\notes \zqu{j}\qu{l}\zq{h}\qu{j}\zq{i}\qu{k}\en\bar\
\notes \zq{j}\qu{l}\zq{i}\qu{k}\zq{h}\qu{j}\en\bar\
remove the slsh at the end of this lines
Andre
- Original Message -
From: Alexander Beck-Ratzka [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, November 25, 2003 9:54 AM
This is an example for shifting arpeggios, if broken restore the lines
=
2 1 4 4 0 6 0 0
0 4 20 0.07
bt
./
\\let\rap\arpeggio\let\arp\raisearp\
a23 ? zc r2 | d2f.4 zg-f ? c4 b /
\def\raisearp#1#2{\loffset{.8}{\arp{#1}{#2}}\let\raisearp\arp}\
e24 zfs za ? r2 |
- Original Message -
From: Don Simons [EMAIL PROTECTED]
To: Typesetting music with TeX [EMAIL PROTECTED]
Sent: Saturday, December 06, 2003 7:01 AM
Subject: RE: [Tex-music] pmx - key change in the second voice
Andre Van Ryckeghem wrote
To Olivier : i did not test if the midi is not right, but i
I take this opportunity to repeat my encouragement to all
musixtex/pmx/m-tx
contributors to check that their scores are made with the most recent font
releases and to upload updates if necessary!!!
I remaked about a 100 files (i am exaggerate a little bit), it is a tedious
work. I believe it
Thank you Andrew and Olivier
In the last measure of your example, the 4 under the beam is redundant and
superfluous.
yes, i was to busy with the trios
As long as the result is clear, one would hope that it
shouldn't matter too much!
being asked for the wrong trios, this clears my
Thanks for the many reactions, it was unveiling.
The conclusion i see is that i am right, but that i will follow what my
friends propose
Andre
___
Tex-music mailing list
[EMAIL PROTECTED]
http://icking-music-archive.org/mailman/listinfo/tex-music
I want to typeset a booklet and make a .bat file to compile files from
several directories.
This is an example of a line in the batch file:
echo ..\..\vlzingt\vlzingtpmx\savobei | pmxab
The pmx compiles ok, but the TeX has an error on
\readmod{..\..\vlzingt\vlzingtpmx\savobei}
(! Too many }'s
It is amazing, but it works, thank you veru much, Don.
Andre
- Original Message -
From: Don Simons [EMAIL PROTECTED]
To: Typesetting music with TeX [EMAIL PROTECTED]
Sent: Monday, February 09, 2004 4:06 PM
Subject: RE: [Tex-music] pmx - path of readmod in windowsxp
Andre wrote
I
This is a file that i named tscor.pmx, when running scor2prt, then
tscor1.pmx is broken at the
Dben marcato+18
If i remove that item, then i get the 3 tscor?.pmx files
Am i overlooking something?
Thanks for helping
Andre
3 3 6 4 6 40 0
1220
Thank you very much, Cornelius, for this inventive solution.
My mail was sent a few days ago to the list.
Because the list was down, i sent (transferred) my problem to Don, who gave
me also a way out and
who is looking at it.
this are the possibilities for now:
e Dben marcato+18 ,f bf,df |
How can i put a '' in a D-command, ie: DR\uckpos.
Thanks
Andre
___
Tex-music mailing list
[EMAIL PROTECTED]
http://icking-music-archive.org/mailman/listinfo/tex-music
Is it possible to have a little space in the short brackets. Examples of
brackets without space are on page 32 (B 4.6 Xtuplex) in the manual of
Cornelius C. Noack, the last 2.
Thanks for helping
Andre
___
TeX-music mailing list
[EMAIL PROTECTED]
I am trying to have chords that expand over 2 staffs.
I can not do it if there are 2 of the same chords in one bar.
Is it possible to correct bar 2 in this example?
