Pesky commas. That was supposed to be 'rubbish in, rubbish out.'

And when will I remember that dashes done in Word do not work here?

DA


On Sat, Jun 21, 2008 at 12:33 PM, Derek Allan <[EMAIL PROTECTED]> wrote:
> I should perhaps add to my last  especially since Cheerskep upbraids
> me from time to time for not saying when I agree with other listers'
> points  that I think he is spot on when he writes: "If I am
> experiencing pain, and a doctor shows me, on some sort of electronic
> scope, a pulsing nerve in my brain, and he says, 'That's your pain,' I
> would demur."
>
> This, in my view, is precisely why the whole neuro-aesthetics thing
> (if that's the term) is so misbegotten and pointless.  To show someone
> a brain scan and say 'That's your response to Mozart' is derisory.
> Certainly it will tell me what listening to Mozart did to my brain
> cells.  But it is no more my response to Mozart  my experience of his
> work  than a brain scan is my pain.
>
> And accumulating 100,000 scans for 100,000 'subjects' will tell me
> nothing more. 100,000 scans of pain still do not add up to one pain.
> Ditto for responses to Mozart
>
> As they used to say in computing, 'rubbish, in rubbish out.'
>
> DA
>
>
> On Sat, Jun 21, 2008 at 8:20 AM,  <[EMAIL PROTECTED]> wrote:
>> Derek asks:
>>
>> "How do you know these 'a.e.'s' are (just?) sensations?"
>>
>> This was in response to my saying:
>>
>> "An a.e. is a sensation, a personal experience as undeniable as a jolt of
>> fear, tactile pleasure, my experience with vanilla ice cream, or with the
>> color-sensation occasioned by encountering a material object like an
apple."
>>
>> In other words, during an "aesthetic experience" the "experience" I am
>> pointing at is what takes place in the aware mind; it is the conscious
feeling
>> within occasioned by the observation/contemplation of certain objects and
events.
>>
>> A key word in my description of my notion of a.e. is 'undeniable'.   A
>> sensation is undeniably taking place. When it occurs, it is, of course,
undeniable
>> only to the person doing the experiencing, but to him it is certainly
that.
>>
>> The word 'experience' is certainly used in other ways. Sometimes we use it
>> with no reference to what one is aware of. "He experienced a blow to the
head
>> that put him in a coma for four months." The notion behind this use of
>> 'experience' is different from the "awareness" notion of experience in, "He
experienced
>> great pain during and after the accident."
>>
>> I concede there may be bodily changes -- an increase in heart rate --
>> occasioned by the observation, and it's a nice question what causal
connection there
>> may be between the mental and the cardiac event. (William James suggested
we
>> don't run because we are afraid -- we are afraid because we run.)
>>
>> Derek asks further:
>> "And even if these 'a.e's' were just 'sensations' would they exist
>> independently of consciousness? (So might they not also depend on the 'out
>> there' somehow?)"
>>
>> No. In my view, conscious experience and, say, the concurrent neural
activity
>> are different entities. If I am experiencing pain, and a doctor shows me,
on
>> some sort of electronic scope, a pulsing nerve in my brain, and he says,
>> "That's your pain," I would demur.
>>
>> If Derek takes nerves in the brain to be "out there", then yes, I believe
>> consciousness is somehow "dependent" on them, but not in a way that is
pertinent
>> to anything I've said about a.e.'s.
>>
>> If by "out there" he means in the external, mind-independent world (where
by
>> 'mind' I mean the combination of consciousness and any correlative neural
>> role), and he's asking if my conscious experience can exist outside my head
the
>> way, say, the Plymouth Rock exists outside my head, then again my answer is
no.
>> My consciousness cannot exist outside my consciousness.
>>
>> Derek goes on:
>> "Speaking personally I am not aware of anything equivalent to a 'tactile
>> pleasure' when I look at a Goya painting or listen to Mozart for example.
Indeed
>> it is nothing like stroking a cat, for example."
>>
>> It almost always gives me humbling pause when I see what I've written
fails
>> to "communicate" serviceably. When I wrote, "An a.e. is a sensation, a
personal
>> experience as undeniable as a jolt of fear, tactile pleasure, my
experience
>> with vanilla ice cream, or" a visual sense datum like red, I did not mean
an
>> a.e. tastes like vanilla ice cream. I meant that just as fear, ecstasy,
>> exultancy in victory, tastes, smells, and tactile pleasures and pains are
undeniable
>> moments of consciousness, so is an a.e.
>>
>> A logician might put it this way:   An aesthetic experience and a tactile
>> experience are alike in that they are both distinct classes of
consciousness; but
>> the two classes have different members characterized by different
attributes.
>>
>> I like the comparison of a jolt of fear with an a.e., because they both
are
>> emotional experiences within, occasioned by observing something "out
there". In
>> that way they are alike. But they are unlike in the attributes of the
>> specific experiences. We'd also agree sudden fright is different from the
sudden
>> elation afforded by a joke we find funny, but they are alike in that both
are
>> feelings occasioned by an observation.
>>
>> Two caveats: When I say "I mean", what I have in mind is, "Here is the
notion
>> I am trying to convey." This notion of "to mean" stipulates an intention
to
>> communicate as essential to a person's trying "to mean". Thus we can
reasonably
>> say people mean, but words don't. Words do not intend ever -- only the
>> wordsmith does.
>>
>> I talk about the aesthetic experience a good deal in this posting, but I
do
>> it with the limited understanding betrayed by anyone who finds himself
confined
>> to defining by ostension -- i.e. by pointing. E.g. "the special, peculiar,
>> cherishable experience when we contemplate, say, Mozart, Shakespeare, Van
Gogh,
>> Pavarotti, Allegra Kent, et al at their best are instances of what I call
an
>> 'aesthetic experience'."
>>
>>
>>
>>
>> **************
>> Gas prices getting you down? Search AOL Autos for
>> fuel-efficient used cars.
>>      (http://autos.aol.com/used?ncid=aolaut00050000000007)
>>
>>
>
>
>
> --
> Derek Allan
> http://www.home.netspeed.com.au/derek.allan/default.htm
>



--
Derek Allan
http://www.home.netspeed.com.au/derek.allan/default.htm

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