Hi Uwe, Wouldn't be a bad idea if I had kids and wasn't bankrupt...
Still, there may be another way to do this, via the Audition program (I think). You can put reference markers on the video for narration I saw/read/heard somewhere, maybe if I did this for each clip at the start (if I'm allowed to), putting the start time into the marker..... it would be a start anyway. Otherwise, I'm just gonna have to trawl through it all and try to sync up everything (using the audio) like I always have done, no big issue really, gives me something to do I guess. Being able to just drop everything onto the timeline in sync where and when I want would make it kinda boring really. I have the privileges of being able to put the camera's there. To hook them up to their sound system (DJ's and lots of other un-techy guys there too) would only confuse them even more, they can't even get the Sax mic working on demand, so there's little hope really. I did try and jump in a few times but gave up in the end :-( Looks like the hard way unless I can suss that Audition (?) 'hack' I mentioned. Cheers, Neil. On 27 July 2011 12:41, Uwe Soltau <[email protected]> wrote: > ** > > > Lee, > I use the audio as well and it works very well but the best way is if > you have cameras > like my Sony NX5 which can be linked The one camera generates the timecode > which is then simultaneously recorded by all the other cameras as well. > I unfortunately only have one camera with that facility so can not use > it and would therefore > not know how to make the timecode visible in Premiere but I am sure that > should be possible. > > Neil, why don't you join the nations of this world and raise your debt > limit and get a few of those > cameras and ask your children to pay them off.:-) > > Uwe > > > > The best way I know to sync cameras is with the audio, not the video. > > Every > > week I put together something made from 4 cameras (and now for the > > last few > > months it is 5 cameras). The technique I use to allow easy sync'ing is to > > feed the same audio to every camera; I avoid on-camera mic's. Using > > the same > > audio stream makes it quite easy to locate patterns in the waveform to > > sync > > on. I look for patterns between pauses and/or for spikes. > > > > Lee > > > > > [Non-text portions of this message have been removed] > > > [Non-text portions of this message have been removed] ------------------------------------ Yahoo! Groups Links <*> To visit your group on the web, go to: http://groups.yahoo.com/group/Adobe-Premiere/ <*> Your email settings: Individual Email | Traditional <*> To change settings online go to: http://groups.yahoo.com/group/Adobe-Premiere/join (Yahoo! ID required) <*> To change settings via email: [email protected] [email protected] <*> To unsubscribe from this group, send an email to: [email protected] <*> Your use of Yahoo! Groups is subject to: http://docs.yahoo.com/info/terms/
