I have to chime in. I worked with Thiago in Toronto for about a month a few
years back. We shared an apartment provided by the studio. He's got to be
one of the smartest normal people I have had the pleasure to work with in
VFX. When I say normal, he's not that typical brainiac type who is
This highlights an issue that has been on my mind as of late. I am not
directing this at anyone in particular...
How to read a contract.
Art/Animation schools don't teach students anything about how to read
contracts or how to manage your intellectual property rights. It's time
they started and
Hurry up and learn 3DS Max, it's the next to be axed.
UX Designer
www.ericlampi.com
On Fri, Oct 24, 2014 at 5:22 PM, Jason S jasonsta...@gmail.com wrote:
... got 3dsmax for free.
Lol! xD
On 10/24/14 15:51, Sven Constable wrote:
I just ordered the upgrade/update to soft2015 NLM and I
Hi All,
I was getting off a plane in Austin on my way to SXSW when I read the news
about Soft being discontinued. Even though, as I said for a long time, I
expected it to happen, it was still a shock. That was the day I
unsubscribed to this list.
For a variety of reasons and for quite some time,
find a place to be happy for the future, and thank
you for your input on this list too.
Cheers
Morten Bartholdy aka Pitcher
Den 22. september 2014 kl. 08:15 skrev Eric Lampi ericla...@gmail.com:
Hi All,
I was getting off a plane in Austin on my way to SXSW when I read the
news
Yes it adds quite a bit of insult to injury doesn't it?
That's why I don't buy all of the additional We want to serve our
customers better or It was a difficult decision.
Bite me AD.
Eric
Freelance 3D and VFX animator
http://vimeopro.com/mybudoinc/animation
On Tue, Mar 4, 2014 at 2:25 PM,
It's the typical short sighted mindset that has ruined so many great
products. They think that they can cut all of that development and support,
it's a win win because they cannot imagine that these SoftImage people have
any other product to transition to other than Maya. So they cut costs and
add
Learn Maya? No thanks.
Personally I would prefer a total severing of all ties with AD. They're not
a great company and in general I would prefer to support one that is
smaller, and more focused on what I do instead of being almost an
afterthought.
If only their stockholders knew that they have
I just scratched the surface with RS early in the beta test last summer. My
wife was doing pro-bono design work for the NYC Human Rights Campaign
fundraising gala, and one afternoon I whipped up a neon sign graphic for
her. Rendering was a breeze and of course very very fast compared to Mental
You should never apologize for The Who, those that don't get it should
apologize for not getting it.
Freelance 3D and VFX animator
http://vimeopro.com/mybudoinc/animation
On Thu, Feb 27, 2014 at 12:17 PM, Greg Punchatz g...@janimation.com wrote:
sorry dude... Soft is dead.LONG LIVE
We did some tests, on a scene with about 20,000 instanced objects on
particles with refraction and reflection to match a Vray shader we were
using. The rendertimes were something like 4 minutes compared to 30+
minutes with Vray.
Freelance 3D and VFX animator
Vray has be a royal pain in the butt for the project I have been working
on. It's been buggy and inconsistent.
I'm definitely regretting letting someone talk me into it. I should have
stood firm on Arnold.
Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
On Tue, Jan
Can anyone offer a suggestion how to achieve this?
Just a simple matte on an object where another one is intersecting, so the
surface inside the volume is white, outside is black. The volume itself
would be hidden.
The geo isn't very dense, someone here suggested generating a wieghtmap via
ICE,
:
There is a handy booltrace shader by Alan Jones on http://rray.de/xsi/
That maybe sounds similar to what you are looking for
Jeff
*From:* softimage-boun...@listproc.autodesk.com [mailto:
softimage-boun...@listproc.autodesk.com] *On Behalf Of *Eric Lampi
*Sent:* Thursday, January 23, 2014
A long time ago, I used a object 2 pointcloud script to put a bunch of
point lights onto a simulation, that was pre ICE, but I can't imagine that
it wouldn't still be possible, there has to be some tools kicking around
that will let you do that.