Thanks for helping me
Andre
2 1 1 4 1 4 0 0
0 5 20 0
bt
./
\\let\clsav\cl\
Thanks to Olivier Vogel i was able to do some exercises about
chords over 2 staffs. I think i can do most of the possibilities.
If the chords are beamed, then it is possible to do it in pmx (is
this a secret feature?). They are in bar 1 and 2.
In the other cases there are a few flaws:
The midi
In the list (MusiXLYR long words centered at melisma?) there were a number
of tricks proposed for moving the lyrics. I dare to show the methods i use,
hoping to get comments on it and in the first place to get better methods to
do so.
Normally the words are centered under the notes,
with
I use something as the \Twolines command
\\def\Twolines{\lower4pt\vbox{\hbox to 0pt{\hss put here first text \hss}\
\\vskip-14pt\hbox to 0pt{\hss put here second text \hss }}}\
Andre
- Original Message -
From: Stefan Björk [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, November
All ok here also (Windows xp sp2)
Andre
- Original Message -
From: Don Simons [EMAIL PROTECTED]
To: Typesetting music with TeX tex-music@icking-music-archive.org
Sent: Monday, January 24, 2005 6:37 AM
Subject: RE: [TeX-music] PMX - segmentation fault
Sorry, I can't reproduce the error,
e43 [l+11-12 a8- f1++ e ] d8 c [ b a ] | a4 a a a | a a a a /
Is this one ok?
Andre
- Original Message -
From: H. Hinsch [EMAIL PROTECTED]
To: tex-music@icking-music-archive.org
Sent: Monday, January 31, 2005 11:13 AM
Subject: [TeX-music] Double beam too short
Please check the pmx code
What do you mean with d3 or f3 ?
Andre
- Original Message -
From: Trent J [EMAIL PROTECTED]
To: TeX-music@icking-music-archive.org
Sent: Thursday, February 10, 2005 7:06 AM
Subject: [TeX-music] Strange things
Hello,
I've just started using M-Tx and PMX and have come across as a strange
Sorry it was a stupid question, don't answer
Andre
- Original Message -
From: Andre Van Ryckeghem [EMAIL PROTECTED]
To: Typesetting music with TeX tex-music@icking-music-archive.org
Sent: Thursday, February 10, 2005 8:25 AM
Subject: Re: [TeX-music] Strange things
What do you mean
-archive.org
Sent: Thursday, February 24, 2005 4:31 PM
Subject: Re: [TeX-music] pmx - puzzling with beamed chords on 2 staffs
On Thu, 24 Feb 2005, Andre Van Ryckeghem wrote:
Dear all,
I need help for making beamed chords on 2 staffs. I can do many thing but
this one i don't manage it.
In the code, i
I tried to adapt the code for lowering the 'b' and i found this:
(Perhaps this is also possibility: using fake notes to adapt the position of
a slur?)
Thanks again Cornelius for setting me on the way.
Andre
===
21
2 4 2 4
0 2
0 1 20 .06
Piano
bt
./
\\let\qbsav\qb\
rb1 [j b13
Hi all,
Is it possible to have the beams right without using Musixtex in the
following example?
Only the last bar is satisfying in my opinion. The other bars show what is
happening when altering the hight and the slope of the beam.
Also changing the width of the bar alters the behavior of the
Thanks for looking at it, Don.
The problem with Don's solution, i think, is that the beam must end high
enough. The beams can only be corrected when the layout is fixed.
Maybe PMX needs a beam termination
toggle option on the ] that closes the beam?
A long beamed sequence with - slope must start
Do you use the last version of pmx and musixtex?
At my place it runs perfectly
If you use MUSIXTEX.INS remove the old things and use
\input c:/musixtex/musixtex
%\input musixcpt
%\input musixsty
\tracingstats=2\relax
\dump
Andre
- Original Message -
From: Sass Blint [EMAIL PROTECTED]
To:
Sometimes one needs a tie between 2 voices as you can see in the
upper organ staff on bar 1-2. I thought to be smart and let the
tie end on a hidden rest in the same voice (rb2 t). I got the
error for ties and the message: send source to Don. But the output
was ok and i did not sent the source.
