Roman Turovsky [EMAIL PROTECTED] schrieb:
as I recall the material there is all obbligato and NOT continuo realizations
In all of the tablature settings, the bass line is kept, and the melody
line is doubled. I think that could be called realized continuo.
and basically the same music
Monica Hall [EMAIL PROTECTED] schrieb:
Murcia, Matteis, Sanz and
other Baroque guitarists wrote instructions on continuo and this
chord
wouldn't be part of that universe - nor in the music that followed in
the
next century.
Yes - but instructions for accompanying a bass line are different
bill kilpatrick [EMAIL PROTECTED] schrieb:
the really early repertoire seems to be predominately
written in major and minor keys.
read the headlines of the pieces you have in mind. No keys, but modes,
or tones, instead. Modes are melody patterns, each of them centred in
their respective
Monica Hall [EMAIL PROTECTED] schrieb:
The term requinta must refer to octave stringing on a course and not to the
intervals between the courses.
perhaps as a support: Quintsaite in German (fifth-string) means a very,
very thin string. The name was taken from early violin playing, when the
Monica Hall [EMAIL PROTECTED] schrieb:
I wonder now if it has a completely different derivation. The verb
requiro in Latin means to look for again, miss something or feel the
lack of. That sounds a bit like a re-entrant tuning where the tuning looks
for the note again, or has something
