Like Moby's new album - it's a commercial pop hacked up hairball terribly predictable if you are aware of what's "in fashion" except if you consider the track "Every Day is 1989" in which Moby brings back the old rave piano progression and sounds like him trying to revive "Feeling So Real" He does this again on the tune "The Stars" except he adds a bit of the ol' Hoover - yeah, Hoover sounds I recall an article that came out around the time of Animal Rights where he was basically lambasting people like the Aphex Twin and lamenting the death of piano use in dance music and it was for this reason he quit the dance music scene (as Moby)
man, Moby's album is pure rubbish (listening to it now) it's pure pop-trance/hi-nrg/rave nostalgia nonsense and you just know he's going to be playing this stuff because it's going to come out April 1st and every Moby fan is going to be wetting themselves MEK "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> wrote on 03/25/2008 08:52:47 PM: > On Tue, Mar 25, 2008 at 9:51 PM, Michael Kuszynski <[EMAIL PROTECTED] > com> wrote: > > > The Hiro night's feature a combination of bottle service for the > > yuppie corporate party crowd and the art school / hipster / nyu > > electro - indie - hipsterclash music, a la justice / nu-rave / daft > > punk, etc. > > > > Looks like Moby is looking for some action. > > sounds promising if you like nonsense. > > tom