Thank you very much, Don and Christian for your help and comments
I don't know about 'abcpp', but i will look at it.
Perhaps an other possibility is to use the same note in 2 voices (ie replace
the 'rb2' in the example by 'd2+u')?
Will the midi sound harder then?
Andre
In this example, there is to much space above bar 2 (each system has the
same amount of space). Removing Ae solves this problem.
I have tried to solve it by using a negative vertical space om a movement
break (bar 4) with this commands (look for the '-'sign):
\\let\mynewmovement\newmovement\
In trying to correct the distance between the systems, i got a problem with
the end bar when lowering the number of staffs
end using \sepbarrules.
The example is correct if removing \\sepbarules\
This is the correction given by Olivier Vogel which i have tried (by the
way, the mail search
Thanks very much Don, for your work
See below text
I've long been aware that vertical spacing can get messed up when Ae is
combined with changes in numbers of instruments. It is interesting to
learn
from Andre that the \newmovement macro will accept a negative argument;
the
only stumbling
It would be great if someone would volunteer to fully edit this document.
I
realize it's a huge job...that's why I'm not doing it. But I'm afraid
novice
users could get really confused by some of the stuff in there. If any
potential editor wants to look at the source as it stood before I
This 16nd notes are moved to the lower staff to indicate they are to be
played with the left hand, but how can i get the second beam and put him
*below* the
first one?
Thanks for any help
Andre
===
224 4 4 4 0 -2
1 1 20 .04
bt
./
w100m
a82 d b c f4 za a zd- //
Sorry, there was an error in my question, it is not bar crossing i meant but
staff crossing (in Flemish bar is sometimes used for staff, if this is an
extenuating circumstance)
This 16nd notes are moved to the lower staff to indicate they are to be
played with the left hand, but how can i get
Thanks you very much Olivier, i never had found it myself.
Even a decreasing slope is possible by using '[u-11-1 d ]j'
Andre
- Original Message -
From: Olivier Vogel [EMAIL PROTECTED]
To: Typesetting music with TeX tex-music@icking-music-archive.org
Sent: Tuesday, September 13, 2005
La ligne
\input musixtex
est nécessaire en haut
Andre
- Original Message -
From: Sylvie [EMAIL PROTECTED]
To: tex-music@icking-music-archive.org
Sent: Friday, October 21, 2005 5:33 PM
Subject: [TeX-music] installation
j'ai des problèmes d'installation. j'obtiens l'erreur
Good morning all,
I am trying to produce examples for the musixtex manual, Don is working on.
I got an underfull hbox (bold vertical line on the end) when using
\changecontext and an (automatic) new music line.
I use this line:
\generalsignature{-2}\ignorenats\Changecontext%
Replacing
Thanks for helping, Jean-Pierre
I learned with your change that taking other commands, the error vanish,
this let me think that there is a bug in a command.
But introducing \zchangecontext causes a new bar, or at least the space for
it.
I don't know if the following doing is common, but
Hi all,
To clarify the problem (or to do just the opposite), here is a testfile with
a number of possibilities.
The file is made for 3 music lines in order to see a behaviour when an
automatic new line occurs.
This are my taughts on this
Bar 1 - multiple meters
bar 1 beat 2 and 3 signature
Normally, when the number of bars is to be augmented, the method is making a
dummy first page with the maximum numver of staff and then void this page
(throwing the first printed page away).
In trying to have a more elegant method, for an organ piece that starts
without 'pedal' staff
The answer from Rainer Dunker is very instructive, thanks for that.
I have an other question on that:
Why the braces are not needed in generalmeter?
