Thank you, Lee. Perhaps you can advise me on compression. I use an old
audio editor that became Audition if I recall correctly. It allows me to
"normalize" audio tracks to a selectable percentage, defaut is 90. It's my
understanding that this process flattens the range, lopping off highs and
boosting lows to create something with less swinging from "loud" to "not so
loud". As you can see I didn't major in audio engineering. How, if at all,
does this relate to "compression"?
David
PS I've played the same version through my dolby stereo receiver that my
buddy called "all over the map" and not found that to be the case. Maybe I
need a new stereo to go with those new studio monitors.
At 07:17 AM 2/8/2006 -0800, you wrote:
David,
Since your friend says the mix is "all over the map" I assume that you
can't accurately hear what's going on. If you don't have a pair of decent
audio monitors, that could be a big part of the problem. I can't remember
all of the elements of your mix, but if you have voice overs/dialog from
people on camera, be sure to compress the vocal tracks fairly
heavily. This will keep them from suddenly "popping" out of the mix.
Lee
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