Eric
Freelance 3D and VFX animator
The only way I have ever seen this done sucessfully is through bootcamp.
Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
On Tue, Jan 21, 2014 at 1:40 PM, David Rivera
activemotionpictu...@yahoo.com wrote:
Hi list, I talked to an IT guy the other day.
He says
I've used both 7 and 8 with no problems. I don't think it makes a huge
difference. Nice that it boots so fast now.
Once I do a backup, I'll put on 8.1.
Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
On Mon, Jan 13, 2014 at 5:37 PM, Simon Pickard
First place I worked at I saw a young woman creative from an agency come
into the 3D area. She was squinting at the monitor and I couldn't tell what
she was looking at, then she says Oh thank God, they're SGI!.
Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
On
I sent him an email for that ice node. He did respond eventually, but it
took a few days at least.
Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
On Fri, Dec 20, 2013 at 11:09 AM, Greg Punchatz g...@janimation.com wrote:
I am trying to reach Danil Krivoruchko
Few people are as big a fan of Soft as I am. I've been using it since
1995, Soft 3D 3.0 and Soft is still all I use. You will get no argument
from me about how great it is to work with. In my experience, it's very
rare someone who has started using it after having experience with Maya or
Max come
HAHAHAHA, great work!!
Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
2013/12/20 wavo w...@fiftyeight.com
Merry Xmas and a happy new Year:
done with one of the last version of softimage:
http://www.bang-awards.com/en/movie/362-mite
--
*Walter
The illuminati sent you... DIDN'T THEY
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
On Fri, Dec 20, 2013 at 12:45 PM, adrian wyer
adrian.w...@fluid-pictures.com wrote:
i heard a rumour, Hitler was seen riding a dinosaur past the
pyramids, accompanied by a
WICAT systems, System 300 and 150.
http://bitsavers.trailing-edge.com/pdf/wicat/brochures/System_300_Brochure.pdfhttp://bitsavers.informatik.uni-stuttgart.de/pdf/wicat/brochures/WISE_Brochure.pdf
1988
I worked for a defense contractor making computer based training lessons
for a naval combat
:* softimage-boun...@listproc.autodesk.com [mailto:
softimage-boun...@listproc.autodesk.com] *On Behalf Of *Eric Lampi
*Sent:* Friday, December 20, 2013 2:52 PM
*To:* softimage@listproc.autodesk.com
*Subject:* Re: positivity
WICAT systems, System 300 and 150.
http://bitsavers.trailing
I wish you guys could buy SoftImage from Autodesk before they put it down...
Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
On Thu, Dec 19, 2013 at 11:54 AM, Stefan Kubicek s...@tidbit-images.comwrote:
The door swings both way.
.. that doesn't make me really
The turbulence is in global space, so when your object moves through space,
it's actually moving through the noise.
Maybe if you parent the mesh to null and animate that, then use that null's
global position plugged into the xyz position of the turbulence, that
should keep your points constant
No it wouldn't, I misunderstood what he was using it with.
Thanks
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
On Tue, Dec 10, 2013 at 7:16 PM, Benoit Delaunay delaunay@gmail.comwrote:
Eric, I don't think it would work if the mesh is animated with an
W o w. So freakin' cool.
Meanwhile, if anyone hasn't seen his reel, it's really fun to watch...
Great work Tim!
https://vimeo.com/57005606
Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
On Thu, Dec 5, 2013 at 9:23 AM, Eric Mootz e...@mootzoid.com wrote:
Hey
VIOLENTLY BEAUTIFUL
Olivier wins for the most accurately creative description...
Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
On Thu, Dec 5, 2013 at 9:48 AM, olivier jeannel olivier.jean...@noos.frwrote:
This is VIOLENTLY BEAUTIFUL !
Le 05/12/2013 15:23,
Wow! Great work!