\generalmeter{\meterfrac{4}{4}\meterfrac{2}{4}\meterfrac{1}{4}}%
is OK but here they are needed:
This are tricks i use for having a better white space between the systems
- use the pmx commands for the page hight en width:
'w280m h205m'
\voffset=-08mm\hoffset=-5mm\
- change interstaff
\\\interstaff{14}\
- change the margins
\\\def\atnextline{\stafftopmarg4\Interligne}\
If i use 'AE',
This could be a possibility, but i am *not* proud on it
Andre
=
1 1
4 4 0 6
0 0 0 6
16 0
b
./
rb2 rb4 [l a82 a ] | a2 r2 //
r2 r4 [u a83 a ] | a2 rb2 /
r2 r4 \ibl1{'A}0\zqb1{A}\ [u a82 \ztqb1{`A}\ a83 ] | \zhl{'A}\ a22u rb2 /
r2 r4 \transpose7\Dqbl AA\bsk\bsk\Dqbu HH\ rb4 |
Indicating that the player must use his left hand for notes, a bracket could
be used, but a half bracket is much better.
I have tried to construct one, but it is my question is: is it possible to
construct a command for halfbracket that use the same arguments as \bracket.
To explain better i
Sorry, i was not very exact. The line
r2 r4 \Dqbl HH\bsk\bsk\Dqbu aa\ rb4 /
should be changed to:
r2 r4 \Dqbl11\bsk\bsk\Dqbu77\bsk\bsk\ rb8 rb8 /
- using numbers in stead of alphabetic chars
- adapting the horizontal pitch. The distance between the notes in this
mesure was taken in function
is this what you want?
Andre
==
1 1 4 4 0 6 0 0 0 2 20 .07
b
./
%use big flats:
Ab
\\\def\zq#1{\zqu{#1}}\
bf43u zaf aflr zbf r2 /
=
- Original Message -
From: Helge Kruse [EMAIL PROTECTED]
To: 'Typesetting music with TeX' tex-music@icking-music-archive.org
Still, Jean-Pierre has it right, i think: In MusixTeX it is not possible to
get twice the same clef. The clef must change or you don't see it.
You can perhaps try something as (if the clef was already \treble)
\setclef18\zchangeclefs\setclef1\treble\changeclefs
clef 8 is a blanco clef, but it
If you use pmx, you can without problems use 'Ct Ct'
the pmx takes car of the needed space
Andre
- Original Message -
From: Bernhard Lang [EMAIL PROTECTED]
To: Typesetting music with TeX tex-music@icking-music-archive.org
Sent: Tuesday, April 25, 2006 11:16 AM
Subject: Re:
One of the avantages of setting \interstaff = 0, is that the midi can play,
that is the reason i spend time on it. But i did not expected to ask other
people to spend all that time.
In the piece i made i see now that the brace in a 2-staff instrument also is
gone, when applying Don's
will be messed up.
Thanks Don for poinying me to this macro.
Andre
- Original Message -
From: Andre Van Ryckeghem [EMAIL PROTECTED]
To: Typesetting music with TeX tex-music@icking-music-archive.org
Sent: Friday, July 07, 2006 5:56 PM
Subject: Re: [TeX-music] pmx (musixtex) - Not wanted hairpin
Hello Don,
on the tables where 's,t,)' is explained, the line
[+,- i] ... Vertical adjustment of the start of second segment
Should it be replaced by:?
[s +,- i] ... Vertical adjustment of the start of second segment
ie the 3th 's' in: sfl-2s-3s-2-1
Sorry on beforehand if i am wrong
Many Thanks, Don, it helps me a lot..
I have decided not attack Andre's other suggestion, which was to allow
xtuplets to jump staves. The reason is because of the restrictions on
rests
in xtuplets. Whenever there's a staff-jumping beam, you normally have to
fill in the missing notes in BOTH
Thank you very much, Don, you have given me a lot to think about.
I did not yet tried to make command for spltting the xtuplets on 2 staffs.
