Re: a brocaded veil of polysyllabic, portentous, "profound" adjectives and
adverbs..

I like!

DA

Original Message-----
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Wednesday, 19 March 2008 1:23 PM
To: [email protected]
Subject: Re: a suggestion

Brian writes:

"Perhaps not in defense of Ranciere as I have not read
much of him yet, I quickly open Adorno's Aesthetic Theory.  One of the
fragments from the Paralipomena serves almost as a thesis regarding
Beethoven:

> "The concept of tension frees itself from the suspicion of being
> formalistic
> in that, by pointing up dissonant experiences or antinomical relations in
> the work, it names the element of "form" in which form gains its substance
> by virtue of its relation to its other.  Through its inner tension, the
work
> is defined as a force field even in the arrested moment of its
> objectivation.  The work is at once the quintessence of relations of
tension
> and the attempt to dissolve them...."
>
I wish I could convey how agonizingly obvious this seems to anyone who
writes
a novel, or stageplay, or screenplay. My greatest gripe about the worst --
but still "famous" -- critic/philosophers is the way they strain to hide
behind
a brocaded veil of   polysyllabic, portentous, "profound" adjectives and
adverbs the banal observations that any storyteller from Shakespeare,
Austen,
Dickens, Dostoievsky et al down to the merest hack has always known. That's
why
it's agonizing.



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