I feel you on the talent issue..  I've had that happen with scheduled guests 
for the show I'm trying to do here..  and the show must go on.  
 
Its so strange to see this all on TV, and it must be stranger still for you 
all, so close to it.    I mean, the feelings I'm having are so much like those 
I had on 9/11, and the first days after..  Its like end of the world stuff, 
fall of the roman empire, its very scary, and very disturbing..  So surreal...  
so many heroes, so many bad guys, so many victims, so much taken for granted...
Ok...  I'm babbling.. but I don't know anyone down there, and have no family 
there....  
 
-Frank
 
 
 
 


lancer777 <[EMAIL PROTECTED]> wrote:
el paso, texas.

as for casting someone else had said that i/we should've waited and 
it might've worked out better. funny thing is if i hadn't had 
mentioned that they weren't the original guys then no one would've 
known any better. as for the original actors - highly unprofessional 
to not show without any message what-so-ever. so they are now on 
my "do not call" list.

to be honest the 2 original guys were black and white. just so people 
would think that's what it was about, but they didn't show and you 
gotta work with what you've got. heck i didn't even get the original 
girl.

--- In [email protected], "Frank" <[EMAIL PROTECTED]> 
wrote:
> Your welcome Lance...
> 
> BTW, where do you live at?   
> 
> About the spot..   I think the casting did muddle it some..  and 
heck 
> the fight could easily have been race related..  that might have 
made 
> increased the impact of the message..  Even racial differences were 
> put aside.. blah, blah, blah...  
> 
> About camera unsteadiness as a technique..  I don't like it much 
> either, for the record, and I think its because, as  a viewer, it 
> makes me work harder than I'm used to watch whats going on in the 
> frame..  But it does what its suppose to do.
> 
> -Frank
> 
> 
> 
> 
> --- In [email protected], "lancer777" <[EMAIL PROTECTED]> 
> wrote:
> > thanks frank! by the way how are things? we are miles from the 
areas
> > hit by katrina, but i believe some refugees are headed for one of 
> our
> > school district's gymnasiums. almost a good 1,000 miles away but 
i'm
> > glad we can help out.
> > 
> > the funny perhaps ironic thing about the clip...some people think 
> the
> > beginning confrontation is a racial matter, but in truth both 
guys 
> are
> > hispanic. if i had more time the actual confrontation is over the 
> girl ;-)
> > 
> > --- In [email protected], Frank Mixson 
> <[EMAIL PROTECTED]>
> > wrote:
> > > I surprised to see this topic still going, so I thought I'd 
give 
> it
> > another look.  I was real surprised by the 2 comments listed 
> here... 
> >  It's meaning is pretty clear to me..  but who knows, i only have 
a
> > GED, so I might have it wrong, lol.
> > >  
> > > Lets see, on Sept 10, 2001 (when watching something, try to 
absorb
> > as much info as possible.. think of the dates on the spots as
> > 'clues'), two kids got into a fight about something. What were 
they
> > fighting about?  who cares?  Next sequence is the World Trade 
Center
> > bombings video being watched by the some kids.  The next sequence 
> has
> > date too, Sept. 12, 2001(hmmmm......  ), and shows the 2 kids 
from 
> the
> > first sequence shaking hands, exchanging words, and then heading
> > toward the US Marines
> > > recruiting center...   Duhhhhh...    OK, I'ma apply some GED 
math 
> to
> > this..  Two kids fight over something one day, America is 
attacked 
> the
> > next day, the following day, the kids put aside their differences 
> and
> > join the Marines.
> > >  
> > >  
> > > Hmmm.... looks like a recruiting spot to me.  Sometimes when
> > examining the bark of a tree, some miss the forest entirely.  
> There's
> > a lot more to the production of video than technical mastery.  
There
> > is also the use of symbolism, unfortunately, sometimes it is 
culture
> > specific..   A buddhist, might not get the christian symbolism
> > inherent to western art, and a christian might not get the taoist
> > references that are in many eastern arts..    I like to watch 
> foreign
> > movies, for just that reason. I'm surprised that these people 
didn't
> > 'get it'.  Maybe you had to be here on Sept 11, 2001, to 'get 
it'. 
> > >  
> > > But hey, what do i know?  I don't have any degrees in this 
stuff..
> > but like most americans, I don't need anyones permission or 
approval
> > to do it anyway..    Also, unsteady shots are quite the norm, 
now, 
> at
> > least here...  Think NYPD Blue. The eye is not allowed to rest, 
> > anxiety is increased in the veiwer, and a greater sense of being
> > 'present' is created in the veiwer. Sounds appropriate for the
> > sequence of them watching the TV (not sure if it was done
> > intentionally or not though, in this case,  but it can easily be
> > argued as an artistice choice).
> > >  
> > >  I also think that the viewers in this country are used to it 
now,
> > and that any unsteadiness in the camera work in this spot is
> > overlooked as people try to figure out what it means..  Which is 
> what
> > you want to do in film anyway.. make the viewer think, and keep
> > watching until they have figured it out or finally 'got it' .  
Like 
> I
> > said, I'm just guessing, I only have a GED, so I could be wrong. 
And
> > I've been to movies with people that didn't 'get it'.  They 
> unvariably
> > didn't like the movie.   
> > >  
> > > I had to say all that, Lance, because I got some nasty remarks 
> from
> > some folks across the pond about my stuff too.  Don't worry, I 
think
> > it just speaks to the resentment of americans in the rest of the 
> world
> > right now.  Misery loves company.




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