First i tried to split the beams in xtuplets in 1 staff, i have included an
example of what tried.
But first: if i take 'r8ax3 b b ' i get a half rest
Sorry, the pmx code wass messed up in the original mail
Andre
2 1 2 4 2 4 0 0 1 2 20 0
tt
./
AT
w120m
h200m
\\let\cusav\cu\let\clsav\cl\let\qusav\qu\let\qlsav\ql\let\qbsav\qb\
\\let\ccusav\ccu\let\cclsav\ccl\
\\let\tbsav\tb\
\\let\ibusav\ibu\let\iblsav\ibl\
%
\\makeatletter\
% shift in
Sorry again, i do not know what happens with the lines of the example. It
seems, after a long line in my outlook express the following lines have no
more linefeed.
A version with the lines apart is here:
http://users.pandora.be/avr/triorest.zip
Andre
Thank you very much Don,
The problem is that in a real piece it is difficult to know the number of
the beam.
But on your saying: 'Remember, by using numbers for pitches instead of
letters, you preserve the octave register.', i have put accolades around all
'\ibbu##1{##2}0' to make any
This are some possibilities:
===
1 1 4 4 0 5
0 2
1 2 20 0.07
t
./
a85 (tl a4d (tl a2 )t |/
a0 )t |/
a85 (t+1 a4d (t+1 a2 )t |/
a0 )t |/
a85 (t a4d-1 (t a2 )t |/
a0 )t |/
a85 (t a4d-2 (t a2 )t |/
a0 )t |/
==
- Original Message -
From: Adam Fenn [EMAIL
have you tried
\setclef08\zchangeclefs\
or
\setclefsymbol0\empty\zchangeclefs\
?
Andre
- Original Message -
From: Hermann Hinsch [EMAIL PROTECTED]
To: tex-music@icking-music-archive.org
Sent: Wednesday, December 13, 2006 4:27 PM
Subject: [TeX-music] suppressing the clef symbol
Within
with TeX tex-music@icking-music-archive.org
Sent: Wednesday, December 13, 2006 7:32 PM
Subject: Re: [TeX-music] suppressing the clef symbol
Am Mittwoch, 13. Dezember 2006 17:08 schrieb Andre Van Ryckeghem:
have you tried
\setclef08\zchangeclefs\
or
\setclefsymbol0\empty\zchangeclefs\
?
Andre
I have
PROTECTED]
To: Typesetting music with TeX tex-music@icking-music-archive.org
Sent: Sunday, January 07, 2007 9:08 PM
Subject: Re: [TeX-music] pmx - scor2prt, in line TeX commands and
instrumentnumbers
On Fri, 5 Jan 2007, Andre Van Ryckeghem wrote:
Dear all,
I suppose, instrument 1
]
/
...
OK? Sorry about that; you'll just have to remember to do it this way.
--Don Simons
Andre Van Ryckeghem [EMAIL PROTECTED] wrote:
Thanks Cornelius for looking at it.
And yes it seems i am doing something wrong, but still:
I cannot us '\sk\sk\sk\sk\OB\bsk\bsk\bsk\bsk\ a0
Hi all,
When i change the interstaff on a piece with 10 staves, then the arpeggio
get longer on diminuing interstaff.
Removing the upper staff makes the arpeggio right
Removing the \\interstaff{10}\ also does.
This is an example that shows it:
===
10 -8 2 2 1 1 1 1 1 1
:[EMAIL PROTECTED] Behalf Of Andre
Van Ryckeghem
Sent: Tuesday, January 23, 2007 10:28 PM
To: Typesetting music with TeX
Subject: [TeX-music] pmx - arpeggio, 10 staffs, changing interstaff
Hi all,
When i change the interstaff on a piece with 10 staves, then the arpeggio
get longer on diminuing
This puzzle is more pleasant than making sudokus
I tried a solution, i hope i have understand what you meant.
