Karl Dallas writes:
| As an interesting sidelight, I use ABC primarily as a composition tool
| on my Palm-compatible Treo PDA. If I were to distribute my tunes in ABC
| format, anyone transcribing them into conventional staff notation might
| well have a right in law to claim copyright. So I better not!

Somehow this doesn't sound  right.   Copyright  law  is  supposed  to
encourage  publishing  original  material, not to scare people out of
publishing.  We'd get it all straightened out sooner  if  people  put
their compositions online and weren't intimidated like this. Probably
all that is needed in most of the world is something like:

  C: Karl Dallas
  N: Copyright 2002 by Karl Dallas <[EMAIL PROTECTED]>

You might also want to encourage people to play your tunes by using a
line like:
  N: Permission granted for noncommercial use.

This tells people that they can play your music in  the  usual  "fair
use"  manner.   And  if they want to use it in a recording, they have
your email address.  If you have more than  one  email  address,  you
might  want  to include all of them, and a URL if you have one.  This
makes your music easily available, and tells musicians how  to  reach
you if they want to ask for permission (or send you criticism ;-).

Unless you're going up against a really rich  and  nasty  corporation
that  sees  profits in stealing your music, this should be sufficient
to convince most corporate lawyers  that  they  should  advise  their
employers  to  just  pay you rather than steal your music.  You might
also want dated printouts of the tunes, for when  you  need  to  take
some nasty corporation to court.

One of the problems still to be solved is the  instability  of  email
addresses.   If  someone has your tune and 10 years from now wants to
contact you about it, will the email address work?  Probably not,  if
it's through a commercial ISP. If you're associated with a college or
university, you may have a long-term email address through them. I've
had  an email address at MIT that has worked for nearly 20 years now,
and will almost certainly work in another 20 years. The value of this
is  something  that  the commercial world doesn't seem to understand,
and is a real problem with publishing online.  But then, the academic
culture  has  long  been  much more friendly to authors and composers
than has the corporate culture.

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