Richard Robinson writes:
| On Wed, Jul 30, 2003 at 09:38:29AM +0100, Bernard Hill wrote:
| >
| One possible counter-argument would be, that if ABC was able to express
| things that no other software can, just imagine the explosion of
| usefulness. Tunes might start turning up containing information that
| people previously didn't have any way of expressing.
|
| "Some people believe this has already happened", to borrow from Douglas
| Adams.

Indeed.  I've tried a lot of commercial music packages,  and  what  I
like  to  do  is to attempt to type in a song like "Jovano, Jovanke".
Now, most people in the international  dance  crowd  will  know  this
song,  and  probably  most  randomly-chosed Serbian 8-year-olds could
sing it to you.  But it wants a meter of 7/8 and a key signature that
(in  D) has two flats and one sharp.  Both completely normal, simple,
everyday rhythm and scale in that part of the world.

Almost every music package that I've tried this on flunks badly.

When I first ran across abc, I was quite impressed by the  fact  that
it  (abc2ps  actually)  accepted  M:7/8 without complaint and did the
Right Thing.  When I tried M:4+3+4/16, it also  did  exactly  what  I
wanted  it  to do.  The K:<tonic><mode> obviously couldn't handle the
scale.  But you can use the  short-term  kludge  of  K:Dphr  with  ^F
wherever  you need it, and the program's source was freely available.
So I could fix this.

This was a strong argument in favor of abc against all  those  feeble
commercial packages.

The real clincher was that I could email abc tunes to friends.  If  I
can't  email  tunes  to  friends  or put the tunes on my web site for
anyone do use, why would I bother? But abc was plain text, you didn't
actually  need any software other than a text editor.  And there were
abc tools for at least the most common computers. The unix software I
could get in source form and compile myself.  Wow!

The very fact that M:7/8 worked correctly was a powerful argument for
finally trying some of this computerized music stuff. Someone finally
had a clue about something beyond the narrow range of a small  corner
of  the  world's music.  And with "open source" software, the path to
the rest of the world's music was obvious.

It didn't surprise me in the least when abc web sites started showing
up.   It  doesn't  surprise me now to see that abc is the only common
music notation on the Net.

(I do think abc could use some competition, though. When are we going
to see some big Lilypond or MusicML web sites?)

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