Eric
On Nov 22, 2013 9:04 AM, adrian wyer adrian.w...@fluid-pictures.com
wrote:
congrats to everyone at Whiskeytree for this epic demo!
https://vimeo.com/71148018
your library toolset is a thing of beauty!
a
Adrian Wyer
Fluid Pictures
75-77 Margaret St.
Anyone work out a way to render a unique color per particle/instance, or
somehow apply a unique object ID to the instances so that the MR object
label pass will work?
Thanks,
Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
You need a la bit of string, a bottle of molasses, some pocket lint from a
priest, a handful of roofing nails, 2 slinkys, a wombat and build a bonfire
built at a crossroads by the light of the full moon.
Or a computer with an internet connection.
Freelance 3D and VFX animator
/78203795
:)
On Wed, Oct 30, 2013 at 11:39 PM, Mc Nistor nisc...@gmail.com wrote:
That's great, I have all that is needed then, no need for
computer/internet. ;)
On Wed, Oct 30, 2013 at 11:37 PM, Eric Lampi ericla...@gmail.comwrote:
You need a la bit of string, a bottle of molasses, some
Wow, very cool work.. Can someone translate the titles?
Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
On Wed, Oct 23, 2013 at 9:51 AM, Stefan Kubicek s...@tidbit-images.comwrote:
Cool stuff, I believe there was an article about them in one of the latest
Digital
Maurice Patel
Autodesk : Tél: 514 954-7134
From: softimage-boun...@listproc.autodesk.com [mailto:
softimage-boun...@listproc.autodesk.com] On Behalf Of Eric Lampi
Sent: Thursday, October 17, 2013 4:38 PM
To: softimage@listproc.autodesk.com
Subject: Re: Autodesk´s Sales model
Speaking
Loom
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
On Wed, Oct 9, 2013 at 4:31 PM, Stephen Davidson magic...@bellsouth.netwrote:
how about FABRIC WEAVER ? :)
On Wed, Oct 9, 2013 at 3:46 PM, Tim Crowson
tim.crow...@magneticdreams.com wrote:
Someone should go
Well I can tell you that at the moment, Vray is practically useless
compared to Arnold.
We're using it currently, and we're all a little shocked here that it's not
still in beta...
Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
On Thu, Sep 26, 2013 at 2:15 PM,
for vray? or vray in general?
On Thu, Sep 26, 2013 at 11:29 AM, Eric Lampi ericla...@gmail.com wrote:
Well I can tell you that at the moment, Vray is practically useless
compared to Arnold.
We're using it currently, and we're all a little shocked here that it's
not still in beta...
Eric
You are illustrating exactly what is a consistent problem with artists in
our industry. If people like yourself would pose the obvious questions and
treat this as a business, we would all be far better off.
As we all know far too well, if it hasn't happened to you, you certainly
know more than a
I don't think there is malicious intent, but it doesn't make me
comfortable, or anyone else apparently. What we need in this business is
more transparency, not less.
Eric
On Sep 25, 2013 7:53 PM, Raffaele Fragapane raffsxsil...@googlemail.com
wrote:
I'm only a little surprised, but positively.
Sorry, but to not personally introduce yourself is weird, especially on
this list. I don't think I have ever seen such a request in the 15 or so
years I have been on the list.
So I would like to ask you a couple questions:
What is your name? Where are you currently based? Is your business model
pill, or the blue pill?
Send the mail and discover what is behind that old corridor with light at
the end that is at our site.
Sincerely,
*BC VIP Studio*
Artist Pool
Original Message
Subject: Re: Looking for artists
From: Eric Lampi ericla...@gmail.com
Date: Sun
Anyone have this set up? We're getting errors saying that certain plugins
etc are not installed, yet it can see the workgroups. Our IT guys can't
seem to figure this out.
Suggestions are appreciated!
Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
the workgroup list lean.
On Fri, Sep 13, 2013 at 3:59 PM, Eric Lampi ericla...@gmail.com wrote:
Anyone have this set up? We're getting errors saying that certain plugins
etc are not installed, yet it can see the workgroups. Our IT guys can't
seem to figure this out.