As it is not possible to shrink the number of staffs in an instrument, i
tried to put the staffs above each other.
using
\\interstaff{0}\
or Ai0.0 or AI0.0
The distance between the
This is a much simpler and nicer and clever solution, i never had found this
myself.
About the new page, perhaps extend the redefinition of alaligne to
contpiece?
I tried this after changing tne npages from 1 to 2:
\\let\contpiecesav\contpiece\let\myalaligne\alaligne\
I have the error when i convert your ps-file (made by gs, gsview) with
acrobat 7.
This is the error:
%%[ Error: undefined; OffendingCommand: setdistillerparams; ErrorInfo:
CalCMYKProfile U.S. Web Coated (SWOP) v2 ]%%
But when i do it in winedt (with a shortcut that uses gswin32c, i think),
This is a brilliant trick. I never tought this could be possible.
I tried to add a 3th (normal) system, but i did not managed to do it.
But in any case it is very usefull as is.
Andre
- Original Message -
From: Olivier Vogel [EMAIL PROTECTED]
To: Typesetting music with TeX
Thanks Olivier,
I understand your explanation (i think).
I have a little problem: The 3th system goes to the next page.
Also, i removed the last 'Rb' and i got a to many '}' error (in fact, with
the 'Rb' the 'Endpiece' is replaced by 'endpiece'?).
Andre
- Original Message -
From:
I don't know if ther came an answer on this problem.
I don't think it is an error in PMX (but rather a feature?)
There can not be a (musix)tex-command as last item in a block,
So 'r2 \Toctfin1\' must be replaced by '\sk\Toctfin1\ r2'
I f there are more staves in a system, then it is possible
:
===
1 1 1 4 1 4 0 0
0 1 20 0
t
./
w100m
\ioctfinup{10}\ e84a \toctfin\ e /
==
Andre
- Original Message -
From: Andre Van Ryckeghem [EMAIL PROTECTED]
To: Werner Icking Music Archive tex-music@icking-music-archive.org
Sent: Monday, July 02, 2007 7:58 AM
Subject: Re: [TeX-Music] Error
On Fri, 20 Jul 2007, Andre Van Ryckeghem wrote:
I have a piece where organ alternates wit a capella song.
I want to use 2 instruments of 1 staff for the a capella song
and 1 instrument with 2staves for the organ.
I did not manage it to get a new movement (L2M...) from 2 instruments, 1
Thank you very much, Rainer, it all runs magically perfect.
I also tested the musixtex doc file (mxdoc109.tex) where it is used, which
also runs perfect.
Andre
- Original Message -
From: Rainer Dunker [EMAIL PROTECTED]
To: Werner Icking Music Archive tex-music@icking-music-archive.org
Van Ryckeghem:
If you use 2 instruments of 1 staff, use:
\\sepbarrules\
Andre
I tried this without success. As far as I understand pmx a code beginning
with
\\ should influence the whole score. Maybe that I didn't explain my problem
clearly enough. What I wanted is to separate only 1 or 2
Have you used a % ?
\atnextline{staffbotmarg=5\Interligne}%
Andre
- Original Message -
From: ZeH (Leandro Zatesko)
To: Werner Icking Music Archive
Sent: Friday, September 14, 2007 6:20 AM
Subject: [TeX-Music] Problems with \atnextline
Hello.
I am having a problem with
I think the new line has the same effect as the space, so
fuoco-
senza
is the same as: fuoco- senza (the space is normally not allowed here)
if you want the - then perhaps we can use fuoco{-} ?
Andre
- Original Message -
From: Jean-Pierre Coulon [EMAIL PROTECTED]
To: Werner Icking
/
=
- Original Message -
From: Andre Van Ryckeghem [EMAIL PROTECTED]
To: Werner Icking Music Archive tex-music@icking-music-archive.org
Sent: Tuesday, January 29, 2008 5:53 AM
Subject: Re: [TeX-Music] changes in number of voices
This is an pmx example that reduces
Hi all,
This sounds a little bit silly, but i need short stems for some notes in for
a score of (gregorian) psalms.
