Sune,

Aha! Thanks! Finally, clarity in what was a real mystery to me. So 
it's a tax thing! Of course, it's still a mystery why they would have 
wanted to slap taxes on, of all things, DV-OUT, but at least that 
explains the strange lack of DV-OUT cameras here.

Regarding which camera I'm using, well up to now it was just an "old" 
Sharp from a few years back, but as a matter of fact I have to shop 
around for a replacement now. The only DV-OUT I've seen so far for 
around 500 Euros is a JVC (and it's not clear to me whether it does 
real-time conversion anyway). After that, looks like you head way 
past 1000 Euros and beyond, fine for a serious pro, of course, less 
so for someone not-so-pro like me.

Thanks again for the illumination on the DV-OUT mystery in Europe,

John

--- In [email protected], "Sune Alexandersen" 
<[EMAIL PROTECTED]> wrote:
>
> Ahh...
> Now I see your pickle.
> The European Union has put some weird taxes on DV-OUT so cameras 
that
> normally has this feature are stripped down when shipped to "our" 
countries.
> 
> What camera are you using?
> 
> Sune
> 
> On 11 Apr 2007 04:45:39 -0700, John Favaro <[EMAIL PROTECTED]> wrote:
> >
> > >  Also, there is a page with Adobe's "Capture Card Partners" 
listed...
> > >  but, as Sune so eloquently stated...
> > >
> > >  "Why not use a standard firewire card?"
> > >
> > >  Glen in Vegas
> >
> > Actually, in Europe at least, my main problem is not coming *in*, 
but
> > going
> > *out*.
> >
> > That is, viewing on the television during editing. I mention 
Europe
> > because
> > one of the options that seems to be used in the United States a 
lot is
> > sending the DV out to the camera itself, which acts like a 
DV/Analog
> > converter and passes it on to the television. But here in Europe -
- for
> > reasons I still haven't quite figured out -- far fewer cameras 
come with
> > DV
> > input. And those that do tend to be a lot more expensive.
> >
> > So if you don't have such a camera, you're left with either some 
kind of
> > capture card that'll do the analog-out-conversion or some other 
external
> > solution. I used to have the old Pinnacle DV500 that did that, 
but now,
> > when
> > looking for a newer card solution, it looks like many of the 
manufacturers
> > are switching strategies: they're using their own software. 
Pinnacle seems
> > to be an example of this: their "Moviebox" products seem to be the
> > successors of DV500, but they come with Pinnacle's own editing 
software
> > and
> > I've been told that you can't use Premiere Pro with them (I'd 
love to hear
> > I'm wrong on that because it would be a fairly inexpensive 
solution).
> >
> > I'd be interested in knowing how others are handling the issue.
> >
> > John
> >
> >
> >
> >
> >
> > Yahoo! Groups Links
> >
> >
> >
> >
> 
> 
> -- 
> Sune Alexandersen
> www.dunderfilm.no
> www.suneworld.com
> 
> 
> [Non-text portions of this message have been removed]
>




 
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