Suggestions are appreciated
Seconded...
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
On Wed, Sep 11, 2013 at 4:53 PM, Ed Manning etmth...@gmail.com wrote:
Gee, sometimes I really wish I knew what NASA has you working on, Joey.
Gotta love that you're working in Soft in that environment.
On
Why is it that after all of these years, caching has to be a big bag of
pain-in-the-ass?
We have 3 different ways to do it and they all suck in one way or another.
The fact is, none of them are great or elegant. Trying to get them to write
out the damned custom attributes is bad enough and then
SoftImage: Hey Eric, I see that you crashed.. How would you like to
recover your scene?
Eric: Sure that would be great! Go right ahead, bring it on back!
SoftImage You'll get nothing and like it!
Meh
Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
I figured I would ask, any bugs pop up in 2014 SP2 when using a few
weightmaps to drive particle emission in a standard emit from geo node.
We're having random crashes and cluster errors that seem to be tied to the
weightmaps.Anyone have a similar issue?
Thanks,
Eric
Freelance 3D and VFX
I'm trying to get this to work, but I am having little success. It seems
like it should be fairly straightforward.
I would like to drive a weightmap by the velocity of the geo's points that
are being deformed by a skeleton. I can't seem to quite figure out how to
access it and I am guessing some
:37 AM, Eric Lampi ericla...@gmail.com wrote:
I'm trying to get this to work, but I am having little success. It seems
like it should be fairly straightforward.
I would like to drive a weightmap by the velocity of the geo's points
that are being deformed by a skeleton. I can't seem to quite
When referencing objects, I was pretty sure you could put something like
thismodel. in front of the name of the object to reference any object of
that name under a model with the ICE tree. Am I just using the wrong name?
Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
://vimeopro.com/user7979713/3d-work
On Thu, Aug 29, 2013 at 11:36 AM, Alan Fregtman alan.fregt...@gmail.comwrote:
I think you're looking for this_model.
There's also:
self
this
this_parent
On Thu, Aug 29, 2013 at 11:35 AM, Eric Lampi ericla...@gmail.com wrote:
When referencing objects, I
It's spelled J-e-s-u-s, but it's actually pronounced Throat Warbler
Mangrove.
Eric (Non-Wookie)
On Aug 27, 2013 12:31 AM, Benjamin Paschke ben.pasc...@rsp.com.au wrote:
On 27/08/13 13:56, Eric Lampi wrote:
Jumpin' Jesus on a pogo stick!
I'm pretty sure mentioning Jesus isn't going
I'm a little unsure what the problem people have with him is too. Maybe I
am just missing something? Aren't there are licensing fee associated with
lots of technologies? They are then built into the cost to the consumery.
Is it really cost prohibitive because he asks for too much or something? Or
Jumpin' Jesus on a pogo stick!
Can we please keep this as the ONE forum on teh internets where I don't
have to be inundated with derpy political comments and the inevitable, slow
slide towards personal attacks and comparisons to Hitler.
PLEASE!?
Freelance 3D and VFX animator
Agreed. I blame Eric.
-Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
On Tue, Aug 27, 2013 at 12:45 AM, Eric Deren eric_l...@dzignlight.comwrote:
Eric, this is all your fault.
Did I not CLEARLY state that I didn’t want this to turn into a political
Can anyone think of a clever way to freeze a mesh that's enveloped but
not destructively?
I'm adding some simulation functions to our character rig, basically just a
copy of the enveloped mesh that I am using for particle generation. In
order for my setup to work, it needs to be a static pose. So
but effective.
- Ronald
On 8/22/2013 15:47, Eric Lampi wrote:
Can anyone think of a clever way to freeze a mesh that's enveloped but
not destructively?
I'm adding some simulation functions to our character rig, basically just
a copy of the enveloped mesh that I am using for particle
...@gmail.comwrote:
You could also have a mesh duplicate that has a simulated icetree and set
its pointposition from the regular one, every frame. When you want it to
freeze, just stop setting PointPosition.
Would that work for you?
