I am new to lighting techniques.  In the past I have taken my home camera out 
only on days when the skies were blue and I had good sunlight.  But, now, I 
want to make a teaching DVD on the new standards put out by the American Heart 
Association for CPR.  This project will take me indoors.  Can anyone tell me 
how well the 500 W work lights that you buy from Home Depot might work out for 
indoor video projects such as mine.

John
  ----- Original Message ----- 
  From: for_laekker 
  To: [email protected] 
  Sent: Monday, December 05, 2005 6:52 PM
  Subject: Re: [AP] Movie quality...


  Thanks for your reply Glen. I'll check out the camcorder and get 
  back to you.
  I'm pretty sure it's crap. I've got a couple of other alternatives 
  which I could post too, then maybe you can give a suggestion about 
  which is best?

  I know I'm not going to make a Hollywood production, but really want 
  people not have the feeling af watching a "home movie". It's not a 
  serious project by any means, but that doesn't mean it has to look 
  like it isn't!

  I was thinking about using a couple of work lights (approx. 500W) 
  with at sheet in front of it to diffuse the light. Would this be 
  good option for a basic lighting setup?

  Does anybody know of a tutorial for basic processing, that could 
  improve the image quality?

  Many thanks
  OMC

  --- In [email protected], Glen Tubbesing <[EMAIL PROTECTED]> 
  wrote:
  >
  > The problem is NOT your Firewire transfer, since Firewire is a 
  > digital-to-digital, lossless procedure.  The "special box" you 
  mention 
  > would actually give you lower quality than your Firewire 
  transfer.  More 
  > than likely, it's either the camcorder or camera skills.  If you 
  can 
  > give us the brand and model of your camcorder, we can give you 
  reports 
  > on its quality.
  > 
  > The reason why professional films have such good quality is that 
  they 
  > spend thousands, sometimes millions, of dollars on lighting, 
  equipment 
  > and materials, so that they get the good, high-quality look.  You 
  can't 
  > expect to get the same quality with a $300 camcorder recording on 
  a 
  > miniDV tape.  But, with some processing, proper lighting, and good 
  > camera skills, you can look better than "home movies."
  > 
  > Let us know the brand and model of the camcorder and we'll give 
  you a 
  > report.
  > 
  > Good luck,
  > Glen in Vegas
  > 
  > 
  > for_laekker wrote:
  > > Hi
  > > 
  > > I've been a member for a while, but have never posted here 
  before.
  > > 
  > > I'm a total newbie (from Denmark, so please excuse my english), 
  > > since I have only made one project in Premiere Pro 1.5
  > > 
  > > I'm recording with some cheap miniDV camcorder (can't remember 
  the 
  > > brand or model since it's one I borrow). When transfering the 
  shoots 
  > > to my computer over Firewire, I fell like quality is very poor 
  > > (can't really judge if the quality is as poor "inside" the 
  camcorde, 
  > > when look at the LCD). Is this a result from poor camera skills, 
  the 
  > > camcorder quality (guess it's a fairly cheap camcorder) or the 
  > > transfer over Firewire.
  > > A work where I borrow the camcorder (I've been told) they have 
  > > special PC for transfer/editing, which have a special box 
  through 
  > > which to transfer from camcorder to PC. This should give better 
  > > quality (don't know much about it, since I've only been told 
  about 
  > > it). Is my bad quality simply because of the Firewire transfers?
  > > After having transfered through Firewire, is it possible to 
  improve 
  > > the quality (in some fairly simple manor)?
  > > I'm kind of thinking like the improvements you see on 
  professional 
  > > films. When watching unprocessed bonus material, it's pretty bad 
  > > quality (pale colours and grainy), which is kind of like the 
  problem 
  > > I'm having... If someone know a tutorial to "restore" the 
  quality of 
  > > the shoots I would be very thankful.
  > > 
  > > Many thanks
  > > OMC
  >







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