David,
How are you monitoring the audio when you are mixing?
Lee
David Hurdon <[EMAIL PROTECTED]> wrote:
Until recently my video production has been quite simple on the audio side,
a music track with voice-over. But I'm involved in a project now in which
I'm using sound effects, multiple music tracks, narration and live-to-tape
audio, and finding the results unreliable. For example, when I dump a copy
to tape there's a drum roll-like sound closing one sequence which fails to
turn up on the VHS copy, despite fiddling with the volume, double-tracking
the sound clip, changing the audio track it's on, rendering audio first,
etc. Levels that sound fine to me are described as "all over the place" by
a friend with a good audio system.
I'm using Premiere 6.5. I understand the process of exporting individual
audio tracks for tweaking in an audio editor but I'm no sound engineer.
What is an appropriate work flow for completing a good audio mix? Let's
start with a good stereo mix. I'm not ready to talk surround sound yet.
David Hurdon
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