On Thu, Aug 22, 2013 at 10:23 AM, Eric Lampi ericla...@gmail.com wrote
of the mesh.
On 15 August 2013 00:40, Eric Lampi ericla...@gmail.com wrote:
I have a simulation where I am flocking particles with Emflock and
pushing them back onto the emission geo. So they flow along the surface and
interact, and it's exactly what I need. However, with an enveloped
character
I saw this the other night in IMAX, excellent work!
Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
On Wed, Aug 14, 2013 at 2:46 AM, Vincent Fortin vfor...@gmail.com wrote:
Studios sharing the same directory structure... I like it :-)
Great work guys! I can't
Anyone use Vray between Max and Soft on the same job?
One of our shots is being animated and modeled in Soft, but lit and
rendered in Max using Vray. They are establishing the close-up look dev for
a few of the intro shots. We'll be using Soft and Vray for all of the other
shots, mostly
I have a simulation where I am flocking particles with Emflock and pushing
them back onto the emission geo. So they flow along the surface and
interact, and it's exactly what I need. However, with an enveloped
character however, the particles do not inherit any kind of velocity and
the slide over
To: softimage@listproc.autodesk.com
Subject: Re: Maya Xgen
It beats having to pay Joe Alter for the privilege of having decent
grooming tools...
the xgen demo looks to be *ahem* a cut above shave's tools. (sorry)
cheers,
chrisg
On 10 August 2013 15:22, Eric Lampi ericla...@gmail.com wrote
, day in and day our, on every multi-year
production.
On Sat, Aug 10, 2013 at 3:22 PM, Eric Lampi ericla...@gmail.com wrote:
This just came across my feed on Facebook. It's so damned annoying to
see them make a huge deal out of this kind of pedestrian crap. OK the
hair stuff was nice
This just came across my feed on Facebook. It's so damned annoying to
see them make a huge deal out of this kind of pedestrian crap. OK the
hair stuff was nice, but is anyone really that impressed with a hair
styling tool? Exactly how often do you say to yourself Oh no!! How am
I ever going to
It's between Tony at Psyop and Wyatt over at The Mill, the most epic
beards in VFX.
Eric
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
On Tue, Aug 6, 2013 at 5:54 PM, Eric Thivierge ethivie...@hybride.com wrote:
Not arguing that point at all. Tony wins by leaps and
SGI was different, first just the hardware cost a small fortune and
you pretty much had to get it all from a reseller. Not to mention
there were hardware dependencies for licenses.
Sure MAYBE it was pirated, but I never saw nor heard of it at the time.
Eric
Freelance 3D and VFX animator
I, for one, am thankful for Classic Wookie. New Wookie tasted too much like
Pepsi.
On Aug 1, 2013 9:15 AM, Bradley Gabe witha...@gmail.com wrote:
Classic wookiee mistake!
On Thu, Aug 1, 2013 at 8:13 AM, Eric Thivierge ethivie...@hybride.comwrote:
Let the wookie win...
Eric Thivierge
No PR department has, in history, ever been able to prevent a cluster
of twats from speculating wildly and working themselves into
nerd-rage. If one was ever invented it would have to be either an
armed force with right to extreme prejudice in applying force, or an
act of God, or possibly both.
In the case of using a pre-blurred texture-map, you might want to have
a look at the FXtree and apply radial blurs and other FX to your image
clip there. The reason being that, if you want to key more or less of
an effect, you can easily to that, if you want to get fancy, link the
blur values to
There's a fair bit of work going on in Canada, but some of it seems
that there's a significant portion of it driven by the availability of
subsidies being offered. Take some time and read up what's been going
on at VFX Soldier: http://vfxsoldier.wordpress.com/
You'd be better off with a company
I think you need to be brutally honest with him about the nature of
the business, game development and visual F/X. I have some contact
with students who go to my alma mater, Pratt Institute. I've been very
honest with them about how our industry is changing and how tough it
might be to make a
Ha! That's because Jimmy Gas is way too modest.
