> All fields in the tune (except possibly those which come before the first > V: field) are voice dependent. After the first V: there is nowhere to > put a field which is not within a voice, so all fields apply only to the > voice in which they are located.
How on earth does that let you control part playing order in multi-voice music? I've always assumed "P:" *had* to mark larger units than "V:". I can think of only one piece in all music where you'd want different voices to have different part boundaries (one of Elliiot Carter's string quartets: six movements for two of the instruments and four for the others). ----------------------------------------------------------------------------- Jack Campin * 11 Third Street, Newtongrange, Midlothian EH22 4PU, Scotland tel 0131 660 4760 * fax 0870 055 4975 * http://www.purr.demon.co.uk/jack/ food intolerance data & recipes, freeware Mac logic fonts, and Scottish music To subscribe/unsubscribe, point your browser to: http://www.tullochgorm.com/lists.html