But for the lower notes, the stem reaches to the middle of the staff.
I should be very pleased if someone is willing to solve this problem
This is an example with to long stem
Hello André!
On Mon, Apr 07, 2008 at 06:53:58AM +0200, Andre Van Ryckeghem wrote:
This sounds a little bit silly, but i need short stems for some notes in
for
a score of (gregorian) psalms.
But for the lower notes, the stem reaches to the middle of the staff.
[...]
1 1
2 4
Hi all,
I want to remove a barline at the end of a staff and at the end of a page
with the pmx 'Rz' command,
but when the meter is changed the barline stays.
One can see this, when the line 'm3400' is removed from the example.
I have tried musixtex commands, but all i could think is that
I think, the discussion about this was 2 years ago, i then made a 'tips and
tricks', with this example (i now replaced the '~' by a '*', to be conform
with the musixtex manual, and added some exotic trios).
Andre
=
1 1 4 4 0 6 0 0 1 3 20 0
t
./
AT
w140m
Perhaps this may help
\def\everystaff{\znotes\nextinstrument\zchar{-7}{\normtype
\kern -2\Interligne 8}\en}%
Andre
- Original Message -
From: Hermann Hinsch [EMAIL PROTECTED]
To: Werner Icking Music Archive tex-music@icking-music-archive.org
Sent: Friday, July 11, 2008 5:11 PM
I don't understand fully what is asked (because of my bad English), but i
have a primitive TeX command with no arguments, but that is te be repeated
for each note, because i have redefinitions of al notes (hu, hl, wh) that
are to be restored. I suppose the command could be changed not to be
I think you have to use musixflex
the sequence is:
tex partitur1
musixflex partitur1
tex partitur1
Andre
- Original Message -
From: Michael Bombardieri [EMAIL PROTECTED]
To: tex-music@icking-music-archive.org
Sent: Wednesday, September 24, 2008 5:04 AM
Subject: [TeX-Music] Staff
In this example i got 'problem in ncmid'
- removing a lower voice (a line wth //): error is gone
or
- removing '3' in the first line of code (...f+ 3...): no more error
I used pmx 517, but i am not sure the error comes from the last change
Andre
===
3 3 4 4 0 6 0 -2
1 1 16
I got an 8th note with 2 dots instead of a 16th note with 1 dot.
I had to change in musixtex114:
\def\clp...@symbol\@clp}
\def\cclp...@symbol\@clpp}
\def\clpp...@symbol\@clpp}
to
\def\clp...@symbol\@clp}
\def\cclp...@symbol\@cclp}
\def\clpp...@symbol\@clpp}
Andre
(And many thanks, Don,
Hi all
Merry Christmas
This is a beamed sequence with a too long beam. This must be adapted by in
line tex, i think.
Or by changing the hight of the beam.
But this also work by splitting the beam as in the staff jumping method.
Is this a hidden feature?
Andre
==
1134
In my real score is a meter change between the 2 bars, so i cannot solve the
problem by taking the 2 bars in 1 block.
This extract shows the problem ( in the produced tex file, i find this code:
\Icresc3{ }0% : no middle arg )
Am i doing something wrong?