Awesome work guys!
Eric
On Tue, May 21, 2013 at 5:14 PM, Ajit Menon xsia...@gmail.com wrote:
When Jimmy says it was nothing, that usually means he only built about 20
custom ICE compounds or so to do his bidding...
On Tue, May 21, 2013 at
Where should this plugin be installed and where can I find the
appropriate version?
I think I have an older file that isn't comparable or I am just not
putting in in the right location.
Thanks
Eric
--
Freelance 3D and VFX animator
http://vimeopro.com/user7979713/3d-work
since CS4, and as always, they go in Photoshop's
Plug-Ins folder.
On Tue, May 14, 2013 at 11:31 AM, Eric Lampi ericla...@gmail.com wrote:
Where should this plugin be installed and where can I find the
appropriate version?
I think I have an older file that isn't comparable or I am just
' ERROR : 2000 - Unable to create object
[CLSID{A8BF89CA-1025-11D2-B5FD-006094EB029C}] :
%SUMATRAPATH%moaudio.dll, Cleanup will be performed.
I've been getting this error and I am not sure why. It just started
happening all of the sudden and Soft 2013, and sp1 will not load these
scenes.
Hey Joey,
I have to say the one program that has hands down beaten every other app to
encode video is Adobe Media Encoder.
It's very straightforward to use, and all it does is convert and encode
video. It comes with a whole list of presets for every flavor of HD,
various devices, formats,
I can see a sequencer being very useful.
Compositors and clients almost always want some wiggle room, being able to
set a value for handles/head and tail on the cameras is what I would
consider to be an essential feature.
Eric
On Thu, Feb 28, 2013 at 1:35 AM, Chris Chia chris.c...@autodesk.com
Albatross!
On Thu, Feb 14, 2013 at 7:32 PM, Ed Manning etmth...@gmail.com wrote:
NI! NI! NI! NINININ
On Thu, Feb 14, 2013 at 7:17 PM, Simon Anderson
simonbenandersonl...@gmail.com wrote:
Bring me a shrubbery
On Fri, Feb 15, 2013 at 10:32 AM, Andy Moorer
Thanks for the suggestions, I actually already have an Aeron, bought it
from a hedge fund guy who was downsizing a couple years back, the only good
thing to come out of the financial crisis for me.. It just doesn't have all
of the adjustments I need. I checked out several, and while the Herman
This is kind of amusing considering Autodesk was basically giving away
SoftImage with every purchase of Max and Maya. Now, you have to provide
your own Soft license?
Not a good precedent to set in my opinion.
On Jan 8, 2013 7:13 AM, Tim Leydecker bauero...@gmx.de wrote:
Hey Sebastian,
from
From the website:
Working with TV, Film, VFX or New media?
It's free to join utopiapeople and we represent you on a non-exclusive
basis.
We take a 15% fee on agency bookings (not permanent).
I am absolutely against this sort of thing. Paying someone else a hefty fee
just to get introduced to a
:34, Eric Lampi a écrit :
From the website:
Working with TV, Film, VFX or New media?
It's free to join utopiapeople and we represent you on a non-exclusive
basis.
We take a 15% fee on agency bookings (not permanent).
I am absolutely against this sort of thing. Paying someone else a hefty
could help being even more
organized.
Just a thought
Le 08/01/2013 20:34, Eric Lampi a écrit :
From the website:
Working with TV, Film, VFX or New media?
It's free to join utopiapeople and we represent you on a non-exclusive
basis.
We take a 15% fee on agency bookings (not permanent
In general, I have found the same to be true. Young CG artists are terrible
at contracts negotiations and general understanding how to price their
work. There have been several threads over at VFXSoldier.com that discuss,
and while it's a blog that focuses mostly on the film industry, those
issues
this for you.
http://www.hdrlabs.com/sibl/software.html
Anyhow, a bit late in the game, but I hope you solve it.
regards
stefan andersson
On Fri, Oct 26, 2012 at 8:58 PM, Eric Lampi ericla...@gmail.com wrote:
OK, I was afraid it was something like that. Well, thanks for the tips
which include a
clipping option.
ed
On Fri, Oct 26, 2012 at 1:11 PM, Eric Lampi ericla...@gmail.com wrote:
Having some issue with EXRs, specifically pixelated highlights. Initially
I thought it was an anti-aliasing issue, but the same frame rendered result
as a Softimage pic doesn't have
?
