Agree. Put lavalier mics (tie clip) on each of the subjects and either record with an inexpensive Zoom recorder on the person(s) or use a (more expensive) wireless transmitter back to the camera. You can get away with two seperate mono wireless mics (each fed into left and right channels) or go totally pro and have a rack of receivers/recorders for multiple subjects.
Failing that, a shotgun mic on the camera can provide a much better directional capture, but it will pick up the background noise more than the lavaliers. This will still be much better than non directional (cardioid) mics however. I have had no problem syncing multiple audio tracks, without any clapperboard/flash/handclap, but YMMV depending on your experience editing. Neil. On 16 August 2011 17:32, Rieni <[email protected]> wrote: > ** > > > Yes, use the equalizer or high/low filters. > > And next time use proper mikes, that's where everything starts. I'm > still ruin shoots by having video perfect and audio completely messed > up, by putting mikes at the wrong place, leaving refrigerators > running and not making sure that everybody on the set turned off > their mobile phones. > > Rieni > > > At 16-8-2011 18:13, Malli Niranjan wrote: > >is there a way through which we could increase the loudness of the low > sound > >at the same time maintain -12db level ? > > > [Non-text portions of this message have been removed] ------------------------------------ Yahoo! Groups Links <*> To visit your group on the web, go to: http://groups.yahoo.com/group/Adobe-Premiere/ <*> Your email settings: Individual Email | Traditional <*> To change settings online go to: http://groups.yahoo.com/group/Adobe-Premiere/join (Yahoo! ID required) <*> To change settings via email: [email protected] [email protected] <*> To unsubscribe from this group, send an email to: [email protected] <*> Your use of Yahoo! Groups is subject to: http://docs.yahoo.com/info/terms/