Thanks for helping,
Andre
-music-archive.org-tex-music-boun...@mailman.nfit.au.dk] On
Behalf Of Andre Van Ryckeghem
Sent: Tuesday, January 06, 2009 1:49 AM
To: Werner Icking Music Archive
Subject: [TeX-Music] pmx - problem with 2 parallel hairpins and 2 inputblocks
In my real score is a meter change between
I tried pmx to solve the problem:
1 1
2 4 2 4
0.0 0
1 1 20 0.0
t
.\
w130
[ g85 zb XS-1 r1+6 e- zgs g8 zb r1+6 fs za ] /
===
this gives this musixtex code (part of):
= = = = =
\pnotes{2.00}\ibl1{'f}0\zq{'b}\qb1{`g}\en%
i put the code in a lower voice, if it is possible, the [f is there not
active, i need there a [u if i want the beam to flip
example:
11 1 4 1 4 0 0
1 1 16 0
t
./
%
w220
c8 zc+ a za+ [f c8-- zc+ a za+ ] /
c8-- zc+ a za+ [f c8-- zc+ a za+ ] //
rbp rbp /
I think, it is a rounding problem, if i replace [scale=.82] by [scale=.85]
then the slurs are as expected
Andre
- Original Message -
From: Don Simons dsim...@roadrunner.com
To: 'Werner Icking Music Archive'
icking-music-archive.org-tex-music@mailman.nfit.au.dk
Sent: Monday, June 29,
Hi all,
I have problems when i concatenate dvi or ps files.
First i used 'dviconcat.exe', that was satisfying, except in rare cases some
fonts went wrong when using ie. 'pstricks' in tex.
Then i installed a 64bit Windows7 and dviconcat did not run anymore (for now
it is the only program
Dear Christian and all,
This is not an ad, but i pay 1,25 euro a month for 3000MB webhosting at
www.one.com/nl
On there site i have seen they ask 4,9 euro /month for 25000MB
I also am willing to pay some money, if you decide to go for a paying
webhosting.
And thanks for your work to
I have tried the new musixtex and pmx on a file that had to much voices in
previous versions (in fact 9 staves, but many of them with 2 voices)
I have extracted a test file
on running it shows:
This is PMX, version 2523 , 24 jun 10
In the second pass it gives:
Bar 1 Bar 2 Abnormal stop in
Hi all,
I should like to have a smaller note in a metron, but i do'nt know how to do
it.
I am working with normalmusicsize but the note in
\metron{\lqu}{ca. 72}
should be smaller
Thanks for helping
Andre
___
tex-mu...@icking-music-archive.org
I am doing a piece for organ and if i can make the gap above de pedal staff
smaller then 3 systems can be showed nicely on an oblan format.
But when there is no pedal, i want to go from 3 staves to 2 with a new
movement.
That goes nice until i need a right repeat: the middle staff has 4 repeat
I am not sure if this is, what should be done, but i tried to change the clef
and keys of 1 instrument with type 3 commands.
To do it in the middle of a bar i have split the bar and removed the barline.
My guide to do this was the musicdoc114.pdf manual (section 2.14)
Andre
Attention: there
, 30. Juli 2010 12:09:47 schrieb Andre Van Ryckeghem:
I am not sure if this is, what should be done, but i tried to change the
clef and keys of 1 instrument with type 3 commands. To do it in the middle
of a bar i have split the bar and removed the barline.
My guide to do
This is for pmx:
\\makeatletter\
\\def\treblelowoct{\smalltrebleclef\raise
-7\internote\hb...@to\z@{\smalltype\it\kern -2.3\Interligne 8\hss}}\
\\makeatother\
Andre
From: Hermann Hinsch
Sent: Tuesday, August 03, 2010 12:37 PM
To: Werner Icking Music Archive
Subject: [TeX-Music] small
Incidentally the first \vskip does not do its job.
I think the space is eaten up by earlyer space generated by the system,
use \vglue2cm instead
___
tex-mu...@icking-music-archive.org mailing list
If you want to unsubscribe or look at the
Perhaps replace
\iBsluru01
by
\raise-1mm\hbox{\iBsluru01}
Andre
--
From: Jean-Pierre Coulon cou...@obs-nice.fr
Sent: Friday, October 22, 2010 9:06 PM
To:
icking-music-archive.org-tex-mu...@mailman.nfit.au.dk..mailglue.nfit.au.dk
Subject:
1 - 100 of 206 matches
Mail list logo
