No mention of I:Cube? They've been on a rather diverse role for quite some time 
now. Lovely deep stuff. 

Tristan
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On Wednesday, July 05, 2000 2:22 PM, Cyclone Wehner [SMTP:[EMAIL PROTECTED] 
wrote:
> Often people on the list counterpoint US techno and European trance and all
> hell breaks loose.
> 
> But it's surprising that French music doesn't come up too often, if at all.
> But there is some fabulous stuff emanating from France right now that wears
> its love of Chicago and Detroit on its sleeves, and I find that those
> artists will openly discuss that influence in interviews. What's more these
> acts are doing interesting things with the music and not merely reproducing
> it.
> 
> For one, I cannot recommend Laurent Garnier's recent album enough. But even
> some of the quirkier stuff like LeTone and Rinocerose is cool and has a
> certain je ne said quois that you just don't hear anywhere else. I really
> like the eccentricity in the new wave of French house/techno and I guess you
> hear that in Carl Craig too, who is often cited an an influence.
> 
> Anyway, one album that has proved to be a revelation to me is Mirwais'! It's
> called Production and is quite avant garde. I know I may get some flack for
> this given his connection with a 'pop' artist (he has been working with
> Madonna, who lest us not forget came from Michigan) but his album is
> fantastic! It's got a strong electro/Moroder disco/80s current through it
> and some of the songs are very emotional, string-layered symphonies that
> almost have a Detroit flavour. The song he's done with Madonna is magic -
> it's among the best things she has ever done. It's called Paradise (Not For
> Me). She is in her tragic diva mode (which I love!) and sounds like Marlene
> Dietrich. They have cyber-fied the vocals in parts, which is eerie. She
> sings partly in a (rather spurious) French accent but it is still amazing.
> It's a little like Visage's Fade To Grey, but then again..... Never Young
> Again is very majestic, a beautiful song; electro sheathed in strings. These
> two give me the same feeling that the Red Planet classics do, not that it
> necessarily sounds like that but it conveys the same feeling; it swells with
> emotion.
> 
> Mirwais, who is Afghan-French, is not a newcomer; he's been in the
> underground for a while and was a member of the French group Taxi Girl. I'm
> gratified that after producing Madonna he intends to step back and "only do
> special projects, projects that stretch me and my potential," (Mixmag, May)
> and not do as William Orbit has done and seemingly give his sound out to any
> pop act. He also says: "In techno, they're always talking about subversion,
> well this is my subversion!" I'm really looking forward to Madonna's album
> on the basis of this.
> 
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