I had a bit more time to look at this - I actually have a pdf of it
already. It is (or was) in the
Moravské zemské muzeum in Brno in the Czech Republic.
I don't think we can assume that all the music is by Losy or that all
of it was originally composed for guitar. I never had time to look at
Updating it yet again - I keep getting interrupted - but the tuning
chart seems to indicate that the 5th course is tuned in unison with the
third course stopped at the 2nd fret which would make it re-entrant.
Monica
Original Message
From: mjlh...@tiscali.co.uk
Date: 04/01/2018 9:51
To:
Am Donnerstag, 04. Januar 2018 10:59 CET, "mjlh...@tiscali.co.uk"
schrieb:
> Updating it yet again - I keep getting interrupted - but the tuning
> chart seems to indicate that the 5th course is tuned in unison with the
> third course stopped at the 2nd fret which
- Forwarded Message -
From: Martyn Hodgson
To: "mjlh...@tiscali.co.uk" ; "dshos...@mac.com"
Cc: VihuelaList ; Baroque Lute List
Sent:
Thanks for all your insights Monica!
> On Jan 4, 2018, at 4:59 AM, mjlh...@tiscali.co.uk wrote:
>
> Updating it yet again - I keep getting interrupted - but the tuning
> chart seems to indicate that the 5th course is tuned in unison with the
> third course stopped at the 2nd fret which would
Updating my previous message - and having looked more carefully at the
manuscript I am not sure that all the music in tablature is for 5-
course guitar. The pieces on p.50-61 seem to require an unstopped 6th
course and one piece on p.91 requires 5 open corse. On p.97 there is a
table of
Dear Martyn, Ralf and anyone else who is interested
First of all, the instrument referred to as a “Cytarra” or “Gytarra” on
p.49 of the pdf (it’s easiest to refer to these rather than the
original folio numbers) appears to have 5 stopped courses and one
unstopped bass string. If that is the