> Also, there is a page with Adobe's "Capture Card Partners" listed...
> but, as Sune so eloquently stated...
>
> "Why not use a standard firewire card?"
>
> Glen in Vegas
Actually, in Europe at least, my main problem is not coming *in*, but going
*out*.
That is, viewing on the television during editing. I mention Europe because
one of the options that seems to be used in the United States a lot is
sending the DV out to the camera itself, which acts like a DV/Analog
converter and passes it on to the television. But here in Europe -- for
reasons I still haven't quite figured out -- far fewer cameras come with DV
input. And those that do tend to be a lot more expensive.
So if you don't have such a camera, you're left with either some kind of
capture card that'll do the analog-out-conversion or some other external
solution. I used to have the old Pinnacle DV500 that did that, but now, when
looking for a newer card solution, it looks like many of the manufacturers
are switching strategies: they're using their own software. Pinnacle seems
to be an example of this: their "Moviebox" products seem to be the
successors of DV500, but they come with Pinnacle's own editing software and
I've been told that you can't use Premiere Pro with them (I'd love to hear
I'm wrong on that because it would be a fairly inexpensive solution).
I'd be interested in knowing how others are handling the issue.
John
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