey, don't worry about it!  Hanneke's one of our favorites here; she's
from Port Orford, OR, but grew up attending Alasdair's Valley of the Moon
fiddle camp here in the San Francisco Bay Area and is an adopted member of
the San Francisco Scottish Fiddle club!  Her CD of dance music with Dave
Weisler, Many Happy Returns is a favorite of the local Scottish country
dancers (at least, those who aren't tied to the idea that a good SCD album
has to feature accordian); I frequently turn to that one for inspiration
for my own dance fiddling.  I don't think that anyone on this list will
berate you for posting one of Hanneke's tunes; it's a nice change from
those URGENT MESSAGES that have been so frequent on this list as of late!
-Steve


[EMAIL PROTECTED] said:
 i wrote:
 T:Boston Urban Ceilidh

 um, it occurs to me that the tune i just posted is neither
 traditional nor scottish, and hence is probably off topic.

 sorry about that.
 (although in mitigation, can i say that the tune's composer does
 play in scottish style (strongly influenced by alasdair fraser)?)

-- 
Steve Wyrick - Concord, California
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[scots-l] Re: two tunes

2004-07-11 Thread Nigel Gatherer
Jack Campin wrote:

 God, things are dead here... something to be going on with:

 X:2
 T:Edmund MacKenzie of Plockton
 C:Andrew Rankine

The other day a fiddler and I, bored and with obviously nothing better
to do, played a string of tunes we hated. Edmund MacKenzie of
Plockton was one of them! I can't really see much to recommend it, but
perhaps I'm missing something. Mind you, it's easily learned in a few
minutes, so it may be a good tuition tune - I'm always on the lookout
for those.

I've just come back from the Tinto summer school, which was wonderful
in many ways. It's a residential school for children, and it was
remarkable to spend a week with so many talented young people playing
traditional music. I also learned a few new tunes, so it was worthwhile
for me too! I'll discuss them later.

Part of the week involved going to a Fine Friday concert. Boy, they're
a terrific band and they were cooking that night. I mean musically.

-- 
Nigel Gatherer, Crieff, Scotland
mailto:[EMAIL PROTECTED]

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[scots-l] Re: two tunes and a list wanted

2003-08-14 Thread Nigel Gatherer
Jack Campin wrote:

  ...Jimmy Shand's books of waltzes (were there three or four of
  them?)...

 I've got the first two (wre there others?)

Yes; I was surprised too, but I saw them last time I was in Perth. I'm
going in again this afternoon, so I'll try to buy them and report back. 

Funnily enough I found the first two in a charity shop in Edinburgh the
other day. Here in Crieff I picked up a book called 'Eilean Fraoich -
Lewis Gaelic Songs and Melodies' (1982) which has more than 150
melodies, including songs, orain luaidh (waulking songs), puirt-a-beul
and orain gaoil gun urrainn (I'm guessing rowing songs?). 

My dad found an interesting publication for me yesterday in Dunkeld:
'Scott Skinner's Book of Selected National Songs' (1923), which I've
never seen before. It's in the same series as his life story, which was
presented in serial as a supplement to the People's Journal. Included
is one of his songs, The Bonnie Ann, for which he wrote the music and
words. Well, let's just say he isn't famous for his songs.

The People's Journal published many supplements, and I have a few. One
I'm looking at just now is '100 Humorous Scottish Songs'. There's not a
big difference between these and chapbooks or broadsides, and I'm sure
some singers used them in the same way, as repositories for the words
of songs.

Musings from a pen.

-- 
Nigel Gatherer, Crieff, Scotland
[EMAIL PROTECTED]
http://www.argonet.co.uk/users/gatherer/

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