Ahh...
Now I see your pickle.
The European Union has put some weird taxes on DV-OUT so cameras that
normally has this feature are stripped down when shipped to "our" countries.
What camera are you using?
Sune
On 11 Apr 2007 04:45:39 -0700, John Favaro <[EMAIL PROTECTED]> wrote:
>
> > Also, there is a page with Adobe's "Capture Card Partners" listed...
> > but, as Sune so eloquently stated...
> >
> > "Why not use a standard firewire card?"
> >
> > Glen in Vegas
>
> Actually, in Europe at least, my main problem is not coming *in*, but
> going
> *out*.
>
> That is, viewing on the television during editing. I mention Europe
> because
> one of the options that seems to be used in the United States a lot is
> sending the DV out to the camera itself, which acts like a DV/Analog
> converter and passes it on to the television. But here in Europe -- for
> reasons I still haven't quite figured out -- far fewer cameras come with
> DV
> input. And those that do tend to be a lot more expensive.
>
> So if you don't have such a camera, you're left with either some kind of
> capture card that'll do the analog-out-conversion or some other external
> solution. I used to have the old Pinnacle DV500 that did that, but now,
> when
> looking for a newer card solution, it looks like many of the manufacturers
> are switching strategies: they're using their own software. Pinnacle seems
> to be an example of this: their "Moviebox" products seem to be the
> successors of DV500, but they come with Pinnacle's own editing software
> and
> I've been told that you can't use Premiere Pro with them (I'd love to hear
> I'm wrong on that because it would be a fairly inexpensive solution).
>
> I'd be interested in knowing how others are handling the issue.
>
> John
>
>
>
>
>
> Yahoo! Groups Links
>
>
>
>
--
Sune Alexandersen
www.dunderfilm.no
www.suneworld.com
[Non-text portions of this message have been removed]
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