On Fri, Oct 26, 2012 at 11:58 AM, Eric Lampi ericla...@gmail.com wrote:
OK, I was afraid it was something like that. Well, thanks for the tips
everyone, I was hoping it could be done in comp.
I don't have very hot values on my lights, reflection cards or
environment, but I'll have a look
get many more layers out of one seqeunce.
On Thu, Oct 18, 2012 at 11:13 AM, Ed Manning etmth...@gmail.com wrote:
hey eric -- could you post the links you found? (I'm feeling to lazy to
google that string myself!) ;-)
On Thu, Oct 18, 2012 at 11:03 AM, Eric Lampi ericla...@gmail.com wrote
Very very late 90's.
There were no bevels or rounded corners until Sumatra.
Stop sassin' the elders Eric, you just don't know what it was like...
*SHUDDER* a scene for every pass. :) No render tree, script editor, texture
editor, passes, overrides, ICE... It was horrible, we lived it with our
Oooh nice. Nailing those macro shots is tough.
On Mon, Oct 8, 2012 at 8:41 AM, Cristobal Infante cgc...@gmail.com wrote:
Really nice job! congrats ;)
On 8 October 2012 13:15, Marco Levantaci ma...@digitalgolem.com wrote:
Thanks!
Cheers,
Marco
On 08 Oct 2012, at 14:13, Javier Vega
You don't have everything installed in one giant workgroup do you?
On Fri, Oct 5, 2012 at 1:42 PM, john clausing jclausin...@yahoo.com wrote:
no particles,.but lots of hair?
j
--
*From:* Rob Chapman tekano@gmail.com
*To:* john clausing
is well
thanks everyone!
john
--
*From:* Eric Lampi ericla...@gmail.com
*To:* john clausing jclausin...@yahoo.com;
softimage@listproc.autodesk.com
*Sent:* Friday, October 5, 2012 2:21 PM
*Subject:* Re: Runtime Error R6025
You don't have everything
...@listproc.autodesk.com [mailto:
softimage-boun...@listproc.autodesk.com] *On Behalf Of *Eric Lampi
*Sent:* Tuesday, September 18, 2012 12:03 PM
*To:* softimage@listproc.autodesk.com
*Subject:* Polygon Island orientation
** **
Is there any way to change a polygon island's center axis without moving
several objects, one per island and you wish to orient those without
touching the existing point positions? Am I right?
On Tue, Sep 18, 2012 at 3:03 PM, Eric Lampi ericla...@gmail.com wrote:
Is there any way to change a polygon island's center axis without
moving the
points on the attached
Well said Jeff.
Maurice, if you're still reading, please consider his summary of Soft as a
Generalists tool, because I feel that he pretty much nails it. Sure perhaps
Soft is the closest thing AD has to compete with Houdini, so I understand
the particles angle. However if you limit the scope to
I often post animation or FX that I find to be particularly interesting. I
have friends who work in many different fields, many of them creative, and
that includes Ad Agency account people, Art and Creative Directors, most of
whom at one time or another I have gently guided them through some
Stefan I'm not sure I understand your logic. You don't recommend anyone
learn or buy Soft anymore yet you want people to move from Maya and Max?
One of the biggest problems with Soft is the limited number of people who
use it well. If you're not explaining to people who inquire about it, and
how
Only if he actually purchased stock in DD with other assets. Essentially,
if it was a part of his compensation package, they were free and he didn't
lose anything. So he can still pocket whatever 23% of DD's value works out
to be when he sells his remaining shares off.
On Mon, Sep 10, 2012 at
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